If the reader will be pleased to fancy the trial before Fetter's tribunal—before described—with the knock-down arguments omitted, he will have a pretty clear idea of that now proceeding before Fuddle's; and having such will excuse our entering into details. Having heard the case with most, learned patience, the virtue of which has been well sustained by goodly potions of Paul and Brown's perfect "London Dock," Fuddle, with grave deportment, receives from the hands of the clerical-looking clerk-a broken-down gentleman of great legal ability-the charge he is about to make the jury. "Gentlemen," he says, "I might, without any detriment to perfect impunity, place the very highest encomiums on the capabilities displayed in the seriousness you have given to this all-important case, in which the state has such deep and constitutional interests; but that I need not do here. The state having placed in my possession such responsible functions, no one more than me can feel the importance of the position; and which position has always been made the judicial medium of equity and mercy. I hold moderation to be the essential part of the judiciary, gentlemen! And here I would say" (Fuddle directs himself to his gentlemanly five) "and your intelligence will bear me out in the statement, that the trial below seems to have been in error from beginning to end. I say this-understand, gentlemen!—with all deference to my learned brother, Fetter, whose judgments, in the exercise of the powers in me invested, and with that respect for legal equity by which this court is distinguished, it has become me so often to reverse. On the charge of creating an insurrection—rather an absurdity, by the way—you must discharge the prisoner, there being no valid proof; whereas the charge of maiming or raising his hand to a white man, though clearly proved, and according to the statutes a capital offence, could not in the spirit of mercy which now prevails in our judiciary—and, here, let me say, which is emulated by that high state of civilisation for which the people of this state are distinguished—be carried rigidly into effect. There is only this one point, then, of maiming a white gentleman, with intention—Ah! yes (a pause) the intention the court thinks it as well not to mind! open to you for a conviction. Upon this point you will render your verdict, guilty; only adding a recommendation to the mercy of the court." With this admonition, our august Mr. Fuddle, his face glowing in importance, sits down to his mixture of Paul and Brown's best. A few moments' pause—during which Fetter enters looking very anxious—and the jury have made up their verdict, which they submit on a slip of paper to the clerk, who in turn presents it to Fuddle. That functionary being busily engaged with his punch, is made conscious of the document waiting his pleasure by the audience bursting into a roar of laughter at the comical picture presented in the earnestness with which he regards his punch-some of which is streaming into his bosom-and disregards the paper held for some minutes in the clerk's hand, which is in close proximity with his nasal organ. Starting suddenly, he lets the goblet fall to the floor, his face flushing like a broad moon in harvest-time, takes the paper in his fingers with a bow, making three of the same nature to his audience, as Fetter looks over the circular railing in front of the dock, his face wearing a facetious smile. "Nigger boy will clear away the break,—prisoner at the bar will stand up for the sentence, and the attending constable will reduce order!" speaks Fuddle, relieving his pocket of a red kerchief with which he will wipe his capacious mouth. These requests being complied with, he continues-having adjusted his glasses most learnedly-making a gesture with his right hand—"I hold in my hand the solemn verdict of an intelligent jury, who, after worthy and most mature deliberation, find the prisoner at the bar, Nicholas Grabguy, guilty of the heinous offence of raising his hand to a white man, whom he severely maimed with a sharp-edged tool; and the jury in their wisdom, recognising the fact of their verdict involving capital punishment, have, in the exercise of that enlightened spirit which is inseparable from our age, recommended him to the mercy of this court, and, in the discretion of that power in me invested, I shall now pronounce sentence. Prepare, then, ye lovers of civilisation, ye friends of humanity, ye who would temper the laws of our land of freedom to the circumstance of offences—prepare, I say, to have your ears and hearts made glad over the swelling sound of this most enlightened sentence of a court, where judgments are tempered with mercy." Our hero, a chain hanging loosely from his left arm, stands forward in the dock, his manly deportment evincing a stern resolution to meet his fate unsubdued. Fuddle continues:—"There is no appeal from this court!" (he forgot the court of a brighter world) "and a reversing the decision of the court below, I sentence the prisoner to four years' imprisonment with hard labour, two months' solitary confinement in each year, and thirty blows with the paddle, on the first day of each month until the expiration of the sentence." Such, reader, was Fuddle's merciful sentence upon one whose only crime was a love of freedom and justice. Nicholas bowed to the sentence; Mr. Grabguy expressed surprise, but no further appeal on earth was open to him; Squire Fetter laughed immeasurably; and the officer led his victim away to the place of durance vile.
