The Portuguese ensign for her vessels of war and also for the merchant service bears the shield and crown, but instead of the
scarlet field we find the groundwork of the flag half blue, and half white, as shown in Fig. [196]. The choice of these special colours, no doubt, arose from the arms on the original shield, the five blue escutcheons on the white ground. The Portuguese Jack has the national arms and royal crown in the centre of a white field, the whole being surrounded by the broad border of blue.
Italy, for centuries a geographical expression, is now one and indivisible. Within the recollection of many of our readers the peninsula was composed of the Kingdom of the two Sicilies, the Pontifical States, the Grand Duchy of Tuscany, the Duchies of Parma and Modena. There was also in the north the Kingdom of Sardinia, while Lombardy and Venetia were in the grip of Austria. It is somewhat beside our present purpose to go into the wonderful story of how Victor Emmanuel of Savoy, aided by Cavour, Garibaldi, and many another noble patriot, by diplomacy, by lives freely laid down on the Tchernaya, on the fields of Magenta and Solferino, by the disaster at Sedan, by bold audacity at one time, by patient waiting at another, was finally installed in Rome, the Capital of United Italy, as king of a great and free nation of over thirty millions of people. Suffice it now to say that this Kingdom of Italy, as we now know it, did not achieve until the year 1870 this full unity under one flag that had been for centuries the dream of patriots who freely shed their blood on the battlefield or the scaffold, or perished in the dungeons of Papal Rome, or Naples, or Austria for this ideal.
On the downfall in 1861 of the Bourbon Government in the Kingdom of the two Sicilies before the onslaught of the Volunteers of Garibaldi, the first National Parliament met in Turin, and proclaimed Victor Emmanuel King of Italy. The title was at once acknowledged by Great Britain, and, later on, by the other Powers, and the capital of the rising State was transferred to Florence. The Papal States were still under the protection of France, "the eldest Son of the Church"; and the young Kingdom, unable to wrest Rome from the French, had to wait with such patience as it could command for the consummation of its hopes. The long-looked-for day at last arrived, when amidst the tremendous defeats inflicted in 1870 by Germany on France, the French garrison in Rome was withdrawn, and the Italians, after a short, sharp conflict with the Papal troops, entered into possession of the Eternal City, and at once made it the Capital of a State at last free throughout its length and breadth—no longer a geographical expression, but a potent factor to be reckoned with and fully recognised.
Napoleon I. formed Italy into one kingdom in the year 1805, but it was ruled by himself and the Viceroy, Eugene Beauharnois, he appointed; and on his overthrow this, like the various other political
arrangements he devised, came to nought. The flag he bestowed was a tricolor of green, white, and red, his idea being that, while giving the new Kingdom a flag of its own, it should indicate by its near resemblance to that of France the source to which it owed its existence. In 1848, the great revolutionary period, this flag, which had passed out of existence on the downfall of Napoleon, was reassumed by the Nationalists of the Peninsula, and accepted by the King of Sardinia as the ensign of his own kingdom, and charged by him with the arms of Savoy. This tricolor, so charged (see Fig. [197]) was the flag to which the eyes of all Italian patriots turned, and it is to-day the flag of all Italy. The flag we have represented is the ensign of the Merchant Service; the flag of the armed forces military and naval, is similar, save that the shield in the centre is surmounted by the Royal Crown. The Royal Standard, the personal flag of the King, has the arms of Savoy in the centre, on a white ground, the whole having a broad bordering of blue.
This shield of Savoy, the white cross on the red field, was the device of the Knights of St. John of Jerusalem, an order semi-religious, semi-military, that owed its origin to the Crusades. In the year 1310 the Knights captured Rhodes from the Saracens, but being hard pressed by the infidels, Duke Amadeus IV., of Savoy, came to the rescue, and the Grand Master of the Order conferred upon him the cross that has ever since been borne in the arms of Savoy. The Jack or bowsprit flag of the Italian man-of-war, Fig. [234], is simply this shield of the Knights of St. John squared into suitable flag-like form.
The Minister of Marine has the tricolor, but on the green portion is placed erect a golden anchor. The vessels carrying the Royal Mail fly a burgee of green, white, red, having a large white "P" on the green; and there are many other official flags, the insignia of various authorities or different departments, but lack of space forbids our dwelling at greater length upon them.
The war flag of the defunct temporal power of the Pope was white, and in its centre stood figures of St. Peter and St. Paul, and above them the cross keys and tiara. Fig. [198] was the flag of the merchant ships owned by the subjects of the States of the Church. The combination of yellow and white is very curious. In the banner borne by Godfrey, the Crusader King of Jerusalem, the only tinctures introduced were the two metals, gold and silver, five golden crosses being placed upon a silver field. This was done of deliberate intention that it might be unlike all other devices, as it is in all other cases deemed false heraldry to place metal on metal. The theory that these metals were selected because of the reference in the Psalms to the Holy City, may also be a very possible one—"Though ye have lien amongst the pots, yet shall ye
be as the wings of a dove covered with silver, and her feathers with yellow gold." However this may be, the yellow and white of the arms of Jerusalem was adopted by the Papal Government.