Corleone: A Tale of Sicily

by F. Marion Crawford

But Orsino Saracinesca was in great difficulty. He did not question the fact that he was very much in love with Vittoria, and that this love for a young girl was something which he had never felt before. That was plain enough, by this time. The real question was, whether he should marry her, or whether he should go away to Sicily with San Giacinto and try to avoid her in future until he should have more or less forgotten her.

He was old enough and sensible enough to foresee the probable consequences of marrying into such a family, and they were such as to check him at the outset. He knew all about the Pagliuca people, as his father did, and the phrase 'the worst blood in Italy' was familiar to his thoughts. Vittoria's mother was, indeed, a harmless soul, provincial and of unusual manners, but not vulgar in the ordinary sense of the word. Vittoria's father was said to have been a very good kind of man, who had been outrageously treated by his elder brother. But the strain was bad. There were hideous stories of treachery, such as Giovanni had quoted to his wife, which were alone enough to make Orsino hesitate. And then, there were Vittoria's brothers, for whom he felt the strongest repulsion and distrust. In many ways it would have been wiser for him to marry a girl of the people, a child of Trastevere, rather than Vittoria d'Oriani.

He did not believe that any of the taint was on herself, that in her character there was the smallest shade of deceit or unfaithfulness. He found it hard to believe that she was really a Corleone at all. His arguments began from a premiss which assumed her practically perfect. Had he been alone in the world, he would not have hesitated long, for he could have married her and taken her away for ever—he was enough in love for that.

But such a marriage meant that he should bring her brothers intimately into his father's house; that he and his own family must accept Tebaldo and Francesco Pagliuca, and possibly the third brother, whom he did not know, as near relations, to be called, by himself at least, 'thee' and 'thou,' and by their baptismal names. Lastly, it meant that Vittoria's mother and his own should come into close terms of intimacy, for Maria Carolina would make the most of the connection with the Saracinesca. That thought was the most repugnant of all to the young man, who looked upon his mother as a being apart from the ordinary world and entitled to a sort of veneration. Maria Carolina would not venerate anybody, he thought.

On the other side, there was his honour. He did not care what the young men might think, but he had certainly led the girl herself to believe that he meant to marry her. And he was in love. Compared with giving up Vittoria, and with doing something which seemed dishonourable, the accumulated wickedness of generations of the Corleone shrank into insignificance. There was a sort of shock in his mind as he brought up this side of the question.

Had there been any difficulty to be overcome in winning Vittoria's own consent, it would have been easier to decide. But he knew that he had but a word to say, and his future would be sealed irrevocably in a promise which he never would break. And in a day or two he was to leave Rome for a long time. It was clear that he ought to decide at once, this very night.

His nature rejected the idea of taking advice, and, generally, of confiding in anyone. Otherwise, he might have laid the matter before his mother, in the certainty that her counsel would be good and honourable. Or he might have told his favourite brother the whole story, and Ippolito would assuredly have told him what was right. But Orsino was not of those who get help from the judgment or the conscience of another.

It seemed to him that he stayed a long time on the bridge, thinking of all these things, for the necessity of finally weighing them had come upon him suddenly, since San Giacinto had given him warning to get ready for the journey. But presently he was aware that the distant music had changed, that the waltz during which he had watched Vittoria was over, and that a square dance had begun. He smiled rather grimly to himself as he reflected that he might stand there till morning, without getting any nearer to a conclusion. He turned his back on the moonlight impatiently and went back into the palace. In the distance, through an open door, he saw faces familiar to him all his life, moving to and fro rapidly in a quadrille. He watched them as he walked straight on towards the ballroom, through the rather dimly lighted chamber with which the bridge communicated.

He was startled by the sound of Vittoria d'Oriani's voice, close beside him, calling him softly but rather anxiously.