With these facts before us and with our understanding of the nature of symbols, it is easy to identify the dragon and the beast as the Roman Empire, first under the pagan form and later under the papal form. Although the beast was to succeed the dragon, yet in identifying the heads of the beast, the angel informed John that in his day five had already fallen, while one then existed and the other was future. This proves, then, that the same heads served both for the dragon and for the beast, thus establishing their essential identity. And it is a fact well known that there is no essential difference between Rome pagan and Rome papal. The seven heads of Rome, therefore, signify the distinct forms of government that ruled successively in the empire, for they are represented, not as simultaneous powers, but as consecutive powers. The five that had already fallen when John received the vision were the regal power, the consular, the decemvirate, the military tribunes, and the triumvirate. "One is"—the imperial. The seventh, or future one, was the patriciate.
It is natural that the pagan Roman Empire should be represented as a dragon. In the prophecy of Daniel the Grecian kingdom is represented by a he goat for no other apparent reason than the fact that the goat was the national military standard of the Grecian monarchy. So also the dragon was the principal military standard of the Romans next to the eagle. Arian, an early writer, mentions the fact that dragons were used as military standards by the Romans. The dragon of Revelation 12 is also described as a red dragon. The dragon standards of the Romans were painted red. Ammianus Marcellinus mentions "the purple standard of the dragon." By this fabulous beast described as a great red dragon, then, is symbolically represented the heathen Roman Empire.
The ten horns, or kingdoms, which had not yet risen when the revelation was given, were the ten minor kingdoms that grew out of the Roman Empire during its decline and fall. These are as follows: 1. Anglo-Saxons; 2. Burgundians; 3. Franks; 4. Huns; 5. Heruli; 6. Lombards; 7. Ostrogoths; 8. Suevi; 9. Vandals; 10. Visigoths.
The dragon is described with the horns, although they were not yet in existence and did not arise until about the time the dragon became the beast. He is also represented with seven heads, although he really possessed only one head at a time and five had already fallen and one was yet to come. He is described with all the heads and horns he had ever had or was to have. The reason why the same general power is described under two forms—first as the dragon and later as the beast—will appear more clearly hereafter.
The fact that the dragon was called the devil and Satan has led some to think that the personal devil himself is meant. The foregoing explanation concerning the heads and the horns shows conclusively, however, that by the dragon is meant the pagan Roman Empire, and not Beelzebub. The Hebrews applied the term "Satan" to an adversary, or opposer, as can be seen by examining in the original the following and many other texts: Num. 22:22; 1 Sam. 29:4; 2 Sam. 19:22; 1 Kings 11:25. The term is also thus used in the New Testament, signifying merely an opposer. "But he turned, and said unto Peter, Get thee behind me, Satan" (Matt. 16:23). "The things which the Gentiles sacrifice, they sacrifice to devils" (1 Cor. 10:20). Paganism was the great opposer of Christianity; hence was a Satan to it, while the apostle Paul denominated its religious rites as devil-worship. We must remember that the text does not say that the dragon was the devil and Satan, but that he was called the devil and Satan. He partook of the nature and character of the personal devil, was the chief instrument through which the devil worked, and was therefore called by his name.
The tail of this dragon "drew the third part of the stars of heaven, and did cast them to the earth." This is not a literal description, for the fixed or planetary stars never fall to the earth. If they did, they would destroy it. The stars are doubtless employed as symbols set in the ecclesiastical firmament, giving light amid the surrounding darkness. Light is so often used as the representative of gospel truth that the application of the stars to prominent characters in the church is obvious. Jesus is the Sun of Righteousness, and his ministers are bright, shining stars—light-givers. The ministers of the seven churches of Asia Minor are represented as stars (chap. 1:20). "They that be wise shall shine as the brightness of the firmament; and they that turn many to righteousness as the stars forever and ever" (Dan. 12:3). The casting down of the third part of the stars, therefore, signifies the warfare which the dragon power waged against the early church, in which conflict the ministers of Christ became the marked objects of heathen wrath.
The war in heaven
"And there was war in heaven: Michael and his angels fought against the dragon; and the dragon fought and his angels, and prevailed not; neither was their place found any more in heaven. And the great dragon was cast out, that old serpent called the Devil and Satan, which deceiveth the whole world: he was cast out into the earth, and his angels were cast out with him. And I heard a loud voice saying in heaven, Now is come salvation, and strength, and the kingdom of our God, and the power of his Christ: for the accuser of our brethren is cast down, which accused them before our God day and night. And they overcame him by the blood of the Lamb, and by the word of their testimony; and they loved not their lives unto the death" (Rev. 12:7-11).
The symbolic scene suddenly changes, and instead of the woman and the man child, Michael and his angels appear in conflict with the dragon and his angels. This change of symbols indicates the introduction of a different phase of thought. From the nature of the symbols we can quickly ascertain the reason for this change. The woman represents the true church and is a proper symbol of its unity, beauty, purity, and glory. But there is another phase of the church which can not be represented symbolically by a woman—the militant phase. The church is also an aggressive, fighting power, ready to wage warfare against the powers of evil. We would not expect to see the church left helpless like a woman before a great dragon. We would naturally expect to see divine aid extended, and this is done by the change of symbolic imagery, Michael (Christ) and his angels appearing to wage war against the dragon.