In another column the short but potent line met his eye: "An overflowing and exceedingly fashionable house greeted the Negro Minstrels last night. First-rate talent never goes begging in our city." George sips his coffee and smiles. Wonderfully clever these editors are, he thinks. They have nice apologies for public taste always on hand; set the country by the ears now and then; and amuse themselves with carrying on the most prudent description of wars.
His own isolated condition, however, is uppermost in his mind. Poverty and wretchedness stare him in the face on one side; chivalry, on the other, has no bows for him while daylight lasts. Instinct whispers in his ear—where one exists the other is sure to be.
To the end that this young man will perform a somewhat important part in the by-ways of this history, some further description of him may be necessary. George Mullholland stands some five feet nine, is wiry-limbed, and slender and erect of person. Of light complexion, his features, are sharp and irregular, his face narrow and freckled, his forehead small and retreating, his hair sandy and short-cropped. Add to these two small, dull, gray eyes, and you have features not easily described. Nevertheless, there are moments when his countenance wears an expression of mildness—one in which the quick eye may read a character more inoffensive than intrusive. A swallow-tail blue coat, of ample skirts, and brass buttons; a bright-colored waistcoat, opening an avalanche of shirt-bosom, blossoming with cheap jewelry; a broad, rolling shirt-collar, tied carelessly with a blue ribbon; a steeple-crowned hat, set on the side of his head with a challenging air; and a pair of broadly-striped and puckered trowsers, reaching well over a small-toed and highly-glazed boot, constitutes his dress. For the exact set of those two last-named articles of his wardrobe he maintains a scrupulous regard. We are compelled to acknowledge George an importation from New York, where he would be the more readily recognized by that vulgar epithet, too frequently used by the self-styled refined—"a swell."
Life with George is a mere drift of uncertainty. As for aims and ends, why he sees the safer thing in having nothing to do with them. Mr. Tom Toddleworth once advised this course, and Tom was esteemed good authority in such matters. Like many others, his character is made up of those yielding qualities which the teachings of good men may elevate to usefulness, or bad men corrupt by their examples. There is a stage in the early youth of such persons when we find their minds singularly susceptible, and ready to give rapid growth to all the vices of depraved men; while they are equally apt in receiving good, if good men but take the trouble to care for them, and inculcate lessons of morality.
Not having a recognized home, we may add, in resuming our story, that George makes Baker's his accustomed haunt during the day, as do also numerous others of his class—a class recognized and made use of by men in the higher walks of life only at night.
"Ah! ha, ha! into a tight place this time, George," laughs out Mr. Soloman, the accommodation man, as he hastens into the room, seats himself in the box with George, and seizes his hand with the earnestness of a true friend. Mr. Soloman can deport himself on all occasions with becoming good nature. "It's got out, you see."
"What has got out?" interrupts George, maintaining a careless indifference.
"Come now! none of that, old fellow."
"If I understood you—"
"That affair last night," pursues Mr. Soloman, his delicate fingers wandering into his more delicately-combed beard. "It'll go hard with you. He's a stubborn old cove, that Sleepyhorn; administers the law as Cæsar was wont to. Yesterday he sent seven to the whipping-post; to-day he hangs two 'niggers' and a white man. There is a consolation in getting rid of the white. I say this because no one loses a dollar by it."