"Heigh ho!" ejaculates Madame Ashley, to the great delight of the throng assembled, "Satan has come to rebuke sin." Madame bids his Honor a very polite good morning, and takes her departure, looking disdainfully over her shoulder as she disappears out of the door.
Not a little disturbed in his equanimity, the Judge pursues his charge. "The clergy ought to keep their garments clear of such places, for being the source of all evil, the effect on the community is not good—I mean when such things are brought to light! I would address you frankly and admonish you to go no more into such places. Let your ways merit the approbation of those to whom you preach the Gospel. You can go. Henceforth, live after the ways of the virtuous."
Parson Patterson thanks his Honor, begs to assure him of his innocence, and seems only too anxious to get away. His Honor bows to Mr. Patterson, Mr. Patterson returns it, and adds another for the audience, whereupon the court adjourns, and so ends the episode. His Honor takes Mr. Snivel's arm, and together they proceed to the "most convenient" saloon, where, over a well-compounded punch, "the bench and the bar" compliment each other on the happy disposal of such vexatious cases.
CHAPTER XXVII.
THE HOUSE OF THE NINE NATIONS, AND WHAT MAY BE SEEN IN IT.
On the corner of Anthony street and the Points,[4] in New-York, there stands, like a grim savage, the house of the Nine Nations, a dingy wooden tenement, that for twenty years has threatened to tumble away from its more upright neighbor, and before which the stranger wayfarer is seen to stop and contemplate. In a neighborhood redolent of crime, there it stands, its vices thick upon its head, exciting in the mind of the observer its association with some dark and terrible deed. On the one side, opens that area of misery, mud and sombre walls, called "Cow Bay;" on the other a triangular plot, reeking with the garbage of the miserable cellars that flank it, and in which swarms of wasting beings seek a hiding-place, inhale pestilential air, and die. Gutters running with seething matter; homeless outcasts sitting, besotted, on crazy doorsteps; the vicious, with savage visage, and keen, watchful eye, loitering at the doors of filthy "groceries;" the sickly and neglected child crawling upon the side-pave, or seeking a crust to appease its hunger—all are found here, gasping, in rags, a breath of air by day, or seeking a shelter, at night, in dens so abject that the world can furnish no counterpart. And this forlorn picture of dilapidated houses, half-clad, squabbish women, blistered-faced men, and sickly children, the house of the Nine Nations overlooks. And yet this house, to the disgrace of an opulent people be it said, is but the sample of an hundred others standing in the same neighborhood.
With its basement-doors opening into its bottomless pit; with its continual outgoing and ingoing of sooty and cruel-visaged denizens; with its rickety old steps leading to the second story; with its battered windows, begrimed walls, demolished shutters, clapboards hanging at sixes and sevens—with its suspicious aspect;—there it stands, with its distained sign over the doors of its bottomless pit. You may read on this sign, that a gentleman from Ireland, who for convenience' sake we will call Mr. Krone, is licensed to sell imported and other liquors.
Indeed the house of the Nine Nations would seem to say within itself: "I am mother of this banquet of death you behold with your eyes." There it stands, its stream of poison hurrying its victims to the grave; its little dark passages leading to curious hiding-places; its caving roof, and its ominous-looking back platform, overlooking the dead walls of Murderers' Yard. How it mocks your philanthropy, your regal edifices, your boasted charities—your gorgeous churches! Everybody but the corporation knows the house of the Nine Nations, a haunt for wasted prostitutes, assassins, burglars, thieves—every grade of criminals known to depraved nature. The corporation would seem either to have a charming sympathy for it, or to look upon it with that good-natured indifference so happily illustrated while eating its oysters and drinking its whiskey. An empty-headed corporation is sure always to have its hands very full, which is the case with yours at this moment. Having the people's money to waste, its own ambition to serve, and its hat to fill with political waste paper—what more would you ask of it?
The man of the house of the Nine Nations, you ought to know, makes criminals by the hundred, deluges your alms houses with paupers, and makes your Potters' field reek with his victims: for this he is become rich. Mr. Krone is an intimate friend of more than one Councilman, and a man of much measure in the political world—that is, Mr. Krone is a politician-maker. When you say there exists too close an intimacy between the pugilist and the politician, Mr. Krone will bet twenty drinks with any one of his customers that he can prove such doctrines at fault. He can secure the election of his favorite candidate with the same facility that he can make an hundred paupers per week. You may well believe him a choice flower in the bouquet of the corporation; we mean the corporation that banquets and becomes jubilant while assassins stab their victims in the broad street—that becomes befogged while bands of ruffians disgrace the city with their fiendish outrages—that makes presidents and drinks whiskey when the city would seem given over to the swell-mobsman—when no security is offered to life, and wholesale harlotry, flaunting with naked arms and bared bosoms, passes along in possession of Broadway by night.