To this prison, then, must we go with our hero. In this magnificent establishment, its princely exterior seeming like a modern fort with frowning bastions, are some four hundred souls for sale and punishment. Among them Nicholas is initiated, having, for the time being, received his first installment of blows, and takes his first lesson in the act of breaking stone, which profession is exclusively reserved for criminals of his class. Among the notable characters connected with this establishment is Philip Fladge, the wily superintendent, whose power over the criminals is next to absolute. Nicholas has been under Philip's guardianship but a few months, when it is found that he may be turned into an investment which will require only the outlay of kindness and amelioration on his part to become extremely profitable. Forthwith a convention is entered into, the high contracting parties being Nicholas and himself. Mr. Fladge stipulates on his part that the said Nicholas, condemned by Fairweather Fuddle's court to such punishments as are set forth in the calendar, shall be exempt from all such punishments, have the free use of the yard, comfortable apartments to live in, and be invested with a sort of foremanship over his fellow criminals; in consideration of which it is stipulated on the part of Nicholas that he do work at the more desirable profession of stucco-making, together with the execution of orders for sculpture, the proceeds of which were to be considered the property of Fladge, he allowing the generous stipend of one shilling a week to the artist. Here, then, Mr. Fladge becomes sensible of the fact that some good always come of great evils, for indeed his criminal was so far roving a mine of wealth that he only hoped it might be his fortune to receive many more such enemies of the state: he cared not whether they came from Fetter or Fuddle's court. With sense enough to keep his heart-burnings well stored away in his own bosom, Nicholas soon became a sort of privileged character. But if he said little, he felt much; nor did he fail to occupy every leisure moment in inciting his brother bondmen to a love of freedom. So far had he gained complete control over their feelings, that scarce two months of his sentence had expired ere they would have followed his lead to death or freedom.
Among those human souls stored for sale was one Sal Stiles, an olive wench of great beauty, and daughter of one of the very first families. This Sal Stiles, who was indeed one of the most charming creatures to look upon, had cousins whom the little world of Charleston viewed as great belles; but these said belles were never known to ring out a word in favour of poor Sal, who was, forsooth, only what-in our vulgar parlance-is called a well-conditioned and very marketable woman. Considering, then, that Nicholas had been separated by Grabguy from his wife and children, the indulgent reader, we feel assured, will excuse our hero for falling passionately in love with this woman. That it was stipulated in the convention between himself and Fladge, he should take her unto himself, we are not justified in asserting; nevertheless, that that functionary encouraged the passion rather than prevented their meetings is a fact our little world will not pretend to deny.
CHAPTER LI. — A CONTINUATION OF THE LAST CHAPTER.
A YEAR and two months have rolled by, since Nicholas, a convict, took up his abode within the frowning walls of a prison: thus much of Fuddle's merciful sentence has he served out. In the dreary hours of night, fast secured in his granite cell, has he cherished, and even in his dreams contemplated, the means of escaping into that freedom for which his soul yearns. But, dearly does he love Sal Stiles, to whose keeping he confides the secret of his ambition; several times might he, having secured the confidence of Fladge, have effected his own escape; but the admonitions of a faithful heart bid him not leave her behind in slavery. To that admonition of his bosom did he yield, and resolve never to leave her until he secured her freedom. A few days after he had disclosed to her his resolution, the tall figure of Guy Grantham, a broker of slaves by profession, appeared in the prison yard, for the purpose of carrying away the woman, whom he had sold for the Washington market, where her charms would indeed be of much value during the session, when congress-men most do riot. Already were the inseparable chains about her hands, and the miserable woman, about to be led away, bathed in grief. Nicholas, in his studies, had just finished a piece of scroll-work for Mrs. Fladge, as a companion approached him in great haste, and whispered the word of trouble-"they're taking her away"-in his ear. Quick as lightning did the anger of his very soul break forth like a tempest: he rushed from his place of labour, vaulted as it were to the guard gate, seized the woman as she stepped on the threshold in her exit, drew her back with great force, and in a defiant attitude, drawing a long stiletto from his belt, placed himself between her and her destroyer. "Foes of the innocent, your chains were not made for this woman; never shall you bear her from this; not, at least, while I have arm to defend her, and a soul that cares not for your vengeance!" spake he, with curling contempt on his lip, as his adversaries stood aghast with fear and trembling. "Nay!