"How long will all that take? A month or two?"
"About a week. It will be a little fresh, but if you are not rheumatic, Signor Principe, we can try it."
"I am not rheumatic," laughed Orsino, who was pleased with the idea of having his office on the spot, and apparently in the midst of a wilderness. "And I suppose you really do understand architecture, Signor Contini, though you do play the fiddle."
In this exceedingly sketchy way was the firm of Andrea Contini and Company established and lodged, being at the time in a very shadowy state, theoretically and practically, though it was destined to play a more prominent part in affairs than either of the young partners anticipated. Orsino discovered before long that his partner was a man of skill and energy, and his spirits rose by degrees as the work began to advance. Contini was restless, untiring and gifted, such a character as Orsino had not yet met in his limited experience of the world. The man seemed to understand his business to the smallest details and could show the workmen how to mix mortar in the right proportions, or how to strengthen a scaffolding at the weak point much better than the overseer or the master builder. At the books he seemed to be infallible, and he possessed, moreover, such a power of stating things clearly and neatly that Orsino actually learnt from him in a few weeks what he would have needed six months to learn anywhere else. As soon as the first dread of failure wore off, Orsino discovered that he was happier than he had ever been in the course of his life before. What he did was not, indeed, of much use in the progress of the office work and rather hindered than helped Contini, who was obliged to do everything slowly and sometimes twice over in order to make his pupil understand; but Orsino had a clear and practical mind, and did not forget what he had learned once. An odd sort of friendship sprang up between the two men, who under ordinary circumstances would never have met, or known each other by sight. The one had expected to find in his partner an overbearing, ignorant patrician; the other had supposed that his companion would turn out a vulgar, sordid, half-educated builder. Both were equally surprised when each discovered the truth about the other.
Though Orsino was reticent by nature, he took no especial pains to conceal his goings and comings, but as his occupation took him out of the ordinary beat followed by his idle friends, it was a long time before any of them discovered that he was engaged in practical business. In his own home he was not questioned, and he said nothing. The Saracinesca were considered eccentric, but no one interfered with them nor ventured to offer them suggestions. If they chose to allow their heir absolute liberty of action, merely because he had passed his twenty-first birthday, it was their own concern, and his ruin would be upon their own heads. No one cared to risk a savage retort from the aged prince, or a cutting answer from Sant' Ilario for the questionable satisfaction of telling either that Orsino was going to the bad. The only person who really knew what Orsino was about, and who could have claimed the right to speak to his family of his doings was San Giacinto, and he held his peace, having plenty of important affairs of his own to occupy him and being blessed with an especial gift for leaving other people to themselves.
Sant' Ilario never spied upon his son, as many of his contemporaries would have done in his place. He preferred to trust him to his own devices so long as these led to no great mischief. He saw that Orsino was less restless than formerly, that he was less at the club, and that he was stirring earlier in the morning than had been his wont, and he was well satisfied.
It was not to be expected, however, that Orsino should take Maria Consuelo literally at her word, and cease from visiting her all at once. If not really in love with her, he was at least so much interested in her that he sorely missed the daily half hour or more which he had been used to spend in her society.
Three several times he went to her hotel at the accustomed hour, and each time he was told by the porter that she was at home; but on each occasion, also, when he sent up his card, the hotel servant returned with a message from the maid to the effect that Madame d'Aranjuez was tired and did not receive. Orsino's pride rebelled equally against making a further attempt and against writing a letter requesting an explanation. Once only, when he was walking alone she passed him in a carriage, and she acknowledged his bow quietly and naturally, as though nothing had happened. He fancied she was paler than usual, and that there were shadows under her eyes which he had not formerly noticed. Possibly, he thought, she was really not in good health, and the excuses made through her maid were not wholly invented. He was conscious that his heart beat a little faster as he watched the back of the brougham disappearing in the distance, but he did not feel an irresistible longing to make another and more serious attempt to see her. He tried to analyse his own sensations, and it seemed to him that he rather dreaded a meeting than desired it, and that he felt a certain humiliation for which he could not account. In the midst of his analysis, his cigarette went out and he sighed. He was startled by such an expression of feeling, and tried to remember whether he had ever sighed before in his life, but if he had, he could not recall the circumstances. He tried to console himself with the absurd supposition that he was sleepy and that the long-drawn breath had been only a suppressed yawn. Then he walked on, gazing before him into the purple haze that filled the deep street just as the sun was setting, and a vague sadness and longing touched him which had no place in his catalogue of permissible emotions and which were as far removed from the cold cynicism which he admired in others and affected in himself as they were beyond the sphere of his analysis.
There is an age, not always to be fixed exactly, at which the really masculine nature craves the society of womankind, in one shape or another, as a necessity of existence, and by the society of womankind no one means merely the daily and hourly social intercourse which consists in exchanging the same set of remarks half a dozen times a day with as many beings of gentle sex who, to the careless eye of ordinary man, differ from each other in dress rather than in face or thought. There are eminently manly men, that is to say men fearless, strong, honourable and active, to whom the common five o'clock tea presents as much distraction and offers as much womanly sympathy as they need; who choose their intimate friends among men, rather than among women, and who die at an advanced age without ever having been more than comfortably in love—and of such is the Kingdom of Heaven. The masculine man may be as brave, as strong and as scrupulously just in all his dealings, but on the other hand he may be weak, cowardly and a cheat, and he is apt to inherit the portion of sinners, whatever his moral characteristics may be, good or bad.
Orsino was certainly not unmanly, but he was also eminently masculine and he began to suffer from the loss of Maria Consuelo's conversation in a way that surprised himself. His acquaintance with her, to give it a mild name, had been the first of the kind which he had enjoyed, and it contrasted too strongly with the crude experiences of his untried youth not to be highly valued by him and deeply regretted. He might pretend to laugh at it, and repeat to himself that his Egeria had been but a very superficial person, fervent in the reading of the daily novel and possibly not even worldly wise; he did not miss her any the less for that. A little sympathy and much patience in listening will go far to make a woman of small gifts indispensable even to a man of superior talent, especially when he thinks himself misunderstood in his ordinary surroundings. The sympathy passes for intelligence and the patience for assent and encouragement—a touch of the hand, and there is friendship, a tear, a sigh, and devotion stands upon the stage, bearing in her arms an infant love who learns to walk his part at the first suspicion of a kiss.