"You met him in New York, eh?" resumed Romer, affecting great surprise. "Looking just as fresh and rosy as ever, I suppose, and as ready to give himself up to the business of ornamenting society." Romer patted Gusher on the shoulder familiarly, and smiled.
"If you should meet him again," he resumed, playfully, "and it is more than likely you will—stop him. He does'nt take offence easily. Keep your eye on him. Tell him you are a friend of his, and have a lady with a fortune you would like to introduce him to. That will gain his confidence. Then slip this card into his hand. It contains my address. Tell him I am an old friend of his, and have some old and important business I would like to settle. Don't let your modesty interfere with your intentions, you know."
Gusher took the card, and after affecting to read the name placed it in his pocket, without exhibiting the slightest change of countenance. "You shall zee I shall do myself ze 'onar of being your diplomat," said he, bowing himself formally out of the room.
"Romer, old fellow, what's up?" enquired one of the young men. "A spoon, ain't he, Romer?"
"Not so much of a spoon, I take it," said another. "Considers himself a planet illuminating the social hemisphere of the Chapman family."
"You must pardon me, gentlemen," said Romer, "for introducing a conversation so strange to you. It refers to a matter which concerns the gentleman and myself, which he perfectly understands, and you may hear more of soon—not now."
Another, and very different scene from that described above, but which forms an essential part of this history, was being enacted just outside. While the sound of the music was reverberating over Bowling Green, and mingling curiously with the sea-wail; while the dance went on, and all seemed gay and festive within, two old men, bent with age and poorly clad, were seen in front of Chapman's house, one of them leaning on a staff. They were the two shadowy figures seen on the Battery in the early part of the evening, looking anxiously out in the direction of a ship at anchor in the stream.
Their manner indicated that they were strangers in the city, uncertain of the location they were in. They would move slowly up and down in front of the house, then pause and listen to the music, the tripping of feet, and the sound of merry voices. The shadowy figures seen flitting through the curtains seemed to bewilder them. Then, after consulting together for a few minutes, and as if armed with some new resolution, they would ascend two or three steps, as if intent on seeking admission to the house. Then their resolution would seem to fail them, they would hesitate, and return slowly and reluctantly to the sidewalk.
Then he of the staff stood in the shadow of the street lamp, and as he did so his kindly but wrinkled face, his white, flowing beard and hair, reflected in the dim light, formed a striking picture of age made touching by sorrow. Then his eyes brightened and his lips quivered, and after looking sorrowfully up at the scene before him for several minutes, he motioned his companion to him, laid his trembling hand on his arm, and said:
"Tar pees no shustice in dis. He prings shorrow hinto mine house, unt shust now his house pees full of peeples what rejoices. I gits mine preat mit t' sweet of mine prow, so ven I ties I ties mit mine conscience so clear as I shays t' mine Got, ven I meets mine Got, dar pees no tirt on mine hands. If I only gits some news from mine poor Tite, Critchel, some shoy comes t' mine poor heart." And he shook his head as he said this, and leaned on his staff, and tears coursed down his wrinkled face.