In the disordered crowd of men that lies at the foot of the slope is a commotion that defies the efforts of the officers. In vain do they, knowing what is about to occur, endeavour to form a regular line of attack up the ravine, as, from those who are still swarming down the other side, arises one hoarse, savage cry that dominates the crash of rifle-volleys. It is the battle-cry of a primitive people that spontaneously clutches its primitive weapon in this awakening of its oldest instincts, this plunge into the æon-old chaos where man thirsts for the blood of man. "Na Nos! Na Nos!" comes the cry from a thousand throats, reiterated endlessly by frenzied men whose faces are deathly white or inflamed with blood. "Na Nos! Na Nos!" from parched mouths, from dry, cracked lips the shout issues, overpowering the orders of the officers. The bloodshot eyes that protrude with wild hatred at the trench no longer see those officers. It is a savage horde merely, in which the modern military hierarchy is lost, obliterated by an intensely individual lust to slay as their ancestors slew. "Na Nos! Na Nos!" "With the knife! With the knife!" What matters it that the knife is at the end of a rifle? It is still a knife, the primordial weapon. With an angry roar, the mass, no longer to be restrained, rushes madly up the slope.
With an answering crash the rifle-fire from the trench leaps to a climax. The men up there are firing for their lives. In the horde upon the slope is an appalling massacre. Heedless of it, blind to it, the mass surges upward, happily forgetful of the cartridges in their own rifles, mindful only of the blade that gleams at the muzzle. They see a line of faces, white behind countless spurts of flame. With one fierce roar they hurl themselves upon them. Men in grey-blue spring up and dash away or turn and run at them bayonet to bayonet. The attacking line howls in the joy of butchery—"Na Nos!"
The hot sun of a morning in early summer beat down upon the narrow street of a little North Italian town. Down the long, confined vista of colonnaded shopfronts, hung with striped awnings of warm hue, the air quivered above the cobbles, troubled the view of an arched, square-turreted gateway which barred the street. The sky above was a long strip of intense azure. Sharp to the left, near at hand, was the roughly-paved piazza, white-fronted Venetian-shuttered houses looking out to the large round basin, the weather-worn Triton, of the fountain where the pigeons, flashing in the sun, circled down to drink. A group of girls, bare-armed, black-haired, skirts turned up over vividly-coloured petticoats, water-jars underneath the gush from the Triton's mouth, or poised already upon the graceful head, stood laughing and chattering about the fountain. Their gaze was unanimously turned towards the large building, the words Palazzo Municipale over its arcaded front, which occupied one side of the square. Carved on that front, beneath the clock, defaced but not entirely obliterated, might yet be made out the double-eagle of Austria—a memento of a tyranny that had fled before a passionate patriotism, to entrench itself, not far distant, high on the crag and glacier of the eagles' haunts, ready to swoop. But not to that did the merry, whispering girls dart their flirtatious glances. The two grey-uniformed Bersagliere sentries, strutting up and down before the building, superb under the drooping cocks' feathers of their grey-covered tilted hats, were for once immune. A handsome young officer, black-moustached, dark-eyed, who stood, one foot upon the running-board of a car that hummed ready to start, in conversation with another officer, was the point of interest. Both officers, clad in the grey field-service uniform, wore upon their arm the brassard which indicated that they were of the Staff. The officer on the point of departure wore the badges of captain; he who was giving him his final instructions was a tenente colonello (lieutenant-colonel).
"You quite understand what the General wants, don't you, Ricci?" he said, using the familiar "tu," universal between Italian officers. "As soon as possible after the position is captured, a report on its possibilities for field artillery if we can advance to the covering ridge. The General thinks it will command the valley road up from the railway. You will see. Don't get buried under an avalanche!"
"Very good, colonel. I quite understand." He saluted—a quick movement of the hand horizontally below the peak of the képi, palm downwards, as though shading the sight, in the Italian fashion—and jumped into the car. He pushed to one side a heavy fur coat, settled himself. A moment later the car was humming out of the square, spinning down the long colonnaded street.
In front of him loomed the heavy mediæval gateway, square above its arch. Its ordinarily forbidding gloomy aspect was lost in a generous decoration of green boughs, a trophy of Italian flags, red, white and green, above a white-crossed shield, a great inscription—"Per la più grande Italia!"[2] The battle-cry of Italy's greatest modern poet—the cry that had rung beseeching, dominating, inspiring, through dithyramb after dithyramb of the wonderful passionate orations by which he had wakened the glowing soul of the people into flame, was blazoned here as everywhere in Italy. Under that gateway thousands of Italy's sons had marched to conflict with the Tedeschi, to the redemption of their brethren; thousands more would march. And those to come would shout as those who had gone had shouted: "Per la più grande Italia! Evviva Italia!" The captain, glancing up at it ere the car shot under the dark arch, carried the inscription marked upon his brain through the obscurity. Familiar enough, he reperceived its meaning with a thrill. What mattered the little individual life he was hurrying to risk? "Per la più grande Italia!"