But, as Mr. Fladgate seemed convinced of its merit, as he would evidently take anything alleged to come from the same source without a very severe scrutiny, there was nothing for it but to risk this contingency.
Mark was convinced that publishers were influenced entirely by unreasoning prejudices; he thoroughly believed that his works would carry all before them if any firm could once overcome their repugnance to his powerful originality, and here was one firm at least prepared to lay that aside at a word from him. Why should he let it go unsaid?
The money transactions caused him the most hesitation. If he took money for another man's work, there was a name, and a very ugly name, for that. But he would not keep it. As soon as he learnt the names of Holroyd's legal representatives, whoever they might be, he would pay the money over to them without mentioning the exact manner in which it had become due. In time, when he had achieved a reputation for himself, he could give back the name he had borrowed for a time—at least he told himself he could do so.
He stood in no danger of detection, or, if he did, it was very slight. Vincent was not the man to confide in more than one person; he had owned as much. He had been reticent enough to conceal his real surname from his publishers, and now he could never reveal the truth.
All this rushed through his mind in a hurried, confused form; all his little vanities and harmless affectations and encouragements of false impressions had made him the less capable of resisting now.
'Well?' said Mr. Fladgate at last.
Mark's heart beat fast. He turned round and faced the publisher. 'I suppose I had better trust you,' he said awkwardly, and with a sort of shamefaced constraint that was admirably in keeping with his confession, though not artificial.
'I think so. Then you are the man—this book "Glamour"'s your own work?'
'If you must have it—yes,' said Mark desperately.
The words were spoken now, and for good or ill he must abide by them henceforth to the end.