One day, when Matsumura was sitting in the apartment where the mirror reposed, he once more saw Yayoi standing before him, looking more beautiful than ever, and the refulgence of her beauty was like summer moonlight. After she had saluted Matsumura she explained that she was indeed the Soul of the Mirror, and narrated how she had fallen into the possession of Lady Kamo, of the Imperial Court, and how she had become an heirloom of the Fujiwara House, until during the period of Hōgen, when the Taira and Minamoto clans were engaged in conflict, she was thrown into a well, and there forgotten. Having narrated these things, and all the horrors she had gone through under the tyranny of the Poison Dragon, Yayoi begged that Matsumura would present the mirror to the Shōgun, the Lord Yoshimasa, who was a descendant of her former possessors, promising the priest considerable good fortune if he did so. Before Yayoi departed she advised Matsumura to leave his home immediately, as it was about to be washed away by a great storm.
On the following day Matsumura left the house, and, as Yayoi had prophesied, almost immediately afterwards his late dwelling was swept away.
At length Matsumura was able to present, the mirror to the Shōgun Yoshimasa, together with a written account of its strange history. The Shōgun was so pleased with the gift that he not only gave Matsumura many personal presents, but he also presented the priest with a considerable sum of money for the rebuilding of his temple.
A Mirror and a Bell
When the priests of Mugenyama required a large bell for their temple they asked the women in the vicinity to contribute their old bronze mirrors for the purpose of providing the necessary metal.
Hundreds of mirrors were given for this purpose, and all were offered gladly, except the mirror presented by a certain farmer's wife. As soon as she had given her mirror to the priests she began to regret having parted with it. She remembered how old it was, how it had reflected her mother's laughter and tears, and even her great-grandmother's. Whenever this farmer's wife went to the temple she saw her coveted mirror lying in a great heap behind a railing. She recognised it by the design on the back known as the Shō-Chiku-Bai, or the three emblems of the Pine, Bamboo, and Plum-flower. She yearned to stretch forth her arm between the railings and to snatch back her beloved mirror. Her soul was in the shining surface, and it mingled with the souls of those who had gazed into it before she was born.
When the Mugenyama bell was in course of construction the bell-founders discovered that one mirror would not melt. The workers said that it refused to melt because the owner had afterwards regretted the gift, which had made the metal hard, as hard as the woman's selfish heart.
Soon every one knew the identity of the giver of the mirror that would not melt, and, angry and ashamed, the farmer's wife drowned herself, first having written the following: "When I am dead you will be able to melt my mirror, and so cast the bell. My soul will come to him who breaks that bell by ringing it, and I will give him great wealth."
When the woman died her old mirror melted immediately, and the bell was cast and was suspended in its customary place. Many people having heard of the message written by the deceased farmer's wife, a great multitude came to the temple, and one by one rang the bell with the utmost violence in the hope of breaking it and winning great wealth. Day after day the ringing continued, till at last the noise became so unbearable that the priests rolled the bell into a swamp, where it lay hidden from sight.