A Roman Singer

by F. Marion Crawford

"No, I think not; and there is no mention of the Lira family."

"So much the better."

Hedwig did not go to the opera. Of course she was quite right. However she might feel about the baroness, it would have been in the worst possible taste to go to the opera the very day after her death. That is the way society puts it. It is bad taste; they never say it is heartless, or unkind, or brutal. It is simply bad taste. Nino sang, on the whole, better than if she had been there, for he put his whole soul in his art and won fresh laurels. When it was over he was besieged by the agent of the London manager to come to some agreement.

"I cannot tell yet," he said. "I will tell you soon." He was not willing to leave Rome—that was the truth of the matter. He thought of nothing, day or night, but of how he might see Hedwig, and his heart writhed in his breast when it seemed more and more impossible. He dared not risk compromising her by another serenade, as he felt sure that it had been some servant of the count who had betrayed him to the baroness. At last he hit upon a plan. The funeral of the baroness was to take place on the afternoon of the next day. He felt sure that the Graf von Lira would go to it, and he was equally certain that Hedwig would not. It chanced to be the hour at which De Pretis went to the Palazzo to give her the singing lesson.

"I suppose it is a barbarous thing for me to do," he said to himself, "but I cannot help it. Love first, and tragedy afterwards."

In the afternoon, therefore, he sallied out, and went boldly to the Palazzo Carmandola. He inquired of the porter whether the Signor Conte had gone out, and just as he had expected, so he found it. Old Lira had left the house ten minutes earlier, to go to the funeral. Nino ran up the stairs and rang the bell. The footman opened the door, and Nino quickly slipped a five-franc note into his hand, which he had no difficulty in finding. On asking if the signorina were at home, the footman nodded, and added that Professor De Pretis was with her, but she would doubtless see Professor Cardegna as well. And so it turned out. He was ushered into the great drawing-room, where the piano was. Hedwig came forward a few steps from where she had been standing beside De Pretis, and Nino bowed low before her. She had on a long dark dress, and no ornament whatever, save her beautiful bright hair, so that her face was like a jewel set in gold and velvet. But, when I think of it, such a combination would seem absurdly vulgar by the side of Hedwig von Lira. She was so pale and exquisite and sad that Nino could hardly look at her. He remembered that there were violets, rarest of flowers in Rome in January, in her belt.

To tell the truth, Nino had expected to find her stern and cold, whereas she was only very quiet and sorrowful.

"Will you forgive me, signorina, for this rashness?" he asked, in a low voice.

"In that I receive you I forgive you, sir," she said. He glanced toward De Pretis, who seemed absorbed in some music at the piano and was playing over bits of an accompaniment. She understood, and moved slowly to a window at the other end of the great room, standing among the curtains. He placed himself in the embrasure. She looked at him long and earnestly, as if finally reconciling the singer with the man she had known so long. She found him changed, as I had, in a short time. His face was sterner and thinner and whiter than before, and there were traces of thought in the deep shadows beneath his eyes. Quietly observing him, she saw how perfectly simple and exquisitely careful was his dress, and how his hands bespoke that attention which only a gentleman gives to the details of his person. She saw that, if he were not handsome, he was in the last degree striking to the eye, in spite of all his simplicity, and that he would not lose by being contrasted with all the dandies and courtiers in Rome. As she looked, she saw his lip quiver slightly, the only sign of emotion he ever gives, unless he loses his head altogether, and storms, as he sometimes does.

"Signorina," he began, "I have come to tell you a story; will you listen to it?"