"Rather an amusing experience in its way," she was thinking. "Something to tell Joan when I get back. But oh! what an appalling woman! She's settled one thing, though. It will be quite impossible to take Jane Saunders now. A pity—because I rather liked the girl's looks!"

Meanwhile the happily unconscious Mrs. Stimpson had settled down in her chair again with the conviction that she had made a distinctly favourable impression. She allowed her eyes to wander complacently round the room, which, with its big bay window looking on the semi-circular gravel sweep, and its glazed door by the fireplace leading through a small conservatory, gay with begonias, asters, and petunias to the garden beyond, was not merely large, by Gablehurst standards, but undeniably pleasant. She regarded its various features—the white chimney-piece and over-mantel with Adam decorations in Cartonpierre, the silk fire-screen printed with Japanese photographs, the cottage-grand, on which stood a tall trumpet vase filled with branches of imitation peach blossom, the étagères ("Louis Quinze style") containing china which could not be told from genuine Dresden at a distance, the gaily patterned chintz on the couches and chairs, the water-colour sketches of Venice, and coloured terra-cotta plaques embossed on high relief with views of the Forum and St. Peter's at Rome on the walls, and numerous "nick-nacks"—an alabaster model of the Leaning Tower of Pisa, a wood carving of the Lion of Lucerne, and groups of bears from Berne—all of which were not only souvenirs of her wedding-journey, but witnesses to Continental travel and general culture.

She could see nothing that was not in the most correct taste, as Lady Harriet must have observed for herself, together with the hammered copper gong, the oak chest, and the china bowl for cards in the hall. Strange that Saunders should have been the humble means of bringing about so unexpected a meeting, but Providence chose its own instruments, and now the seed was sown, Mrs. Stimpson felt she could rely on herself for the harvest.

And so she took up the latest number of The Upper Circle, and read, to the accompaniment of alternate duologues and soliloquies by thrushes and blackbirds in the garden, until gradually she drifted into a blissful dream of being at a garden-party at Lady Harriet's and entreated, not merely by her hostess, but Royalty itself, to accept the rôle of Queen at the County Pageant!

She was in the act of doing this gracefully, when the vision was abruptly ended by the entrance of her elder daughter. Edna was by no means bad-looking, in spite of her light eyelashes and eyebrows, and the fact that the pince-nez she wore compressed her small nose in an unbecoming ridge. Her eyes were larger than her mother's, though of the same colour, and her hair was of a deeper shade of auburn. Her costume was of a kind that may be described as the floppily artistic.

"I never heard you come in, my dear," said her mother. "Did you enjoy your lecture?"

"Quite; I took pages and pages of notes. Nietzsche's Gospel of the Superman is certainly most striking."

"And what is his Gospel exactly?"

"Oh, well, he teaches that the ideal man ought to rise superior to conventional prejudices, and have the courage to do as he thinks right without deferring to ordinary ideas. To be strong in willing what he wants—all that sort of thing, you know."

"Dear me!" said Mrs. Wibberley-Stimpson dubiously. "But, if everybody acted like that, would it be quite—er—nice?"