I merely called for the purpose of informing you that I consider you an artful and designing person, but that, on the whole, considering your birth and moral antecedents, you know—[nods at her]—it is not surprising. [Rebecca walks about wringing her hands.] Why, what is the matter? Did you really not know that you had no right to your father's name? I'd no idea you would mind my mentioning such a trifle!
Rebecca.
[Breaking out.] I do mind. I am an emancipated enigma, but I retain a few little prejudices still. I don't like owning to my real age, and I do prefer to be legitimate. And, after your information—of which I was quite ignorant, as my mother, the late Mrs. Gamvik, never once alluded to it—I feel I must confess everything. Strong-minded advanced women are like that. Here is Rosmer. [Rosmer enters with his hat and stick.] Rosmer, I want to tell you and Rector Kroll a little story. Let us sit down, dear, all three of us. [They sit down, mechanically, on chairs.] A long time ago, before the play began—[in a voice scarcely audible]—in Ibsenite dramas, all the interesting things somehow do happen before the play begins—;
Rosmer.
But, Rebecca, I know all this.
Kroll.
[Looks hard at her.] Perhaps I had better go?
Rebecca.
No—I will be short. This was it. I wanted to take my share in the life of the New Era, and march onward with Rosmer. There was one dismal, insurmountable barrier—[to Rosmer, who nods gravely]—Beata! I understood where your deliverance lay—and I acted. I drove Beata into the mill-race.... There!
Rosmer.