"That is a rude question," said his host, laughing. "But I will improvise a piece of music for you." He took his violin, and stood up before the broken pier-glass. Then he laid the bow over the strings and struck a chord. "What is that?" he asked, sustaining the sound.
"The common chord of A minor," answered Nino immediately.
"You have a good ear," said Benoni, still playing the same notes, so that the constant monotony of them buzzed like a vexatious insect in Nino's hearing. Still the old man sawed the bow over the same strings without change. On and on, the same everlasting chord, till Nino thought he must go mad.
"It is intolerable; for the love of heaven, stop!" he cried, pushing back his chair and beginning to pace the room. Benoni only smiled, and went on as unchangingly as ever. Nino could bear it no longer, being very sensitive about sounds, and he made for the door.
"You cannot get out,—I have the key in my pocket," said Benoni, without stopping.
Then Nino became nearly frantic, and made at the Jew to wrest the instrument from his hands. But Benoni was agile, and eluded him, still playing vigorously the one chord, till Nino cried aloud, and sank in a chair, entirely overcome by the torture, that seemed boring its way into his brain like a corkscrew.
"This," said Benoni, the bow still sawing the strings, "is life without laughter. Now let us laugh a little, and see the effect."
It was indeed wonderful. With his instrument he imitated the sound of a laughing voice, high up above the monotonous chord: softly at first, as though far in the distance; then louder and nearer, the sustaining notes of the minor falling away one after the other and losing themselves, as the merriment gained ground on the sadness; till finally, with a burst of life and vitality of which it would be impossible to convey any idea, the whole body of mirth broke into a wild tarantella movement, so vivid and elastic and noisy that it seemed to Nino that he saw the very feet of the dancers, and heard the jolly din of the tambourine and the clattering, clappering click of the castanets.
"That," said Benoni, suddenly stopping, "is life with laughter, be it ever so sad and monotonous before. Which do you prefer?"
"You are the greatest artist in the world!" cried Nino, enthusiastically; "but I should have been a raving madman if you had played that chord any longer."