While we were having dinner in the Piazza Adamich a military band came and played two morceaux; after which they marched off to the accompaniment of music, looking very picturesque, with the light from candles in lanterns hanging from staves flashing from the brazen instruments and lighting up the coloured uniforms against the dim background of garden and distant house.

The islands of Cherso and Veglia divide the Quarrero into three channels: that between Istria and Cherso, the Canale di Farasina; between Cherso and Veglia, the Canale di Mezzo (becoming the Quarnerolo further south); and between Veglia and the Croatian mainland, the Canale di Maltempo or della Morlacca, in front of which the little island of S. Marco lies. The scenery of the last-named channel is much finer than the Quarnerolo, and its interest is enhanced because the steamer passes Segna or Zengg, the rocky nest of the Uscocs, the pirates who were so troublesome in the sixteenth and seventeenth centuries; but its first name, the Canal of Evil Weather, is an accurate description of what may be expected, since here the "Bora" blows with the greatest fury, making it the most dangerous part of the whole coast. There is scarcely enough of interest in the town itself to make it worthy of a visit, since the picturesque and horrible exploits of its savage inhabitants (which are its chief title to fame) may be read in the histories of the Uscocs. They were refugees from Bosnia and Herzegovina, driven out by the Turks; the word "Scochi" in Slav meaning exiles or fugitives. Their first establishment was at Clissa, near Spalato, under Pietro Crussich, lord of Lupoglavo in Istria. From this place they made raids on the Turks, who at last collected an army and besieged the place for a year. The castellan was killed in a sortie, and the castle surrendered in 1537. They then retired to Segna, where they were received and paid by the Emperor. The original band numbered only five or six hundred, but they had with them many assistants, Dalmatians banished by the Venetians or escaped from the galleys, and brigands of other nations, as well as indigenous camp-followers. At first they only attacked the Turks, more or less straightforwardly, but gradually became mere pirates. The Venetians fought fruitlessly against them for some time, and finally became embroiled with Austria over the question. They were most daring in their enterprises. On January 19, 1599, eight hundred of them disembarked at Portolungo and assaulted Albona. They had entered the suburb, when the citizens rushed to arms, led by the valiant parish priest Don Priamo Luciani Cristoforo Negri, and succeeded in beating them off. They then retired on Fianona, which they took by surprise, established themselves there, hoisted the Austrian flag, and obliged the inhabitants to swear fealty to Austria. One man who refused, Gaspare Calovanich, they flayed alive! Many other outrages were committed, shipping was attacked, and sailors robbed. The war which followed only ended with the peace of Madrid, September 26, 1617, by the provisions of which the Uscocs were to be interned and scattered over the Austrian provinces, and their ships destroyed; whilst the Venetians were to restore conquered places to Austria. A few of the Uscocs who were left at Segna went on in their evil ways, and in February, 1619, took a Venetian ship with 4,000 zecchins-worth of cargo. The Republic made a claim, and Austria punished them with death and restored the booty. This was the last of their raids. Sir Gardner Wilkinson says that out of a number hanged in 1618 nine were Englishmen, of whom six were gentlemen.

They are described as being without discipline, but ready to follow their captains blindly. They feared no fatigue, climbed the rocks like cats, slept in the open air, preferred tactics of surprise, and cared for nothing but the satisfaction of their cupidity. Some were dressed gipsy-fashion, with arms and breast bare. The bulk, however, wore a dress resembling that of the Morlacchi—tight hose, shoes of cord or rawhide, a red-brown waistcoat without sleeves, and a red felt cap on the head. They wore their hair in long locks, with wild-looking moustaches, had earrings of iron or silver, and their weapons were semicircular axes, and knives which they carried in their girdles. Altogether a fearsome crew to have to do with!

