Armed with a revolver Mullholland has taken up his position in the street, where he awaits the coming of his adversaries. In doubt and anxiety, he reflects and re-reflects, recurs to the associations of his past life, and hesitates. Such reflections only bring more vividly to his mind the wrong he feels himself the victim of, and has no power to resent except with violence. His contemplations only nerve him to revenge.
A click, and the door cautiously opens, as if some votary of crime was about to issue forth in quest of booty. The hostess' head protrudes suddenly from the door, she scans first up and then down the street, then withdraws it. The Judge and Mr. Snivel, each in turn, shake the landlady by the hand, and emerge into the street. They have scarce stepped upon the sidepath when the report of a pistol resounds through the air. The ball struck a lamp-post, glanced, passed through the collar of Judge Sleepyhorn's coat, and brushed Mr. Snivel's fashionable whiskers. Madame Ashley, successor to Madame Flamingo, shrieks and alarms the house, which is suddenly thrown into a state of confusion. Acting upon the maxim of discretion being the better part of valor, the Judge and the Justice beat a hasty retreat into the house, and secrete themselves in a closet at the further end of the back-parlor.
As if suddenly moved by some strange impulse, Madame Ashley runs from room to room, screaming at the very top of her voice, and declaring that she saw the assassin enter her house. Females rush from their rooms and into the great parlor, where they form groups of living statuary, strange and grotesque. Anxious faces—faces half painted, faces hectic of dissipation, faces waning and sallow, eyes glassy and lascivious, dishevelled hair floating over naked shoulders;—the flashing of bewitching drapery, the waving and flitting of embroidered underskirts, the tripping of pretty feet and prettier ankles, the gesticulating and swaying of half-draped bodies—such is the scene occasioned by the bench and the bar.
Madame Ashley, having inherited of Madame Flamingo the value of a scrupulous regard for the good reputation of her house, must needs call in the watch to eject the assassin, whom she swears is concealed somewhere on the premises. Mr. Sergeant Stubbs, a much respected detective, and reputed one of the very best officers of the guard, inasmuch as he never troubles his head about other people's business, and is quite content to let every one fight their own battles,—provided they give him a "nip" of whiskey when they are through, lights his lantern and goes bobbing into every room in the house. We must here inform the reader that the cause of the emeute was kept a profound secret between the judicial gentry. Madame Ashley, at the same time, is fully convinced the ball was intended for her, while Anna lays in a terrible fright in her chamber.
"Ho," says Mr. Stubbs, starting back suddenly as he opened the door of the closet in which the two gentlemen had concealed themselves. "I see! I see!—beg your pardon, gentlemen!" Mr. Stubbs whispers, and bows, and shuts the door quickly.
"An infernal affair this, Judge! D—n me if I wouldn't as soon be in the dock. It will all get out to-morrow," interposes Mr. Snivel, facetiously.
"Blast these improper associations!" the high functionary exclaims, fussily shrugging his shoulders, and wiping the sweat from his forehead. "I love the girl, though, I confess it!"
"Nothing more natural. A man without gallantry is like a pilgrim in the South-West Pass. You can't resist this charming creature. In truth it's a sort of longing weakness, which even the scales of justice fail to bring to a balance."
Mr. Stubbs fails to find the assassin, and enters Madame Ashley's chamber, the door of which leads into the hall. Here Mr. Stubbs's quick eye suddenly discerns a slight motion of the curtains that enclose the great, square bed, standing in one corner. "I ax your pardon, Mam, but may I look in this 'ere bed?" Mr. Stubbs points to the bed, as Madame, having thrown herself into a great rocking chair, proceeds to sway her dignity backward and forward, and give out signs of making up her mind to faint.
Mr. Stubbs draws back the curtains, when, behold! but tell it not in the by-ways, there is revealed the stalworth figure of Simon Patterson, the plantation parson. Our plantation parsons, be it known, are a singular species of depraved humanity, a sort of itinerant sermon-makers, holding forth here and there to the negroes of the rich planters, receiving a paltry pittance in return, and having in lieu of morals an excellent taste for whiskey, an article they invariably call to their aid when discoursing to the ignorant slave—telling him how content with his lot he ought to be, seeing that God intended him only for ignorance and servitude. The parson did, indeed, cut a sorry figure before the gaze of this indescribable group, as it rushed into the room and commenced heaping upon his head epithets delicacy forbids our inserting here—calling him a clerical old lecher, an assassin, and a disturber of the peace and respectability of the house. Indeed, Madame Ashley quite forgot to faint, and with a display of courage amounting almost to heroism, rushed at the poor parson, and had left him in the state he was born but for the timely precautions of Mr. Stubbs, who, finding a revolver in his possession, and wanting no better proof of his guilt, straightway took him off to the guard-house. Parson Patterson would have entered the most solemn and pious protestation of his innocence but the evidence was so strong against him, and the zeal of Mr. Sergeant Stubbs so apparent, that he held it the better policy to quietly submit to the rough fare of his new lodgings.