“Oh, yes,” answered Sybil, with a little tremor in her voice; “she has a mother in England.”
“I want to see her ever so much,” said Mrs. Sam. “Bring her to luncheon.”
“You will see her to-night, I think; she said she was going to that party.”
“I hate to leave you alone,” said Mrs. Wyndham. “I really think I had better not go.”
“Dear Mrs. Wyndham,” said Sybil, rising, and laying her hands on her hostess’s shoulders, half affectionately, half in protest, “this idea must be stopped from the first, and I mean to stop it. You are not to give up any party, or any society, or anything at all for me. If you do I will go away again. Promise me, will you not?”
“Very well, dear. But you know you are the dearest girl in the world.” And so they kissed, and agreed that Mrs. Wyndham should go out, and that Sybil should stay at home.
Mrs. Wyndham was really a very kind-hearted woman and a loving friend. That might be the reason why she was never popular. Popularity is a curious combination of friendliness and indifference, but very popular people rarely have devoted friends, and still more rarely suffer great passions. Everybody’s friend is far too apt to be nobody’s, for it is impossible to rely on the support of a person whose devotion is liable to be called upon a hundred times a day, from a hundred different quarters. The friendships that mean anything mean sacrifice for friendship’s sake; and a man or a woman really ready to make sacrifices for a considerable number of people is likely to be asked to do it very often, and to be soon spent in the effort to be true to every one.
But popularity makes no great demands. The popular man is known to be so busy in being popular that his offenses of omission are readily pardoned. His engagements are legion, his obligations are innumerable, and far more than he can fulfill. But, meet him when you will, his smile is as bright, his greeting as cordial, and his sayings as universally good-natured and satisfactory as ever. He has acquired the habit of pleasing, and it is almost impossible for him to displease. He enjoys it all, is agreeable to every one, and is never expected to catch cold in attending a friend’s funeral, or otherwise to sacrifice his comfort, because he is quite certain to have important engagements elsewhere, in which the world always believes. There is probably no individual more absolutely free and untrammeled than the thoroughly popular man.
Chapter II.
Fate, the artist, mixes her own colors. She grinds them with a pestle in the fashion of the old masters, and out of the most strange pigments she produces often only soft neutral tints for background and shadow, kneading a vast deal of bright colors away among the grays and browns; but now and then she takes a palette loaded with strong paint, and a great brush, and splashes a startling full length portrait upon the canvas, without much regard for drawing or general composition, but with very startling effect. To paint well needs life-long study; to paint so as merely to attract attention needs courage and a heart hardened against artistic sensitiveness.