The Shores of the Adriatic / The Austrian Side, The Küstenlande, Istria, and Dalmatia

by F. Hamilton Jackson

WEST DOORWAY, S. FRANCESCO, POLA

The church of S. Francesco is halfway up the hill to the castle, and is now used as a military magazine. Towards the road the wall terminates in a gable, with two pointed openings for bells; below is a red cross inlaid within an enclosing moulding. A ramping cornice of shallow arches with dentils above it finishes the wall, the centre portion of which is pierced with a two-light trefoiled window blocked up below, while a chapel to the north is lighted by simple-pointed windows. The fine entrance door, with its rich mouldings, twisted columns, and round arch, looks rather older than 1314, which is the date of the first certain mention of the church; but in Istria and Dalmatia styles lingered late. It is said to have been built by the Castropola in 1285, and a half-obliterated inscription by the door records the date of 1406, when a provincial Franciscan council was held in the church. On each side of the door is a window of two trefoiled lights with slender shafts, and above it a rose with Gothic tracery. The interior has a simple unvaulted nave, a choir of one bay with cross vaulting, and a small chapel, probably the sepulchral chapel of the Castropola, since their arms are on the windows. The only remaining piece of the cloister serves as entrance portico. The little garden outside the principal door has a bowling-alley beneath a vine pergola, from which there is a beautiful view over the bay; and in it grow trees of euonymus and oleander with thick trunks, and an aloe, besides the usual roses, peaches, and mulberries.

The communal palace was built in 1296; the back portion is part of the second temple. Some portions of the ancient building remain on the right flank. It was the palace of the Margrave of Istria, and later of the Venetian rectors or counts of Pola. According to Kandler, the figure of a knight upon it represents Albert II., Count of Istria. The Genoese damaged the palace in 1390, but it was restored the next year. After the façade fell in 1651, it was rebuilt in its present form, with material from S. Maria Formosa, but it was not finished till 1703. During the last years of the Republic the count lived in the back portion, had his stables in the temple of Augustus and his kitchen in the other temple.

The castle was built on the ruins of the Capitol, probably about 1200. Within was the habitation of the count, a three-naved chapel, arsenal, lodging for two hundred soldiers, &c. The Sergii seized it in 1271 and became known as Castropolæ. Here the captains of the people lived, who ruled Pola for the sixty-three years before 1328. The count was a civil governor, and after 1331, when the Polese gave themselves to Venice, had authority in the lower city; but a provveditore was appointed for the castle, who had a captain, a sergeant, two lieutenants, and eighty soldiers under his command. In 1638 the two offices were united. The new castle was commenced after the plague of 1632 from the designs of the Frenchman Deville, who used the material of the theatre. Kandler says that he remembered this castle, which had double walls with four towers to each, and one larger tower towards Monte Maggiore. The present castle is quite modern, and one is warned off when approaching it. The mediæval walls were demolished in 1848. They appear to have been generally in a bad state of repair, and records of their restoration are frequent. The sea-walls were thrown down by the Venetians, who did not like the cities under their sway to have defences on the water-side, though they were sometimes obliged to permit something of the sort. For instance, in 1351, the Polese were allowed to build a wall 10 ft. high towards the sea, which was a sufficient defence against a sudden raid, but of little use in the case of a strong attack. As a matter of fact, the Genoese broke it down in 1380, sacked the city, and put all opponents to the sword.

At the beginning of the fifteenth century Pola was surrounded by a number of carefully built polygonal towers. There were eight gates with machicolated defences above them, and the arms of fifteen rectors in different places showed that the walls had been long in building. In 1610 the Uscocs sacked the city, entering through certain holes in the walls, which, as Fra Paolo Sarpi relates, rendered the closing of the great gates useless. The neglect of the Venetians in the matters of pay and provision of war material in the seventeenth century reduced the defences to a farce.

The laws of many of the cities prescribed penalties for crossing the wall. Pola, 1442: "No person shall dare to pass over the walls of the city of Pola in any manner, neither going nor returning, neither with nor without a ladder, and neither shall they enter nor leave the gates of the city, neither below nor above, under penalty of 50 lire di piccoli and three months in prison." The inhabitants of walled places had little liberty. Besides the duty of guarding the gates, a citizen could neither enter nor leave except between certain fixed hours; if he reached the opposite side of the ditch after the evening bell he found the drawbridge raised, and had to seek a bed outside, or climb the wall, in which case he ran the risk of being surprised and punished.

