"Christians," explains the dwarf.
REGION XI SANT' ANGELO
The Region of Sant' Angelo, as has been already said, takes its name from the small church famous in Rienzi's story. It encloses all of what was once the Ghetto, and includes the often-mentioned Theatre of Marcellus, now the palace of the Orsini, but successively a fortress of the Pierleoni, appropriately situated close to the Jews' quarter, and the home of the Savelli. The history of the Region is the history of the Jews in Rome, from Augustus to the destruction of their dwelling-place, about 1890. In other words, the Hebrew colony actually lived during nineteen hundred years at that point of the Tiber, first on one side of the river, and afterwards on the other.
It is said that the first Jews were brought to Rome by Pompey, as prisoners of war, and soon afterwards set free, possibly on their paying a ransom accumulated by half starving themselves, and selling the greater part of their allowance of corn during a long period. Seventeen years later, they were a power in Rome; they had lent Julius Cæsar enormous sums, which he repaid with exorbitant interest, and after his death they mourned him, and kept his funeral pyre burning seven days and nights in the Forum. A few years after that time, Augustus established them on the opposite side of the Tiber, over against the bridge of Cestius and the island. Under Tiberius their numbers had increased to fifty thousand; they had synagogues in Rome, Genoa and Naples, and it is noticeable that their places of worship were always built upon the shore of the sea, or the bank of a river, whence their religious services came to be termed 'orationes littorales'—which one might roughly translate as 'alongshore prayers.'
They were alternately despised, hated, feared and flattered. Tacitus calls them a race of men hated by the gods, yet their kings, Herod and Agrippa—one asks how the latter came by an ancient Roman name—were treated with honour and esteem. The latter was in fact brought up with Drusus, the son of the Emperor Tiberius, his son was on terms of the greatest intimacy with Claudius, and his daughter or grand-daughter Berenice was long and truly loved by Titus, who would have made her Empress had it been possible, to the great scandal of the Emperor's many detractors, as Suetonius has told. Sabina Poppæa, Nero's lowly and evil second wife, loved madly one Aliturius, a Jewish comic actor and a favourite of Nero; and when the younger Agrippa induced Nero to imprison Saint Peter and Saint Paul, and Josephus came to Pozzuoli, having suffered shipwreck like the latter, this same Josephus, the historian of the Jews, got the actor's friendship and by his means moved Poppæa, and through her, Nero, to a first liberation of those whom he describes as 'certain priests of my acquaintance, very excellent persons, whom on a small and trifling charge Felix the procurator of Judæa had put in irons and sent to Rome to plead their cause before Cæsar.' It should not be forgotten that Josephus was himself a pupil of Banus, who, though not a Christian, is believed to have been a follower of John the Baptist. And here Saint John Chrysostom, writing about the year 400, takes up the story and tells how Saint Paul attempted to convert Poppæa and to persuade her to leave Nero, since she had two other husbands living; and how Nero turned upon him and accused him of many sins, and imprisoned him, and when he saw that even in prison the Apostle still worked upon Poppæa's conscience, he at last condemned him to die. Other historians have said that Poppæa turned Jewess for the sake of her Jewish actor, and desired to be buried by the Jewish rite when she was dying of the savage kick that killed her and her child—the only act of violence Nero seems to have ever regretted. However that may be, it is sure that she loved the comedian, and that for a time he had unbounded influence in Rome. And so great did their power grow that Claudius Rutilius, a Roman magistrate and poet, a contemporary of Chrysostom, and not a Christian, expressed the wish that Judæa might never have been conquered by Pompey and subdued again by Titus, 'since the contagion of the cancer, cut out, spreads wider, and the conquered nation grinds its conquerors.'
And so, with varying fortune, they survived the empire which they had seen founded, and the changes of a thousand years, they themselves inwardly unchanged and unchanging, while following many arts and many trades besides money-lending, and they outlived persecution and did not decay in prosperity. In their seven Roman synagogues they set up models of the temple Titus had destroyed, and of the seven-branched candlestick and of the holy vessels of Jerusalem which were preserved in the temple of Peace as trophies of the Jews' subjection; they made candlesticks and vessels of like shape for their synagogues, nursing their hatred, praying for deliverance, and because those sacred things were kept in Rome, it became a holy city for them, and they throve; and by and by they oppressed their victors. Then came Domitian the Jew-hater, and turned them out of their houses and laid heavy taxes upon them, and forced them for a time to live in the caves and wild places and catacombs of the Aventine, and they became dealers in spells and amulets and love philtres, which they sold dear to the ever-superstitious Romans, and Juvenal wrote scornful satires on them. Presently they returned, under Trajan, to their old dwellings by the Tiber. Thence they crept along the Cestian bridge to the island, and from the island by the Fabrician bridge to the other shore, growing rich again by degrees, and crowding their little houses upon the glorious portico of Octavia, where Vespasian and Titus had met the Senate at dawn on the day when they triumphed over the Jews and the fall of Jerusalem, and the very place of the Jews' greatest humiliation became their stronghold for ages.
Then all at once, in the twelfth century, they are the masters. The Pierleoni hold Sant' Angelo, and close to their old quarters fortify the Theatre of Marcellus, and a Pierleone is antipope in name, but a real and ruling Pope in political fact, while Innocent the Second wanders helplessly from town to town, and later, while Lewis the Seventh of France leads the Second Crusade to the rescue of the Holy Sepulchre, the 'Vicar of Christ' is an outcast before the race of those by whom Christ was crucified. That was the highest point of the Jews' greatness in Rome.