A TALE FOR CHILDREN.
f course he may have been really a fairy prince, and I should be sorry to contradict any one who chose to say so. For he was only about three inches high, he had rose-pink cheeks and bright yellow curling locks, he wore a doublet and hose which fitted him perfectly, and a little cap and feather, all of delicately contrasted shades of blue—and this does seem a fair description of a fairy prince.
But then he was painted—very cleverly—but still only painted, on a slab of prepared sugar, and his back was a plain white blank; while the regular fairies all have more than one side to them, and I am obliged to say that I never before happened to come across a real fairy prince who was nothing but paint and sugar.
For all that he may, as I said before, have been a fairy prince, and whether he was or not does not matter in the least—for he at any rate quite believed he was one.
As yet there had been very little romance or enchantment in his life, which, as far as he could remember, had all been spent in a long shop, full of sweet and subtle scents, where the walls were lined with looking-glass and fitted with shelves on which stood rows of glass jars, containing pastilles and jujubes of every colour, shape, and flavour in the world—a shop where, in summer, a strange machine for making cooling drinks gurgled and sputtered all day long, and in winter, the large plate-glass windows were filled with boxes made of painted silk from Paris, so charmingly expensive and useless that rich people bought them eagerly to give to one another.
The prince generally lay on one of the counters between two beds of sugar roses and violets in a glass case, on either side of which stood a figure of highly coloured plaster.
One was a major of some unknown regiment; he had an immense head, with goggling eyes and a very red complexion, and this head would unscrew so that he could be filled with comfits, which, though it hurt him fearfully every time this was done, he was proud of, because it always astonished people.
The other figure was an old brown gipsy woman in a red cloak and a striped petticoat, with a head which, although it wouldn't take off, was always nodding and grinning mysteriously from morning to night.
It was to her that the prince (for we shall have to call him 'the prince,' as I don't know his other name —if he ever had one) owed all his notions of Fairyland and his high birth.