"I understand, Horace," whispered Sylvia, "it's very naughty of you to have gone to all this trouble and expense (for, of course, it has cost you a lot) just to please us; but, whatever, dad may say, I love you all the better for doing it!"

And her hand stole softly into his, and he felt that he could forgive Fakrash everything, even—even the orchestra.

But there was something unpleasantly spectral about their shadowy forms, which showed in grotesquely baggy and bulgy shapes in the uncertain light. Some of them wore immense and curious white head-dresses, which gave them the appearance of poulticed thumbs; and they all went on scraping and twiddling and caterwauling with a doleful monotony that Horace felt must be getting on his guests' nerves, as it certainly was on his own.

He did not know how to get rid of them, but he sketched a kind of gesture in the air, intended to intimate that, while their efforts had afforded the keenest pleasure to the company generally, they were unwilling to monopolise them any longer, and the artists were at liberty to retire.

Perhaps there is no art more liable to misconstruction than pantomime; certainly, Ventimore's efforts in this direction were misunderstood, for the music became wilder, louder, more aggressively and abominably out of tune—and then a worse thing happened.

For the curtains separated, and, heralded by sharp yelps from the performers, a female figure floated into the hall and began to dance with a slow and sinuous grace.

Her beauty, though of a pronounced Oriental type, was unmistakable, even in the subdued light which fell on her; her diaphanous robe indicated a faultless form; her dark tresses were braided with sequins; she had the long, lustrous eyes, the dusky cheeks artificially whitened, and the fixed scarlet smile of the Eastern dancing-girl of all time.

And she paced the floor with her tinkling feet, writhing and undulating like some beautiful cobra, while the players worked themselves up to yet higher and higher stages of frenzy.

Ventimore, as he sat there looking helplessly on, felt a return of his resentment against the Jinnee. It was really too bad of him; he ought, at his age, to have known better!

Not that there was anything objectionable in the performance itself; but still, it was not the kind of entertainment for such an occasion. Horace wished now he had mentioned to Fakrash who the guests were whom he expected, and then perhaps even the Jinnee would have exercised more tact in his arrangements.