A history of the Japanese people

by F. Brinkley; Dairoku Kikuchi

But his journey is attended with such a shaking of mountains and seething of rivers that the goddess, informed of his recalcitrancy and distrusting his purpose, makes preparations to receive him in warlike guise, by dressing her hair in male fashion (i.e. binding it into knots), by tying up her skirt into the shape of trousers, by winding a string of five hundred curved jewels round her head and wrists, by slinging on her back two quivers containing a thousand arrows and five hundred arrows respectively, by drawing a guard on her left forearm, and by providing herself with a bow and a sword.

The Records and the Chronicles agree in ascribing to her such an exercise of resolute force that she stamps her feet into the ground as though it had been soft snow and scatters the earth about. Susanoo, however, disavows all evil intentions, and agrees to prove his sincerity by taking an oath and engaging in a Kami-producing competition, the condition being that if his offspring be female, the fact shall bear condemnatory import, but if male, the verdict shall be in his favour. For the purpose of this trial, they stand on opposite sides of a river (the Milky Way). Susanoo hands his sword to Amaterasu-o-mi-Kami, who breaks it into three pieces, chews the fragments, and blowing them from her mouth, produces three female Kami. She then lends her string of five hundred jewels to Susanoo and, he, in turn, crunches them in his mouth and blows out the fragments which are transformed into five male Kami. The beings thus strangely produced have comparatively close connexions with the mundane scheme, for the three female Kami—euphoniously designated Kami of the torrent mist, Kami of the beautiful island, and Kami of the cascade—become tutelary goddesses of the shrines in Chikuzen province (or the sacred island Itsuku-shima), and two of the male Kami become ancestors of seven and twelve families, respectively, of hereditary nobles.

On the "high plain of heaven," however, trouble is not allayed. The Sun goddess judges that since female Kami were produced from the fragments of Susanoo's sword and male Kami from her own string of jewels, the test which he himself proposed has resulted in his conviction; but he, repudiating that verdict, proceeds to break down the divisions of the rice-fields laid out by the goddess, to fill up the ditches, and to defile the palace—details which suggest either that, according to Japanese tradition, heaven has its agriculture and architecture just as earth has, or that the "plain of high heaven" was really the name of a place in the Far East. The Sun goddess makes various excuses for her brother's lawless conduct, but he is not to be placated. His next exploit is to flay a piebald horse and throw it through a hole which he breaks in the roof of the hall where the goddess is weaving garments for the Kami. In the alarm thus created, the goddess* is wounded by her shuttle, whereupon she retires into a cave and places a rock at the entrance, so that darkness falls upon the "plain of high heaven" and upon the islands of Japan,** to the consternation of the Kami of evil, whose voices are heard like the buzzing of swarms of flies.

*According to the Records, it is the attendants of the goddess that suffer injury.

**Referring to this episode, Aston writes in his Nihongi: "Amaterasu-o-mi-Kami is throughout the greater part of this narrative an anthropomorphic deity, with little that is specially characteristic of her solar functions. Here, however, it is plainly the sun itself which witholds its light and leaves the world to darkness. This inconsistency, which has greatly exercised the native theologians, is not peculiar to Japanese myth."

Then follows a scene perhaps the most celebrated in all the mythological legends; a scene which was the origin of the sacred dance in Japan and which furnished to artists in later ages a frequent motive. The "eight hundred myriads" of Kami—so numerous have the denizens of the "plain of high heaven" unaccountably become—assemble in the bed of the "tranquil river"* to confer about a means of enticing the goddess from her retirement. They entrust the duty of forming a plan to the Kami of "thought combination," now heard of for the first time as a son of one of the two producing Kami, who, with the "great central" Kami, constituted the original trinity of heavenly denizens. This deity gathers together a number of barn-yard fowl to signal sunrise, places the Kami of the "strong arm" at the entrance of the cave into which the goddess has retired, obtains iron from the "mines of heaven" and causes it to be forged into an "eight-foot" mirror, appoints two Kami to procure from Mount Kagu a "five-hundred branched" sakaki tree (cleyera Japonica), from whose branches the mirror together with a "five-hundred beaded" string of curved jewels and blue and white streamers of hempen cloth and paper-mulberry cloth are suspended, and causes divination to be performed with the shoulder blade of a stag.

*The Milky Way.

Then, while a grand liturgy is recited, the "heaven-startling" Kami, having girdled herself with moss, crowned her head with a wreath of spindle-tree leaves and gathered a bouquet of bamboo grass, mounts upon a hollow wooden vessel and dances, stamping so that the wood resounds and reciting the ten numerals repeatedly. Then the "eight-hundred myriad" Kami laugh in unison, so that the "plain of high heaven" shakes with the sound, and the Sun goddess, surprised that such gaiety should prevail in her absence, looks out from the cave to ascertain the cause. She is taunted by the dancer, who tells her that a greater than she is present, and the mirror being thrust before her, she gradually comes forward, gazing into it with astonishment; whereupon the Kami of the "strong arm" grasps her hand and drags her out, while two other Kami* stretch behind her a rope made of straw, pulled up by the roots,** to prevent her return, and sunshine once more floods the "plain of high heaven."

*These two are the ancestors of the Kami of the Nakatomi and the Imibe hereditary corporations, who may be described as the high priests of the indigenous cult of Japan.

**This kind of rope called shime-nawa, an abbreviation of shiri-kume-nawa may be seen festooning the portals of any Shinto shrine.