"Play," said I, to him in my poor Hungarian (that de Savignac might not understand, for I wished to surprise him) "a real czardas of your people—ah! I have it!" I exclaimed. "Play the legend and the mad dance that follows—the one that Racz Laczi loved—the legend of the young man who went up the mountain and met the girl who jilted him."

Boldi nodded his head and grinned with savage enthusiasm. He drew his bow across the sobbing strings and the legend began. Under the spell of his violin, the chatter of the supper room ceased—the air now heavy with the mingled scent of perfume and cigars, seemed to pulsate under the throb of the wild melody—as he played on, no one spoke—the men even forgetting to smoke; the women listening, breathing with parted lips. I turned to look at de Savignac—he was drunk and there was a strange glitter in his eyes, his cheeks flushed to a dull crimson, but not from wine.

Boldi's violin talked—now and then it wept under the vibrant grip of the master, who dominated it until it dominated those to whom it played.

The young man in the legend was rushing up the mountain path in earnest now, for he had seen ahead of him the girl he loved—now the melody swept on through the wooing and the breaking of her promise, and now came the rush of the young man down to the nearest village to drown his chagrin and forget her in the mad dance, the "Czardas," which followed.

As the czardas quickened until its pace reached the speed of a whirlwind, de Savignac suddenly staggered to his feet—his breath coming in short gasps.

"Sit down!" I pleaded, not liking the sudden purplish hue of his cheeks.

"Let—me—alone," he stammered, half angrily. "It—is so good—to—be alive again."

"You shall not," I whispered, my eye catching sight of a gold louis between his fingers. "You don't know what you are doing—it is not right—this is my dinner, old friend—all of it, do you understand?"

"Let—me—alone," he breathed hoarsely, as I tried to get hold of the coin—"it is my last—my last—my last!"—and he tossed the gold piece to the band. It fell squarely on the cymballum and rolled under the strings.