It is such a funny little train that runs to my new-found Paradise, rocking and puffing and grumbling along on its narrow-gauge track with its cars labelled like grown-up ones, first, second, and third class; and no two painted the same colour; and its noisy, squat engine like the real ones in the toy-stores, that wind up with a key and go rushing off frantically in tangents. No wonder the train to my lost village is called "Le petit déraillard"—"The little get-off-the-track." And so I say, it might all have come packed in excelsior in a neat box, complete, with instructions, for the sum of four francs sixty-five centimes, had it not been otherwise destined to run twice daily, rain or shine, to Pont du Sable, and beyond.

Poor little train! It is never on time, but it does its best. It is at least far more prompt than its passengers, for most of them come running after it out of breath.

"Hurry up, mademoiselle!" cries the engineer to a rosy-cheeked girl in sabots, rushing with a market-basket under one arm and a live goose under the other. "Eh, my little lady, you should have gotten out of bed earlier!" laughs the conductor as he pulls her aboard.

"Toot! Toot!" And off goes the little get-off-the-track again, rocking and rumbling along past desert stretches of sand dunes screening the blue sea; past modern villas, isolated horrors in brick, pink, and baby blue, carefully planted away from the trees. Then suddenly the desert is left behind! Past the greenest of fields now, dotted with sleek, grazing cattle; past groves of pine; past snug Norman farms with low-thatched roofs half-smothered in yellow roses. Again the dunes, as the toy train swings nearer the sea. They are no longer desert wastes of sand and wire-grass, but covered now with a riot of growing things, running in one rich congested sweep of orchards, pastures, feathery woodlands and matted hedges down to the very edge of the blue sea.

A sudden turn, and the toy train creeps out of a grove of pines to the open bay. It is high tide. A flight of plover, startled by the engine, go wheeling away in a silver streak to a spit of sand running out from the marsh. A puff of smoke from the sand-spit, and the band leaves two of its members to a gentleman in new leather leggings; then, whistling over the calamity that has befallen them, they wheel again and strike for the open sea and safety.

Far across the expanse of rippling turquoise water stands a white lighthouse that at dusk is set with a yellow diamond. Snug at the lower end of the bay, a long mile from where the plovers rise, lies the lost village. Now the toy train is crawling through its crooked single street, the engine-bell ringing furiously that stray dogs and children, and a panicky flock of sheep may have time to get out of the way. The sheep are in charge of a rough little dog with a cast in one eye and a slim, barelegged girl who apologizes a dozen times to monsieur the engineer between her cries to her flock.

"They are not very well brought up, my little one—those sacred mutton of yours," remarks the engineer as he comes to a dead stop, jumps out of his cab, and helps straighten out the tangle.

"Ah, monsieur!" sighs the girl in despair. "What will you have? It is the little black one that is always to blame!"

The busy dog crowds them steadily into line. He seems to be everywhere at once, darting from right to left, now rounding up a stubborn ewe and her first-born, now cornering the black one.