Ivy-leaved Speedwell.

The Musk Mallow (Malva moschata), and the Common Mallow (M. sylvestris), the subjects of our next illustrations, are both common plants, the musk mallow being frequently met with, and more especially on gravelly soils, while the common mallow, though rare in Scotland, is abundant throughout England on all kinds of ground. The flower of the common mallow is of a pale purplish tint, with the veins of a darker purple: a very rare variety has been met with, having the flowers of a pure blue. The leaves are round in general outline, but deeply lobed into five or seven divisions, and in olden time, before the introduction of many of our present vegetables into England, were a common article of diet. This, together with the musk mallow and the marsh mallow (Althæa officinalis), possesses considerable medicinal repute, the whole plant being mucilaginous and demulcent in character. The roots of the Althæa, boiled in water, will yield

Common Mallow. Musk Mallow.

one half their weight of a glutinous matter, of great value from its emollient qualities; the leaves and fruit will also yield it, but in a lesser degree. The virtues of the family have long been recognised. Pliny held that whosoever should take a little of the extract should throughout that day be free from all fear of disease. Dioscorides considered it a sure antidote in cases of poisoning; while Hippocrates taught that its soothing action especially fitted it as a vulnerary. The flowers of the musk mallow are very large, and of a pure and delicate pink, the leaves very deeply divided, a feature distinguishing it from all the other British species of mallow. Its English name is suggested by the slight musky smell of the foliage if pressed in the hand. The Malvaceæ are chiefly tropical plants; about six hundred species are known, almost all possessing the mucilaginous character of our British species, many yielding in addition a valuable fibre, and some American and Asiatic species producing the well-known cotton, a filamentous substance enveloping the seeds. The hollyhock of our gardens also belongs to this family. The generic name, Malva, is derived from a Greek word signifying to soften, in allusion to the soothing effect of the greater number of the genus, while the English name has clearly descended from the Anglo-Saxon malu. Drawings of the common mallow may be seen in F. L. vol. ii. 51; M. B. 54; P. F. 1; V. W. 393. The musk mallow will be found in F. L. vol. iv. 50; T. N. O. 23.

Maple.

The Maple (Acer campestre) is generally met with as a small hedgerow tree throughout England, but it is not common in either Scotland or Ireland. The wood, though small in section, is often very beautifully veined, and thus becomes of service for furniture, inlay, &c. The bark is exceedingly rough, full of deep furrows, and very much resembling cork in its appearance. The fruit is winged. The specific name, campestre, refers to the localities in which the plant may be found, the open fields; while the generic name, Acer, sharp or hard, in Celtic ac, has been bestowed upon it from the toughness of the wood. It was extensively used by the ancient Britons in the fabrication of weapons of war—spikes, spears, and lance handles. The English name evidently descends from the Saxon mapul-dre. We thus in these few words, Acer campestre, the maple, learn where the plant is to be found; one of its striking features, the hardness of the wood; and also, from its Saxon name, the fact of its being one of our indigenous shrubs. This has, from the beautiful forms of the leaves and fruit, been largely introduced in mediæval work. It occurs, for instance, very beautifully treated, as one of a series of small spandrels in the stalls of Lincoln Cathedral, and again in a spandrel in the choir of Winchester. On the Continent two very beautiful examples of it are seen in hollow mouldings in the cathedrals of Evreux, and of Notre Dame, Paris. All these specimens are of the fourteenth century. Drawings of the natural growth may be seen in T. N. O. 30; P. F. 26; G. O. 94.

King-cup, or Marsh Marigold (Caltha palustris), a plant by no means uncommonly met with in marshy ground, water-courses, and such-like localities. It may frequently be found in tidal streams, growing in such a position that at high tide it is completely covered; we have thus seen it by the side of the Thames, flourishing in great vigour and beauty, and at full tide swaying with the force of the stream at a depth of from one to two feet from the surface. In such situations the plant grows with luxuriance, and from the large size and brilliant yellow of its star-like flowers, the vigorous growth of the rich green foliage, and the long succulent stems, it becomes a striking feature even in the mass of bold healthy vegetation so commonly found by the edges of a water-course: these, therefore, are the characters which, in embodying the plant in any design, we must endeavour to enforce. We are unacquainted with any early examples of the use of the marsh marigold, except in one page of a fifteenth-century illustration. This is the more curious since the name marigold has reference to its use in the church-decorations of the Middle Ages, upon those days more especially devoted to the festivals associated with the Virgin Mary; we should naturally, therefore, have thought that, thus brought before the attention, its ornamental features would have been perceived and permanently embodied in some capital or spandrel. The generic name, Caltha, is derived from a Greek word signifying cup, and expressively points out a beautiful feature in the form of the flower; while the specific name, palustris, is drawn from the Latin palus, a marsh, and clearly indicates the localities naturally chosen by the plant. The plant will be found in flower in the spring, remaining for a considerable time in full bloom, and from its perennial nature will, when once established in any locality, soon become a permanent addition to the flora of the district. Representations of the natural growth of the marsh marigold will be found in E. B. 40; P. F. 54.

The Mistletoe—Anglo-Saxon, mistelta (Viscum album)—is so well known that it would appear strange that so familiar a plant has been but little employed in mediæval art, did we not remember that its pagan associations had placed it under a ban. The only example of its use that has come under our observation is in one of the spandrels of a tomb in Bristol Cathedral. The natural growth will be found portrayed in M. B. 270; W. H. H., Plate A, Fig. 3; P. F. 88. The lightness of the plant, and its association with Christmas, seem features that render a knowledge of it desirable to the ornamentist. It appears to us a plant capable of very extensive use in the various developments of decorative art. We need only mention a few—the backs of playing-cards, earthenware, muslins, chintzes, wall-papers. Many other uses will, no doubt, readily suggest themselves to our readers.