The Giant's Robe

by F. Anstey

HAROLD CAFFYN MAKES A DISCOVERY.

HAROLD CAFFYN had not found much improvement in his professional prospects since we first made his acquaintance; his disenchantment was in fact becoming complete. He had taken to the stage at first in reliance on the extravagant eulogies of friends, forgetting that the standard for amateurs in any form of art is not a high one, and he was very soon brought to his proper level. A good appearance and complete self-possession were about his sole qualifications, unless we add the voice and manner of a man in good society, which are not by any means the distinctive advantages that they were a few years ago. The general verdict of his fellow-professionals was, 'Clever enough, but no actor,' and he was without the sympathy or imagination to identify himself completely with any character and feelings opposed to his own; he had obtained one distinct success, and one only—at a matinée, when a new comedy was presented in which a part of some consequence had been entrusted to him. He was cast for a cool and cynical adventurer, with a considerable dash of the villain in him, and played it admirably, winning very favourable notices from the press, although the comedy itself resulted as is not infrequent with matinées, in a dismal fiasco. However, the matinée proved for a time of immense service to him in the profession, and even led to his being chosen by his manager to represent the hero of the next production at his own theatre—a poetical drama which had excited great interest before its appearance—and if Caffyn could only have made his mark in it, his position would have been assured from that moment. But the part was one of rather strained sentiment, and he could not, rather than would not, make it effective. In spite of himself, his manner suggested rather than concealed any extravagances in the dialogue, and, worse still, gave the impression that he was himself contemptuously conscious of them; the consequence being that he repelled the sympathies of his audience to a degree that very nearly proved fatal to the play. After that unlucky first night the part was taken from him, and his engagement, which terminated shortly afterwards, was not renewed.

Caffyn was not the man to overcome his deficiencies by hard and patient toil; he had counted upon an easy life with immediate triumphs, and the reality baffled and disheartened him. He might soon have slid into the lounging life of a man about town, with a moderate income, expensive tastes, and no occupation, and from that perhaps even to shady and questionable walks of life. But he had an object still in keeping his head above the social waters, and the object was Mabel Langton.

He had long felt that there was a secret antagonism on her side towards himself, which at first he had found amusement in provoking to an occasional outburst, but was soon piqued into trying to overcome and disarm, and the unexpected difficulty of this had produced in him a state of mind as nearly approaching love as he was capable of.

He longed for the time when his wounded pride would be salved by the consciousness that he had at last obtained the mastery of this wayward nature, when he would be able to pay off the long score of slights and disdains which he had come to exaggerate morbidly; he was resolved to conquer her sooner or later in defiance of all obstacles, and he had found few natures capable of resisting him long after he had set himself seriously to subdue them.

But Mabel had been long in showing any sign of yielding. For some time after the loss of the 'Mangalore' she had been depressed and silent to a degree which persuaded Caffyn that his old jealousy of Holroyd was well-grounded, and when she recovered her spirits somewhat, while she was willing to listen and laugh or talk to him, there was always the suggestion of an armistice in her manner, and any attempt on his part to lead the conversation to something beyond mere badinage was sure to be adroitly parried or severely put down, as her mood varied.

Quite recently, however, there had been a slight change for the better; she had seemed more pleased to see him, and had shown more sympathy and interest in his doings. This was since his one success at the matinée, and he told himself triumphantly that she had at last recognised his power; that the long siege was nearly over.

He would have been much less complacent had he known the truth, which was this. At the matinée Mabel had certainly been at first surprised almost to admiration by an unexpected display of force on Caffyn's part. But as the piece went on, she could not resist an impression that this was not acting, but rather an unconscious revelation of his secret self; the footlights seemed to be bringing out the hidden character of the man as though it had been written on him in sympathetic ink.

As she leaned back in the corner of the box he had sent them, she began to remember little traits of boyish malice and cruelty. Had they worked out of his nature, as such strains sometimes will, or was this stage adventurer, cold-blooded, unscrupulous, with a vein of diabolical humour in his malevolence, the real Harold Caffyn?

And then she had seen the injustice of this and felt almost ashamed of her thoughts, and with the wish to make some sort of reparation, and perhaps the consciousness that she had not given him many opportunities of showing her his better side, her manner towards him had softened appreciably.