-do not advance one step, or by the God of justice I make ye feel the length of this steel!" he continued, as Grantham nervously motioned an attempt to advance. Holding the woman with his left hand pressed backward, he brandished his stiletto in the faces of his opponents with his right. This was rebellion in its most legal acceptation, and would have justified the summary process Grantham was about adopting for the disposal of the instigator, at whose head he levelled his revolver, and, without effect, snapped two caps, as Nicholas bared his bosom with the taunt—"Coward, shoot!" Mr. Fladge, who was now made sensible of the error his indulgence had committed, could not permit Grantham the happy display of his bravery; no, he has called to his aid some ten subguardsmen, and addressing the resolute Grantham, bids him lay aside his weapon. Albeit he confesses his surprise at such strange insolence and interference; but, being responsible for the life, thinks it well to hold a parley before taking it. Forsooth his words fall useless on the ears of Nicholas, as defiantly he encircles the woman's waist with his left arm, bears her away to the block, dashes the chains from her hands, and, spurning the honied words of Fladge, hurls them in the air, crying: "You have murdered the flesh;—would you chain the soul?" As he spoke, the guard, having ascended the watch tower, rings out the first alarm peal. "Dogs of savage might! ring your alarms; I care not," he continued, casting a sardonic glance at the tower as the sound died away on his ear. His pursuers now made a rush upon him, but ere they had secured him he seized a heavy bludgeon, and repelling their attack, found some hundred of his companions, armed with stone hammers, rallying in his defence. Seeing this formidable force thus suddenly come to his rescue, Mr. Fladge and his force were compelled to fall back before the advance. Gallantly did Nicholas lead on his sable band, as the woman sought refuge in one of the cells, Mr. Fladge and his posse retreating into the guard-house. Nicholas, now in full possession of the citadel, and with consternation and confusion triumphant within the walls, found it somewhat difficult to restrain his forces from taking possession of the guardhouse, and putting to death those who had sought shelter therein. Calmly but firmly did he appeal to them, and beseech them not to commit an outrage against life. As he had placed himself between the woman and her pursuers, so did he place himself before a file of his sable companions, who, with battle hammers extended, rushed for the great gates, as the second alarm rung out its solemn peal. Counselling his compatriots to stand firm, he gathered them together in the centre of the square, and addressed them in a fervent tone, the purport of which was, that having thus suddenly and unexpectedly become plunged into what would be viewed by the laws of the land as insurrection, they must stand on the defensive, and remember it were better to die in defence of right than live under the ignorance and sorrow of slavery.
While our hero-whose singular exploit we have divested of that dramatic effect presented in the original-addressed his forlorn band in the area of the prison, strange indeed was the scene of confusion presenting along the streets of the city. The alarm peals had not died ineffectual on the air, for as a messenger was despatched to warn the civil authorities of the sad dilemma at the prison, the great bell of St. Michael's church answered the warning peal with two loud rings; and simultaneously the city re-echoed the report of a bloody insurrection. On the long line of wharfs half circling the city, stood men aghast with fright; to the west all was quiet about the battery; to the south, the long rampart of dark moving pines that bordered on that side the calm surface of a harbour of unsurpassed beauty, seemed sleeping in its wonted peacefulness; to the east, as if rising from the sea to mar the beauty of the scene, stood fort Sumpter's sombre bastions, still and quiet like a monster reposing; while retracing along the north side of the harbour, no sign of trouble flutters from Fort Moultrie or Castle Pinkney-no, their savage embrasures are closed, and peace hangs in mists over their dark walls. The feud is in the city of democrats, wherein there are few who know not the nature of the warning peal; nor, indeed, act on such occasions like a world in fear, waiting but the tap of the watchman's baton ere it rushes to bloodshed.
