PAGE
Historical Notes—Antiquity,[1]
Italy in Mediæval and Renaissance Times,[8]
The Cloistered Intarsiatori and their Pupils,[55]
In Germany and Holland, England and France,[84]
The Process of Manufacture,[104]
The Limitations and Capabilities of the Art,[118]
Workshop Receipts,[133]


LIST OF ILLUSTRATIONS

1. Patterns used in Borders,facing page[8]
2. Various Patterns of Borders, [9]
3. Chair Back from S. Ambrogio, Milan, [10]
4. Door of the Sala del Papa, Palazzo Comunale, Siena, [13]
5. The Prophet Amos. Figure intarsia from the Sacristy of the Cathedral, Florence,}
6. The Annunciation. Figure intarsia from the Sacristy of the Cathedral, Florence,between pages [18] and 19
7. The Prophet Hosea. Figure intarsia from the Sacristy of the Cathedral, Florence,
8. The Nativity. Figure intarsia from the Sacristy of the Cathedral, Florence,facing page[20]
9. The Presentation in the Temple. Figure Intarsia from the Sacristy of the Cathedral, Florence, [21]
10. Panel from Sacristy of S. Croce, Florence, [23]
11. Detail of Frieze from the Sacristy of S. Croce, Florence, [24]
12. Lower Seats of Choir, Cathedral, Perugia, [25]
13. Upper Seats of Choir, Cathedral, Perugia, [26]
14. One Panel, from Upper Series, Cathedral, Perugia, [27]
15. Two Panels from the Sala del Cambio, Perugia, [28]
16. Frieze from S. Mark's, Venice, [30]
17. Frieze from S. Mark's, Venice, [32]
18. Stalls from the Cathedral, Lucca, [33]
19. Lectern in Pinacoteca, Lucca, [34]
20. Two-leaved Door in the Pinacoteca, Lucca, [35]
21. Stalls at the Certosa, Pavia, [36]
22. Detail of Arabesques, lower Seats, Certosa, Pavia, [37]
23. Panel from S. Petronio, Bologna, [38]
24. Panel from S. Petronio, Bologna, [39]
25. Panel from S. Miniato, Florence, [40]
26. Panel from S. Maria Novella, Florence, [42]
27. Panel from S. Maria Novella, Florence, [44]
28. Panel in Sacristy of S. Pietro in Casinense, Perugia, [46]
29. Panel from Door of Sala del Cambio, Perugia, [48]
30. Panel from lower row of Stalls, S. Maria in Organo, Verona, [59]
31. Panels from Monte Oliveto Maggiore, now in the Cathedral, Siena, [60]
32. Frieze from Monte Oliveto Maggiore, [62]
33. Panel from S. Mark's, Venice, [68]
34. Panel from Door in Choir of S. Pietro in Casinense, Perugia, [74]
35. Lunette from Stalls in Cathedral, Genoa, [77]
36. Panel from lower row of Stalls, Cathedral, Savona, [78]
37. Panel from the Ducal Palace, Mantua, [80]
38. Panel from the Rathaus, Breslau, 1563, [84]
39. Panel from Church of S. Mary Magdalene, Breslau, [86]
40. Pilaster Strip from the Magdalene Church, Breslau, [87]
41. Panel from S. Elizabeth's Church, Breslau, [88]
42. Lower Panel of Door, 1564—Tyrolese, [90]
43. Top of Card Table in the Drawing-room, Roehampton House; Dutch, 18th Century, [92]
44. Panelling from Sizergh Castle, now in Victoria and Albert Museum [93]
45. Cabinet with falling front, in the Drawingroom, Roehampton House, [94]
46. Cabinet belonging to Earl Granville. Boulle work of about 1740, [96]
47. Top of Writing Table in the Saloon, Roehampton House. Period of Louis XV., [97]
48. Encoignure, signed J. F. Oeben, in the Jones Bequest. Victoria and Albert Museum, [98]
49. Panel from back of Riesener's bureau, made for Stanislas Leczinski, with figure of Secrecy, [100]
50. Roundel from bureau, made for Stanislas Leczinski, King of Poland, now in the Wallace Collection, [102]
51. Antonio Barili at work, by himself, [104]
52. Panel from the Victoria and Albert Museum, [106]
53. Panel from S. Maria in Organo, Verona, [122]
54. Panel from S. Maria in Organo, Verona, [126]
55. Panel from S. Pietro in Casinense, Perugia, [130]


GENERAL PREFACE TO THE SERIES