CHAPTER XVII

Tebaldo's own affairs were by no means simple. He had made up his mind to get Miss Lizzie Slayback for his wife, and her fortune for himself; but he could not make up his mind to forget the beautiful Aliandra Basili. The consequence was that he was in constant fear lest either should hear of his devotion to the other, seeing that his brother Francesco was quite as much in love with the singer as he was himself, and but for native cowardice, as ready for any act of treachery which could secure his own ends. By that weakness Tebaldo held him, for the present, in actual bodily fear, which is more often an element even in modern life than is generally supposed. But how long that might be possible Tebaldo could not foresee. At any moment, by a turn of events, Francesco might get out of his power.

Aliandra's season in Rome had been a great success, and her career seemed secured, though she had not succeeded in obtaining an immediate engagement for the London season, which had been the height of her ambition. She had made her appearance too late for that, but the possibility of such a piece of good fortune was quite within her reach for the ensuing year. Being in reality a sensible and conscientious artist, therefore, and having at the same time always before her the rather vague hope of marrying one of the brothers, she had made up her mind to stay in Rome until July to study certain new parts with an excellent master she had found there. She therefore remained where she was, after giving a few performances in the short season after Lent, and she continued to live very quietly with her old aunt in the little apartment they had hired. A certain number of singers and other musicians, with whom she had been brought into more or less close acquaintance in her profession, came to see her constantly, but she absolutely refused to know any of the young men of society who had admired her and sent her flowers during the opera season. With all her beauty and youth and talent, she possessed a very fair share of her father's profound common sense.

Of the two, she very much preferred Francesco, who was gentler, gayer, and altogether a more pleasant companion; but she clearly saw the advantage of marrying the elder brother, who had a very genuine old title, for which she could provide a fortune by her voice. There were two or three instances of such marriages which had turned out admirably, though several others had been failures. She saw no reason why she should not succeed as well as anyone.

Tebaldo, on his part, had never had the smallest intention of marrying her, though he had hinted to her more than once, in moments of passion, that he might do so. Aliandra was as obstinate as he, and, as has been said, possessed the tenacious instinct of self-preservation and the keen appreciation of danger which especially characterise the young girl of the south. She was by no means a piece of perfection in all ways, and was quite capable of setting aside most scruples in the accomplishment of her end. But that desired end was marriage, and there was no probability at all that she should ever lose her head and commit an irrevocable mistake for either of the brothers.

She saw clearly that Tebaldo was in love with her, as he understood love. She could see how his eyes lighted up and how the warm blood mantled under his sallow brown skin when he was with her, and how his hand moved nervously when it held hers. She could not have mistaken those signs, even if her aunt, the excellent Signora Barbuzzi, had not taken a lively interest in the prospects of her niece's marriage, watching Tebaldo's face as an old sailor ashore watches the signs of the weather and names the strength of the wind, from a studding-sail breeze to a gale.

What most disturbed Aliandra's hopes was that Tebaldo was cautious even in his passion, and seemed as well able to keep his head as she herself. His brother often told her that Tebaldo sometimes, though rarely, altogether lost control of himself for a moment, and became like a dangerous wild animal. But she did not believe the younger man, who was always doing his best to influence her against Tebaldo, and whom she rightly guessed to be a far more dangerous person where a woman was concerned.

Francesco had once frightened her, and she was really afraid to be alone with him. There was sometimes an expression which she dreaded in his satyr-like eyes and a smile on his red lips that chilled her. Once, and she could never forget it, he had managed to find her alone in her room at the theatre, and without warning he had seized her rudely and kissed her so cruelly while she struggled in his arms that her lips had been swollen and had hurt her all the next day. Her maid had opened the door suddenly, and he had disappeared at once without another word. She had never told Tebaldo of that.