VILLA MEDICI

Whatever life may have been in those times, that world died in a pretty tableau, after the manner of Watteau's paintings; it meant little and accomplished little, and though its bright colouring brings it for a moment to the foreground, it has really not much to do with the Rome we know nor with the Rome one thinks of in the past, always great, always sad, always tragic, as no other city in the world can ever be.

Ignorance, tradition, imagination, romance,—call it what you will,—has chosen the long-closed Pincian Gate for the last station of blind Belisarius. There, says the tale, the ancient conqueror, the banisher and maker of Popes, the favourite and the instrument of imperial Theodora, stood begging his bread at the gate of the city he had won and lost, leaning upon the arm of the fair girl child who would not leave him, and stretching forth his hand to those that passed by, with a feeble prayer for alms, pathetic as Œdipus in the utter ruin of his life and fortune. A truer story tells how Pope Silverius, humble and gentle, and hated by Theodora, went up to the Pincian villa to answer the accusation of conspiring with the Goths, when he himself had opened the gates of Rome to Belisarius; and how he was led into the great hall where the warrior's wife, Theodora's friend, the beautiful and evil Antonina, lay with half-closed eyes upon her splendid couch, while Belisarius sat beside her feet, toying with her jewels. There the husband and wife accused the Pope, and judged him without hearing, and condemned him without right; and they caused him to be stripped of his robes, and clad as a poor monk and driven out to far exile, that they might set up the Empress Theodora's Pope in his place; and with him they drove out many Roman nobles.

And it is said that when Silverius was dead of a broken heart in the little island of Palmaria, Belisarius repented of his deeds and built the small Church of Santa Maria de' Crociferi, behind the fountain of Trevi, in partial expiation of his fault, and there, to prove the truth of the story, the tablet that tells of his repentance has stood nearly fourteen hundred years and may be read today, on the east wall, towards the Via de' Poli. The man who conquered Africa for Justinian, seized Sicily, took Rome, defended it successfully against the Goths, reduced Ravenna, took Rome from the Goths again, and finally rescued Constantinople, was disgraced more than once; but he was not blinded, nor did he die in exile or in prison, for at the end he breathed his last in the enjoyment of his freedom and his honours; and the story of his blindness is the fabrication of an ignorant Greek monk who lived six hundred years later and confounded Justinian's great general with the romantic and unhappy John of Cappadocia, who lived at the same time, was a general at the same time, and incurred the displeasure of that same pious, proud, avaricious Theodora, actress, penitent and Empress, whose paramount beauty held the Emperor in thrall for life, and whose surpassing cruelty imprinted an indelible seal of horror upon his glorious reign—of her who, when she delivered a man to death, admonished the executioner with an oath, saying, 'By Him who liveth for ever, if thou failest, I will cause thee to be flayed alive.'

Another figure rises at the window of the Tuscan Ambassador's great villa, with the face of a man concerning whom legend has also found much to invent and little to say that is true, a man of whom modern science has rightly made a hero, but whom prejudice and ignorance have wrongly crowned as a martyr—Galileo Galilei. Tradition represents him as languishing, laden with chains, in the more or less mythical prisons of the Inquisition; history tells very plainly that his first confinement consisted in being the honoured guest of the Tuscan Ambassador in the latter's splendid residence in Rome, and that his last imprisonment was a relegation to the beautiful castle of the Piccolomini near Siena, than which the heart of man could hardly desire a more lovely home. History affirms beyond doubt, moreover, that Galileo was the personal friend of that learned and not illiberal Barberini, Pope Urban the Eighth, under whose long reign the Copernican system was put on trial, who believed in that system as Galileo did, who read his books and talked with him; and who, when the stupid technicalities of the ecclesiastic courts declared the laws of the universe to be nonsense, gave his voice against the decision, though he could not officially annul it without scandal. 'It was not my intention,' said the Pope in the presence of witnesses, 'to condemn Galileo. If the matter had depended upon me, the decree of the Index which condemned his doctrines should never have been pronounced.'

That Galileo's life was saddened by the result of the absurd trial, and that he was nominally a prisoner for a long time, is not to be denied. But that he suffered the indignities and torments recorded in legend is no more true than that Belisarius begged his bread at the Porta Pinciana. He lived in comfort and in honour with the Ambassador in the Villa Medici, and many a time from those lofty windows, unchanged since before his day, he must have watched the earth turning with him from the sun at evening, and meditated upon the emptiness of the ancient phrase that makes the sun 'set' when the day is done—thinking of the world, perhaps, as turning upon its other side, with tired eyes, and ready for rest and darkness and refreshment, after long toil and heat.


One may stand under those old trees before the Villa Medici, beside the ancient fountain facing Saint Peter's distant dome, and dream the great review of history, and call up a vast, changing picture at one's feet between the heights and the yellow river. First, the broad corn-field of the Tarquin Kings, rich and ripe under the evening breeze of summer that runs along swiftly, bending the golden surface in soft moving waves from the Tiber's edge to the foot of the wooded slope. Then, the hurried harvesting, the sheaves cast into the river, the dry, stiff stubble baking in the sun, and presently the men of Rome coming forth in procession from the dark Servian wall on the left to dedicate the field to the War God with prayer and chant and smoking sacrifice. By and by the stubble trodden down under horses' hoofs, the dusty plain the exercising ground of young conquerors, the voting place, later, of a strong Republic, whither the centuries went out to choose their consuls, to decide upon peace or war, to declare the voice of the people in grave matters, while the great signal flag waved on the Janiculum, well in sight though far away, to fall suddenly at the approach of any foe and suspend the 'comitia' on the instant. And in the flat and dusty plain, buildings begin to rise; first, the Altar of Mars and the holy place of the infernal gods, Dis and Proserpine; later, the great 'Sheepfold,' the lists and hustings for the voting, and, encroaching a little upon the training ground, the temple of Venus Victorious and the huge theatre of Pompey, wherein the Orsini held their own so long; but in the times of Lucullus, when his gardens and his marvellous villa covered the Pincian hill, the plain was still a wide field, and still the field of Mars, without the walls, broken by few landmarks, and trodden to deep white dust by the scampering hoofs of half-drilled cavalry. Under the Emperors, then, first beautified in part, as Cæsar traces the great Septa for the voting, and Augustus erects the Altar of Peace and builds up his cypress-clad tomb, crowned by his own image, and Agrippa raises his triple temple, and Hadrian builds the Pantheon upon its ruins, while the obelisk that now stands on Monte Citorio before the House of Parliament points out the brass-figured hours on the broad marble floor of the first Emperor's sun-clock and marks the high noon of Rome's glory—and the Portico of Neptune and many other splendid works spring up. Isis and Serapis have a temple next, and Domitian's race-course appears behind Agrippa's Baths, straight and white. By and by the Antonines raise columns and triumphal arches, but always to southward, leaving the field of Mars a field still, for its old uses, and the tired recruits, sweating from exercise, gather under the high shade of Augustus' tomb at midday for an hour's rest.

Last of all, the great temple of the Sun, with its vast portico, and the Mithræum at the other end, and when the walls of Aurelian are built, and when ruin comes upon Rome from the north, the Campus Martius is still almost an open stretch of dusty earth on which soldiers have learned their trade through a thousand years of hard training.