When he was twenty-one, the Paris that Grévin drew was in the splendour of an extravagant life that she was never to see again, and never has. One could amuse one's self then—ah! Dame, oui!

There is no emperor now to keep Paris gay.

What suppers at Véfour's! What a brilliant life there was in those days under the arcades of the dear old Palais Royal, the gay world going daily to this mondaine cloister to see and be seen—to dine and wine—to make conquests of the heart and dance daylight quadrilles.

Paris was ordered to be daily en fête and the host at the Tuileries saw to it that the gaiety did not flag. It was one way at least from keeping the populace from cutting one another's throats, which they did later with amazing ferocity.

There were in those good old days under Louis Napoleon plenty of places to gamble and spend the inherited gold. Ah! it was Rabelaisian enough! What an age to have been the recipient of a million at twenty-one! It was like being a king with no responsibilities. No wonder de Savignac left the university—he had no longer any need of it. He dined now at the Maison Dorée and was seen nightly at the "Bal Mabille" or the "Closerie des Lilas," focussing his gold-rimmed monocle on the flying feet and lace frou-frous of "Diane la Sournoise," or roaring with laughter as he chucked gold louis into the satined lap of some "Francine" or "Cora" amid the blare of the band, and the flash of jewels strung upon fair arms and fairer necks of woman who went nightly to the "Bal Mabille" in smart turnouts and the costliest gowns money could buy—and after the last mad quadrille was ended, on he went to supper at Bignon's where more gaiety reigned until blue dawn, and where the women were still laughing and merry and danced as easily on the table as on the floor.

What a time, I say, to have inherited a million! And how many good friends he had! Painters and musicians, actors and wits (and there were some in those days)—no king ever gathered around him a jollier band.

It was from one of these henchmen of his that de Savignac purchased his château (long since emptied of its furniture)—from a young nobleman pressed hard for his debts, like most young noblemen are—and so the great château close to my Village of Vagabonds, and known for miles around, became de Savignac's.

What house parties he gave then!—men and women of talent flocked under his hospitable roof—indeed there was no lack of talent—some of it from the Opéra—some of it from the Conservatoire, and they brought their voices and their fiddles with them and played and sang for him for days, in exchange for his feudal hospitality—more than that, the painter Paul Deschamps covered the ceiling of his music room with chubby cupids playing golden trumpets and violins—one adorable little fellow in the cove above the grand piano struggling with a 'cello twice as high as himself, and Carin painted the history of love in eight panels upon the walls of the old ballroom, whose frescoes were shabby enough, so I am told, when de Savignac purchased them.

There were times also when the château was full to overflowing with guests, so that the late comers were often quartered in a low two-story manor close by, that nestled under great trees—a cosey, dear old place covered with ivy and climbing yellow roses, with narrow alleys leading to it flanked by tall poplars, and a formal garden behind it in the niches of whose surrounding wall were statues of Psyche and Venus, their smooth marble shoulders stained by rain and the drip and ooze of growing things. One of them even now, still lifts its encrusted head to the weather.

During the shooting season there were weeks when he and his guests shot daily from the crack of dawn until dark, the game-keepers following with their carts that by night were loaded with hares, partridges, woodcock and quail—then such a good dinner, sparkling with repartee and good wine, and laughter and dancing after it, until the young hours in the morning. One was more solid in those days than now—tired as their dogs after the day's hunt, they dined and danced themselves young again for the morrow.