The excellent Consul had not a fine ear, but even he began to hail the fiftieth repetition of 'Pugnare nolumus,' for instance—the great national peace anthem of the period—with the feeling that he had heard the same tune at least twice before, and preferred something slightly fresher, while others had taken a much shorter time in arriving at the same conclusion.
The elder Duilius, the Consul's father, was perhaps the most annoyed by it; he was a nice old man in his way—the glass and china way—but he was a typical old Roman, with a manly contempt for pomp, vanity, music, and the fine arts generally.
So that his son's flute-player, performing all day in the court-yard, drove the old gentleman nearly mad, until he would rush to the windows and hurl the lighter articles of furniture at the head of the persistent musician, who, however, after dodging them with dexterity, affected to treat them as a recognition of his efforts, and carried them away gratefully to sell.
Duilius senior would have smashed the flute, only it was never laid aside for a single instant, even at meals; he would have made the player drunk and incapable, but he was a member of the Manus Spei, and he would with cheerfulness have given him a heavy bribe to go away, if the honest fellow had not proved absolutely incorruptible.
So he could only sit down and swear, and then relieve his feelings by giving his son a severe thrashing, with threats to sell him for whatever he might fetch: for, in the curious conditions of ancient Roman society, a father possessed both these rights, however his offspring might have distinguished himself in public life.
Naturally, Duilius did not like the idea of being put up to auction, and he began to feel that it was slightly undignified for a Roman general who had won a naval victory and been awarded a first-class Triumph to be undergoing corporal punishment daily at the hands of an unflinching parent, and accordingly he determined to go and expostulate with his flute-player.
He was beginning to find him a nuisance himself, for all his old shy reserve and unwillingness to attract attention had returned to him; he was fond of solitude, and yet he could never be alone; he was weary of doing everything to slow music, like the bold bad man in a melodrama.
He could not even go across the street to purchase a postage-stamp without the flute-player coming stalking out after him, playing away like a public fountain; while, owing to the well-known susceptibility of a rabble to the charm of music, the disgusted Consul had to take his walks abroad at the head of Rome's choicest scum.
Duilius, with a lively recollection of these inconveniences, would have spoken very seriously indeed to his musician, but he shrank from hurting his feelings by the plain truth. He simply explained that he had not intended the other to accompany him always, but only on special occasions; and, while professing the sincerest admiration for his musical proficiency, he felt, as he said, unwilling to monopolise it, and unable to enjoy it at the expense of a fellow-creature's rest and comfort.
Perhaps he put the thing a little too delicately to secure the object he had in view, for the musician, although he was obviously deeply touched by such unwonted consideration, waived it aside with a graceful fervour that was quite irresistible.