The Giant's Robe

by F. Anstey

There were some false cries at first. A 'London correspondent' knew for a fact that the book was written by an old lady at a lunatic asylum in her lucid intervals; while a ladies' journal had heard that the author was a common carpenter and entirely self-educated; and there were other similar discoveries. But before they had time to circulate widely, it became somehow common knowledge that the author was a young schoolmaster, and that his real name was Mark Ashburn.

And Mark at once began to reap the benefit. His old friends sought him out once more; men who had passed him in the streets with a careless nod that was almost as bad as a cut direct, or without even the smallest acknowledgment that a time had been when they were inseparables, now found time to stop him and ask if the rumours of his début in literature were really true.

By-and-by cards began to line his mantelpiece as in the old days; he went out once more, and met everywhere the kindness and courtesy that the world of London, whatever may be said against it, is never chary of showing towards the most insignificant person who has once had the good fortune to arouse its interest.

Mark liked it all at first, but as he saw the book growing more and more in favour, and the honours paid to himself increasing, he began to be uneasy at his own success.

He would not have objected to the book's securing a moderate degree of attention, so as to prepare the public mind for the blaze of intellect he had in reserve for it—that he had expected, or at least hoped for—but the mischief of this ridiculous enthusiasm which everyone he met seemed to be affecting over this book of Holroyd's was that it made an anticlimax only too possible when his own should see the light.

Mark heard compliments and thanks with much the annoyance a practised raconteur must feel with the feeble listener who laughs heartily, while the point of the story he is being told is still in perspective.

And soon he wished heartily that the halo he felt was burning round his undeserving head could be moderated or put out, like a lamp—it was such an inconvenience. He could never escape from Holroyd's book; people would talk to him about it.

Sooner or later, while talking to the most charming persons, just when he was feeling himself conversationally at his very best, he would see the symptoms he dreaded warning him that the one fatal topic was about to be introduced, which seemed to have the effect of paralysing his brain. He would struggle hard against it, making frantic efforts to turn the subject, and doubling with infinite dexterity; but generally his interlocutor was not to be put off, 'running cunning,' as it were, like a greyhound dead to sporting instincts, and fixing him at once with a 'Now, Mr. Ashburn, you really must allow me to express to you some of the pleasure and instruction I have received from your book,' and so on; and then Mark found himself forced to listen with ghastly smiles of sham gratification to the praises of his rival, as he now felt Holroyd was after all becoming, and had to discuss with the air of a creator this book which he had never cared to understand, and soon came cordially to detest.

If he had been the real author, all this would of course have been delightful to him; it was all so kind and so evidently sincere for the most part, that only a very priggish or cynical person could have affected to undervalue it, and any other, even if he felt it overstrained now and then, would have enjoyed it frankly while it lasted, remembering that, in the nature of things, it could not last very long.

But unfortunately, Mark had not written 'Illusion,' which made all the difference. No author could have shrunk more sensitively in his inmost soul than he did from the praise of his fellow-men, and his modesty would have been more generally remarked had he not been wise enough to perceive that modesty, in a man, is a virtue with a dangerous streak of the ridiculous about it.