CHAPTER VII. — "BUCKRA-MAN VERY UNCERTAIN."
THE caption, a common saying among negroes at the south, had its origin in a consciousness, on the part of the negro, of the many liabilities to which his master's affairs are subject, and his own dependence on the ulterior consequences. It carries with it a deep significance, opens a field for reflection, comprehends the negro's knowledge of his own uncertain state, his being a piece of property the good or evil of which is effected by his master's caprices, the binding force of the law that makes him merchandise. Nevertheless, while the negro feels them in all their force, the master values them only in an abstract light. Ask the negro whose master is kind to him, if he would prefer his freedom and go north?-At first he will hesitate, dilate upon his master's goodness, his affection for him, the kindly feeling evinced for him by the family-they often look upon him with a patriarchal tenderness-and, finally, he will conclude by telling you he wishes master and missus would live for ever. He tells you, in the very simplicity of his nature, that "Eve' ting so unsartin! and mas'r don't know if he die when he gwine to." That when he is dying he does not realise it; and though his intention be good, death may blot out his desires, and he, the dependent, being only a chattel, must sink into the uncertain stream of slave-life. Marston's plantation might have been taken as an illustration of the truth of this saying. Long had it been considered one of eminent profit; his field slaves were well cared for; his favourite house servants had every reasonable indulgence granted them. And, too, Marston's mansion was the pleasant retreat of many a neighbour, whose visits were welcomed by the kindly attention he had taught his domestics to bestow. Marston's fault lay in his belonging to that class of planters who repose too much confidence in others.
The morning following Lorenzo's departure ushered forth bright and balmy. A quiet aspect reigned in and about the plantation, servants moved sluggishly about, the incidents of the preceding night oppressed Marston's mind; his feelings broke beyond his power of restraint. Like contagion, the effect seized each member of his household,—forcibly it spoke in word and action! Marston had bestowed much care upon Lorenzo and Franconia; he had indulged and idolised the latter, and given the former some good advice. But advice without example seldom produces lasting good; in truth, precept had the very worst effect upon Lorenzo,—it had proved his ruin! His singular and mysterious departure might for a time be excused,—even accounted for in some plausible manner, but suspicion was a stealing monster that would play upon the deeply tinctured surface, and soar above in disgrace. That the Rovero family were among the first of the State would not be received as a palliation; they had suffered reverses of fortune, and, with the addition of Lorenzo's profligacy, which had been secretly drawing upon their resources, were themselves well nigh in discredit. And now that this sudden and unexpected reverse had befallen Marston, he could do nothing for their relief. Involved, perplexed, and distrusted-with ever-slaying suspicion staring him in the face-he was a victim pursued by one who never failed to lay low his object. That man moved with unerring method, could look around him upon the destitution made by his avarice, without evincing a shadow of sympathy. Yes! he was in the grasp of a living Shylock, whose soul, worn out in the love of gold, had forgotten that there existed a distinction between right and wrong.
Surrounded by all these dark forebodings, Marston begins to reflect on his past life. He sees that mercy which overlooks the sins of man when repentance is pure; but his life is full of moral blemishes; he has sinned against the innocent, against the God of forgiveness. The inert of his nature is unfolding itself,—he has lived according to the tolerated vices of society-he has done no more than the law gave him a right to do! And yet, that very society, overlooking its own wrongs, would now strip him of its associations. He lives in a State where it is difficult to tell what society will approve or reprobate; where a rich man may do with impunity what would consign a poor man to the gallows.
If we examine the many rencontres that take place in the south, especially those proving fatal, we will find that the perpetrator, if he be a rich man, invariably receives an "honourable acquittal." Again, when the man of position shoots down his victim in the streets of a city, he is esteemed brave; but a singular reversion takes place if the rencontre be between poor men. It is then a diabolical act, a murder, which nothing short of the gallows can serve for punishment. The creatures whom he had made mere objects to serve his sensuality were before him; he traced the gloomy history of their unfortunate sires; he knew that Ellen and Clotilda were born free. The cordon that had bound his feelings to the system of slavery relaxed. For the first time, he saw that which he could not recognise in his better nature-himself the medium of keeping human beings in slavery who were the rightful heirs of freedom. The blackness of the crime-its cruelty, its injustice-haunted him; they were at that very moment held by Graspum's caprice. He might doom the poor wretches to irretrievable slavery, to torture and death! Then his mind wandered to Annette and Nicholas; he saw them of his own flesh and blood; his natural affections bounded forth; how could he disown them? The creations of love and right were upon him, misfortune had unbound his sensations; his own offspring stood before him clothed in trouble thick and dangerous. His follies have entailed a life-rent of misery upon others; the fathomless depth of the future opens its yawning jaws to swallow up those upon whom the fondness of a father should have been bestowed for their moral and physical good.
As he sits contemplating this painful picture, Aunt Rachel enters the room to inquire if Lorenzo breakfasts with them. "Why! old mas'r, what ail ye dis mornin'? Ye don't seems nohow. Not a stripe like what ye was yesterday; somethin' gi 'h de wrong way, and mas'r done know what i' is," she mutters to herself, looking seriously at Marston.
"Nothing! old bustler; nothing that concerns you. Do not mention Lorenzo's name again; he has gone on a journey. Send my old faithful Daddy Bob to me." Rachel hastened to fulfil the command; soon brought the old servant to the door. His countenance lighted up with smiles as he stood at the doorway, bowing and scraping, working his red cap in his hand. There stood the old man, a picture of attachment.
"Come in, Bob, come in!" Marston says, motioning his hand, "I wish the world was as faithful as you are. You are worthy the indulgence I have bestowed upon you; let me hope there is something better in prospect for you. My life reproves me; and when I turn and review its crooked path-when I behold each inconsistency chiding me-I lament what I cannot recall." Taking the old man by the hand, the tears glistening in his eyes, he looks upon him as a father would his child.
"In a short time, Bob, you shall be free to go where you please, on the plantation or off it. But remember, Bob, you are old-you have grown grey in faithfulness,—the good southerner is the true friend of the negro! I mean he is the true friend of the negro, because he has associated with him from childhood, assimilated with his feelings, made his nature a study. He welcomes him without reserve, approaches him without that sensitiveness and prejudice which the northerner too often manifests towards him. You shall be free, Bob! you shall be free!-free to go where you please; but you must remain among southerners, southerners are your friends."
"Yes, mas'r, 'im all just so good, if t'warn't dat I so old. Free nigger, when 'e old, don't gwane to get along much. Old Bob tink on dat mighty much, he do dat! Lef Bob free win 'e young, den 'e get tru' de world like Buckra, only lef 'im de chance what Buckra hab. Freedom ain't wof much ven old Bob worn out, mas'r; and Buckra what sell nigger,—what make 'e trade on him, run 'im off sartin. He sell old nigger what got five dollar wof' a work in 'e old bones. Mas'r set 'um free, bad Buckra catch 'um, old Bob get used up afo' he know nofin," quaintly replied the old man, seeming to have an instinctive knowledge of the "nigger trade," but with so much attachment for his master that he could not be induced to accept his freedom.