Segna belonged to the Counts Frangipani, whose eyrie was fixed at Castel Muschio on the island of Veglia. It is near the northern end above a wide bay on the sea side of a broken plateau, partly crowned with fortress-walls, in front of which a few houses sparkle white in the sun. Only one tower remains, with doors on first and second-floor level and a S. Mark's lion in relief. The island was the ancient Curicta, near which there was a sea-fight between the ships of Cæsar and Pompey in 49 B.C., when the Istrians took the part of the latter. The Cæsarian fleet under Dolabella was destroyed, and Caius Antonius, Cæsar's general, was shut up in Veglia, where he was encamped with two legions. The soldiers constructed three rafts made of two rows of boats fastened together with chains, and with a platform of beams upon them, and a great tower at one end, by means of which the rowers were to be protected and the enemy attacked. Octavian, Pompey's admiral, retired behind Cherso, but left the channel fouled with ropes and chains fastened to the rocks. In the afternoon the rafts which had been launched reached the narrow part of the strait. The two smaller ones got through, but the largest stuck. Octavian then attacked. On the big raft were one thousand Opitergian colonists, under the captaincy of the tribune Vulteius. They fought till night, when, seeing that their case was hopeless, they determined to die rather than surrender. At dawn the struggle recommenced, the Istrians joining in the attack. The end was the suicide of Vulteius and his followers, and the surrender of the cohorts on the island.

From 1126 the islands of the Quarnero belonged to Venice, but the peace of Zara in 1358 ceded Dalmatia to Hungary and Veglia with it; and, when Ladislas sold Dalmatia to Venice in 1409, Veglia was excluded, being formally ceded by the last Count Giovanni in 1480. Nicholas Frangipani, who was count in 1409, had nine sons, and left his property equally divided among them, so that there were nine counts of Veglia at the same time. Giovanni, the eldest, to make himself secure against his brothers, put himself under the protection of Venice in 1452, married a daughter of Paolo Morosini, and published his will in 1453, by which he left the island to the Republic if he died without issue, thus making it clear to his brothers that he was determined that they should never have the island, and that if they tried to take it by force he would be protected by Venice. At the same time he swore to the inhabitants to preserve their ancient laws and customs. He had no intention of keeping his word in any particular, and played off Matthias Corvinus, king of Hungary, against Venice in the most unblushing manner, making traitorous suggestions to both sides alike, and attacking the towns of either party alternately. His subjects, being much oppressed, invited the Hungarian general, Magiar Blas, to invade the island in 1480, saying that he would be received as a Messiah. He came and attacked Castel Muschio; but the count invoked the protection of Venice. A few days later Veglia was bombarded by the Hungarians, the Venetian galleys not being able to render much assistance. The people refused to fight, saying that they preferred to have even Turks as rulers rather than their count. After consultation with the Venetian officers they were summoned to the Palazzo Pubblico; and the count told them that he was the servant of Venice, and that they must swear fealty to the Republic and would be protected. Accordingly the oath was taken by all, and the Hungarians were obliged to make terms. They were allowed to return safely to the mainland. The count then began to threaten those of his subjects who had been in favour of the Hungarians, and many fled in fear. The captain-general of the Venetians, as corrective, published an order authorising the inhabitants to kill any of the count's people who molested them. Count Giovanni bit his lips, determining to be revenged when the captain-general had gone, but never had the chance, as he was carried off to Venice, at which the Veglians rang the bells for joy. The Venetians set matters in order; but the count wrote letters saying that he would soon return to Veglia and punish all traitors; in consequence of which the Veglians assured the governor that, should he do so, they would either call in the Turks or leave the island waste and uninhabited. To solve the difficulty the Venetians pensioned him off. He became, however, soon dissatisfied with the amount and fled from Venice, his disappearance being regretted by no one. He was an abominable character, and among the evil deeds of which he was guilty was the making of false seals to enable him to forge documents.

INTERIOR OF THE CATHEDRAL, VEGLIA

A considerable portion of the walls built by the Venetians round the town still remains, overgrown with ivy, and the city is still entered by the old gate-openings, the Porta di Su and the Porta Pisani, though the actual gateways have disappeared. On one of the towers guarding the latter is a rather fine relief of the Venetian lion. Close to the cathedral is the castle of the Frangipani, two of the towers being within the bishop's garden. The sea washes the rocks on which they are built, and in time of storm the spray flies over the curtain wall.

Our prowlings around the walls attracted the attention of two guards, who, after following us for some time, stopped us to question our proceedings. The production of the Statthalter's letter which I carried with me satisfied them that we had no nefarious designs, and it was returned to me with the remark (made rather regretfully, I thought) that it was all "in order." Travellers will find it advantageous to obtain some kind of "permit" if their tastes are likely to lead to the exhibition of unusual curiosity in relation to buildings and their surroundings.