The communal museum contains many very interesting things belonging to different periods of Polese history. Here are some very ancient stones with Mycenean whorls cut upon Istrian material, perhaps by some prisoner taken by Istrian pirates; also stones with these whorls half obliterated, and hollows sunk here and there, which, it is thought, were a kind of star map made by shepherds when Istria was wooded, to direct them in driving their flocks. Here are two inscriptions mentioning an entirely unknown god and goddess, and the inscription of Gordian in which the name of Nesactium occurs, the discovery of which fixed the site of the most important of the Istrian cities, the scene of the massacre of the women and children by the hands of their husbands and fathers, to prevent them from being taken by the Romans.

Many things found there are also in the museum—skulls, an ivory spindle, fragments of pottery and glass, and two curious statues, very archaic in style, from a tomb-building. One is a nude rider upon a horse, the other an unclothed woman suckling a child, thought to be the indigenous god Melescos and one of the goddess mothers. There are also a prehistoric oven, bronze vases found in the well at Tivoli, near Pola, fragments from S. Maria in Canneto and other destroyed churches; and here also the chapter of the cathedral has deposited portions of the cathedral ciborium and other architectural fragments.

Pola was founded as a Roman colony in 129 B.C., at the same time as Trieste. It fought for Pompey, and was punished by destruction, but was restored in 33 B.C. as "Pietas Julia"; and in 27 B.C. Augustus raised the Istrian cities to the rank of municipia by adding the province to Italy. The Polese were inscribed in the tribe Valeria. Pola was also called Polentia in honour of the mother of Vespasian, and Herculanea in honour of Commodus. It had been the judicial capital under the Republic, and was prosperous under the Empire, being the place where two lines of traffic crossed, that from Rome through Ancona and so to the Danube, and that from Britain to Constantinople, and also had agricultural riches and manufactures of its own. It was the base of operations during the reconquest of Italy from the Goths, both for Belisarius and for Narses, and was made the principal city and harbour on the east coast of the Adriatic. It was also the granary of the Exarchate, owing to the Lombard destruction in Italy, and had a population of some 25,000. During the plague of 1348, which lasted for several months, a fifth of the population died, fifty patrician families became entirely extinct, and privileges were offered to foreigners to induce them to re-people the city. At the downfall of the Venetian Republic the population barely amounted to 600 souls.

The popular tradition of the destruction of the Castropola (who had made themselves lords of Pola) runs thus: Andrea di Tonata, the head of the popular faction, arranged a conspiracy to free the city. The moment chosen was the evening of Good Friday, during the annual procession called "of the wood of the Holy Cross," which went round the city, starting from the cathedral. Near the church of S. Stefano (which was within the walls at the foot of the castle hill) the conspirators, disguised in the dress of members of the Confraternity of S. Stephen, drawing their daggers at a given signal, threw themselves upon the Castropola, who were in a separate group in the procession, not thinking of danger, and killed them. Then, calling on the people to rise, the conspirators led them to the assault of the neighbouring castle, which they took by surprise, killing any of the family or their adherents whom they met. Only one child escaped, owing his life to the devotion of a servant who hid him when the crowd had actually entered the castle, and let him down by a cord into the Franciscan convent just below, from which a monk took him secretly out of the city to one of the country places belonging to the family. This tradition is not historical, for the family continued in Pola till the fall of the Signory, and flourished afterwards in Venice and Treviso; but there was certainly a rising then in which the houses of certain of their adherents were sacked. Two members of the aristocracy were appointed captains of the people, but after a month they decided to give themselves to Venice; by the Act of Dedition the Castropola were banished from Pola, Istria, Friuli, and Schiavonia, though they were allowed to retain their property. Their principal adherents were also banished. In 1334 an attempt to regain the Signory caused the Polese to ask the Senate to dismantle the castle, which was done, and the houses of the two heads of the family were also destroyed. So Pola became a mere appanage of Venice.