In the busy portion of the city have men gathered at the corners of the street to hold confused controversy; with anxious countenances and most earnest gesticulations do they discuss the most certain means of safety. Ladies, in fright, speedily seek their homes, now asking questions of a passerby, whose intense excitement has carried off his power of speech, then shunning every luckless negro who chances in their way. The rumour of an insurrection, however falsely founded, turns every negro (of skin there is no distinction) into an enemy; whilst the second sound of the alarm peal makes him a bloody votary, who it needs but the booming of the cannon ere he be put to the sword. Guardsmen, with side-arms and cross-belts, are eager and confused, moving to and fro with heavy tread; merchants and men of more easy professions hasten from their labours, seek their homes, prepare weapons for the conflict, and endeavour to soothe the fears of their excited families, beseeching protection. That a deadly struggle is near at hand no one doubts, for men have gathered on the house-tops to watch the moving mass, bearing on its face the unmistakeable evidence of fear and anxiety, as it sweeps along the streets. Now the grotesque group is bespotted with forms half dressed in military garb; then a dark platoon of savage faces and ragged figures brings up the rear; and quickly catching the sound "To the Workhouse!" onward it presses to the scene of tumult. Firemen in curious habiliment, and half-accoutred artillerymen, at the alarm peal's call are rallying to their stations, as if some devouring element, about to break over the city, demanded their strongest arm; while eager and confused heads, protruded from green, masking shutters, and in terror, would know whither lies the scene of the outbreak. Alarm has beset the little world, which now moves a medley of fear and trembling.
The clock in St. Michael's tall spire has just struck two, as, in the arena of the prison, Nicholas is seen, halted in front of his little band, calmly awaiting the advance of his adversaries, who, fearing to open the great gates, have scaled the long line of wall on the north side. Suddenly the sound of an imploring voice breaks upon his ear, and his left hand is firmly grasped, as starting with surprise he turns and beholds the slave woman, her hair hanging loosely over her shoulders, and her face bathed in tears. With simple but earnest words does she admonish him against his fatal resolution. Fast, and in the bitter anguish of her soul, fall her implorings; she would have him yield and save his life, that she may love him still. Her words would melt his resolution, had he not taken the rash step. "In my soul do I love thee, woman!" he says, raising her gently to her feet, and imprinting a kiss upon her olive brow; "but rather would I die a hero than live a crawling slave: nay, I will love thee in heaven!" The woman has drawn his attention from his adversaries, when, in that which seems a propitious moment, they rush down from the walls, and ere a cry from his band warn him of the danger, have well nigh surprised and secured him. With two shots of a revolver pierced through the fleshy part of his left arm, does he bound from the grasp of his pursuers, rally his men, and charge upon the miscreants with undaunted courage. Short but deadly is the struggle that here ensues; far, indeed, shrieks and horrid groans rend the very air; but the miscreants are driven back from whence they came, leaving on the ground five dead bodies to atone for treble the number dead of our hero's band. In the savage conflict did the woman receive a fatal bullet, and now lies writhing in the agonies of death (a victim of oppression in a land of liberty) at our hero's feet. Not a moment is there to spare, that he may soothe her dying agonies, for a thundering at the great gates is heard, the bristling of fire-arms falls upon his ear, and the drums of the military without beat to the charge. Simultaneously the great gates swing back, a solid body of citizen soldiery, ready to rush in, is disclosed, and our hero, as if by instinct moved to rashness, cries aloud to his forces, who, following his lead, dash recklessly into the soldiery, scatter it in amazement, and sweep triumphantly into the street. The first line of soldiery did not yield to the impetuous charge without effect, for seven dead bodies, strewn between the portals of the gate, account for the sharp report of their rifles. Wild with rage, and not knowing whither to go, or for what object they have rushed from the bounds of their prison house, our forlorn band, still flourishing their battle hammers, have scarcely reached the second line of military, stationed, in war order, a few squares from the prison, when our hero and nine of his forlorn band fall pierced through the hearts with rifle bullets. Our Nicholas has a sudden end; he dies, muttering, "My cause was only justice!" as twenty democratic bayonets cut into shreds his quivering body. Oh, Grabguy! thou wilt one day be made to atone for this thy guilt. Justice to thy slave had saved the city its foreboding of horror, and us the recital of a bloody tragedy we would spare the feelings of our readers by ending here.