A Cigarette-Maker's Romance

by F. Marion Crawford

Shaking his companion heartily by the hand, the Count bowed civilly and turned into an unfrequented street. Fischelowitz looked after him a few seconds, as though expecting that he would turn back and say something more, and then walked briskly in the direction of his shop.

He found Akulina standing at the door which led into the workroom, in such a position as to be able to serve a customer should any chance to enter, and yet so placed as to see the greater part of her audience. For she was holding forth volubly in her thick, strong voice, giving her very decided opinion about the events of the previous evening, the Count, considered in the first place as a specimen of the human race, and secondly, as in relation to his acts. Her hearers were poor Vjera, her insignificant companion and the Cossack who listened, so to say, without enthusiasm, unless the occasional foolish giggle of the younger girl was to be taken for the expression of applause.

"I am thoroughly sick of his crazy ways," she was saying, "and if he were not really such a good workman we should have turned him out long ago. But he really does make cigarettes very well, and with the new shop about to be opened, and the demand there is already, it is all we can do to keep people satisfied. Not but what my husband has been talking lately of getting a new workman from Vilna, and if he turns out to be all that we expect, why the Count may go about his business and we shall be left in peace at last. Indeed it is high time. My poor nerves will not stand many more such scenes as last night, and as for my poor husband, I believe he has lost as much money through the Count and his friends as he has paid to him for work, and if you turn that into figures it makes the cigarettes he rolls worth six marks a thousand instead of three, which is more than any pocket can stand, while there are children to be fed at home. And if you have anything to say to that, little husband, why just say it!"

Fischelowitz had entered the shop and the last words were addressed to him.

"Oh, nothing, nothing," he answered, beginning to bustle cheerily about the place, setting a box straight here, removing an empty one there, opening the till and counting the small change, and, generally, doing all those things which he was accustomed to do when he appeared in the morning.

Poor Vjera looked paler and more waxen than ever in her life before, so pale indeed was she that the total absence of colour lent a sort of refinement to her plain features, not often found even in really beautiful faces. She had suffered intensely and was suffering still. From the first words that Akulina had spoken she had understood that the Count had been in the station-house all night, and she found herself reviewing all the hideous visions of his cruel treatment which she had conjured up since the previous evening. Akulina of course hastened to say that Fischelowitz had lost no time in having the poor man set at liberty, and this at least was a relief to Vjera's great anxiety. But she wanted to hear far more than Akulina could or would tell, she longed to know whether he had really suffered as she fancied he had, and how he looked after spending in a prison the night that had seemed so long to her. She would have given anything to overwhelm the tobacconist with questions, to ask for a minute description of the Count's appearance, to express her past terrors to some one and to have some one tell her that they had been groundless.

But she dared not open her lips to speak of the matters which filled her thoughts. She was so wretchedly nervous that she felt as though the tears would break out at the sound of her own voice, and at the same time she was disturbed by the consciousness that Johann Schmidt's eyes watched her closely from the corner in which he was steadily wielding his swivel knife. It had been almost natural to tell him of her love in the darkness of the streets, in the mad anxiety for the loved one's safety, in the weariness and the hopelessness of the night hours. But now, sitting at her little table, at her daily work, with all the trivial objects that belonged to it recalling her to the reality of things, she realised that her day-dreams were no longer her secret, and she was ashamed that any one should guess the current of her thoughts. It was hard for her to understand how she could have thus taken the Cossack into her confidence, and she would have made almost any sacrifice to take back the confession. Good he was, and honest, and kind-hearted, but she was ashamed of what she had done. It seemed to her that, besides giving up to another the knowledge of her heart, she had also done something against the dignity of him she loved. She herself felt no superiority over Johann Schmidt; they were equals in every way. But she did feel, and strongly, that the Cossack was not the equal of the Count, and she reproached herself with having made a confidant of one beneath her idol in station and refinement. This feeling sprang from such a multiplicity of sources, as almost to defy explanation. There was, at the bottom of it, the strange, unreasoning notion of the superiority of one class over another by right of blood, from which no race seems to be wholly exempt, and which has produced such surprising results in the world. Poor Vjera had been brought up in one of those countries where that tradition is still strongest. The mere sound of the word "Count" evoked a body of impressions so firmly rooted, so deeply ingrained, as necessarily to influence her judgment. The outward manner of the man did the rest, his dignity under all circumstances, his uncomplaining patience, his unquestioning generosity, his quiet courtesy to every one. There was something in every word he spoke, in his every action, which distinguished him from his companions. They themselves felt it. He was sometimes ridiculous, poor man, and they laughed together over his carefully chosen language, over the grand sweep of his bow and his punctilious attention to the smallest promise or shadow of a promise. These things amused them, but at the same time they felt that he could never be what they were, and that those manners and speeches of his, which, if they had imitated them, would have seemed in themselves so many forms of vulgarity, were somehow not vulgar in him. Vjera, as she loved him, felt all this far more keenly than the others. And besides, to add to her embarrassment at present, there was the girl's maidenly shyness and timidity. Since she had told Johann Schmidt her secret, she felt as though all eyes were upon her, and as though every one were about to turn upon her with those jesting questions which coarse natures regard as expressions of sympathy where love is concerned. And yet no one spoke to her, nor disturbed her. There was only the disquieting consciousness of the Cossack's curious scrutiny to remind her that all things were not as they had been yesterday.

The hours of the morning seemed endless. On all other days, Vjera was accustomed to see the Count's quiet face opposite to her, and when she was most weary of her monotonous toil, a glance at him gave her fresh courage, and turned the currents of her thoughts into a channel not always smooth indeed, but long familiar and never wearisome to follow. The stream emptied, it is true, into the dead sea of doubt, and each time, as she ended the journey of her fancy, she felt the cruel chill of the conclusion, as though she had in reality fallen into a deep, dark water; but she was always able to renew the voyage, to return to the fountain-head of love, enjoying at least the pleasant, smooth reaches of the river, that lay between the racing rapids and the tumbling falls.

But to-day there was no one at the little table opposite, and Vjera's reflections would not be guided in their familiar course. Her heart yearned for the lonely man who, on that day, sat in the solitude of his poor chamber confidently expecting the messengers of good tidings who never came. She wondered what expression was on his face, as he watched the door and listened for the fall of feet upon the stairs. She knew, for she knew his nature, that he had carefully dressed himself in what he had that was best, in order to receive decently the long-expected visit; she fancied that he would move thoughtfully about the narrow room, trying to give it a feebly festive look in accordance with his own inward happiness. He would forget to eat, as he sat there, hearing the hours chime one after another, seeing the sun rise higher and higher until noon and watching the lengthening shadows of the chimneys on the roofs as day declined. More than all, she wondered what that dreadful moment could be like when, each week, he gave up hope at last, and saw that it had all been a dream. She had seen him more than once, towards the evening of the regularly recurring day, still confidently expecting the coming of his friends, explaining that they must come by the last train, and hastening away in order to be ready to receive them. Somewhere between the Wednesday evening and the Thursday morning there must be an hour, of which she hardly dared to think, in which all was made clear to him, or in which a veil descended over all, shutting out in merciful obscurity the brilliant vision and the bitter disappointment. If she could only be with him at that moment, she thought, she might comfort him, she might make his sufferings more easy to bear, and at the idea the tears that were so near rose nearer still to the flowing, kept back only by shame of being seen.

It was a terrible day, and everything jarred upon the poor girl's nature, from Akulina's thick, strong voice, continually discussing the question of marks and pennies, with occasional allusions to late events, to the disagreeable, scratching, paring sound of the Cossack's heavy knife as it cut its way through the great packages of leaves. The mid-day hour afforded no relief, for the pressure of work was great and each of the workers had brought a little food to be eaten in haste and almost without a change of position. For the work was paid for in proportion to its quantity, and the poor people were glad enough when there was so much to do, since there was then just so much more to be earned. There were times when the demand was slack and when Fischelowitz would not keep his people at their tables for more than two or three hours in a day. They might occupy the rest of their time as they could, and earn something in other ways, if they were able. When those hard times came poor Vjera picked up a little sewing, paid for at starvation rates, Johann Schmidt turned his hand to the repairing of furs, in which he had some skill, and which is an art in itself, and Dumnoff varied his existence by exercising great economy in the matter of food without making a similar reduction in the allowance of his drink. Under ordinary circumstances Vjera would have rejoiced at the quantity of work to be done, and as it was, her mental suffering did not make her fingers awkward or less nervously eager in the perpetual rolling of the little pieces of paper round the glass tube. Even acute physical pain is often powerless to affect the mechanical skill of a hand trained for many years to repeat the same little operation thousands of times in a day with unvarying perfection. Vjera worked as well and as quickly as ever, though the hours seemed so endlessly long as to make her wonder why she did not turn out more work than usual. From time to time the two men exchanged more or less personal observations after their manner.