Don Orsino

by F. Marion Crawford

It is presumably clear that Orsino was not in love with Madame d'Aranjuez, and he himself appreciated the fact with a sense of disappointment. He was amazed at his own coldness and at the indifference with which he had submitted to what amounted to a most abrupt dismissal. He even went so far as to believe that Maria Consuelo had repulsed him designedly in the hope of kindling a more sincere passion. In that case she had been egregiously mistaken, he thought. He felt a curiosity to see her again before she left Rome, but it was nothing more than that. A new and absorbing interest had taken possession of him which at first left little room in his nature for anything else. His days were spent in the laborious study of figures and plans, broken only by occasional short but amusing conversations with Andrea Contini. His evenings were generally passed among a set of people who did not know Maria Consuelo except by sight and who had long ceased to ask him questions about her. Of late, too, he had missed his daily visits to her less and less, until he hardly regretted them at all, nor so much as thought of the possibility of renewing them. He laughed at the idea that his mother should have taken the place of a woman whom he had begun to love, and yet he was conscious that it was so, though he asked himself how long such a condition of things could last. Corona was far too wise to discuss his affairs with his father. He was too like herself for her to misunderstand him, and if she regarded the whole matter as perfectly harmless and as a legitimate subject for general conversation, she yet understood perfectly that having been once rebuffed by Sant' Ilario, Orsino must wish to be fully successful in his attempt before mentioning it again to the latter. And she felt so strongly in sympathy with her son that his work gradually acquired an intense interest for her, and she would have sacrificed much rather than see it fail. She did not on that account blame Giovanni for his discouraging view when Orsino had consulted him. Giovanni was the passion of her life and was not fallible in his impulses, though his judgment might sometimes be at fault in technical matters for which he cared nothing. But her love for her son was as great and sincere in its own way, and her pride in him was such as to make his success a condition of her future happiness.

One of the greatest novelists of this age begins one of his greatest novels with the remark that "all happy families resemble each other, but that every unhappy family is unhappy in its own especial way." Generalities are dangerous in proportion as they are witty or striking, or both, and it may be asked whether the great Tolstoi has not fallen a victim to his own extraordinary power of striking and witty generalisations. Does the greatest of all his generalisations, the wide disclaimer of his early opinions expressed in the postscript subsequently attached by him to his Kreutzer Sonata, include also the words I have quoted, and which were set up, so to say, as the theme of his Anna Karjenina? One may almost hope so. I am no critic, but those words somehow seem to me to mean that only unhappiness can be interesting. It is not pleasant to think of the consequences to which the acceptance of such a statement might lead.

There are no statistics to tell us whether the majority of living men and women are to be considered as happy or unhappy. But it does seem true that whereas a single circumstance can cause very great and lasting unhappiness, felicity is always dependent upon more than one condition and often upon so many as to make the explanation of it a highly difficult and complicated matter.

Corona had assuredly little reason to complain of her lot during the past twenty years, but unruffled and perfect as it had seemed to her she began to see that there were sources of sorrow and satisfaction before her which had not yet poured their bitter or sweet streams into the stately river of her mature life. The new interest which Orsino had created for her became more and more absorbing, and she watched it and tended it, and longed to see it grow to greater proportions. The situation was strange in one way at least. Orsino was working and his mother was helping him to work in the hope of a financial success which neither of them wanted or cared for. Possibly the certainty that failure could entail no serious consequences made the game a more amusing if a less exciting one to play.

"If I lose," said Orsino to her, "I can only lose the few thousands I invested. If I win, I will give you a string of pearls as a keepsake."

"If you lose, dear boy," answered Corona, "it must be because you had not enough to begin with. I will give you as much as you need, and we will try again."

They laughed happily together. Whatever chanced, things must turn out well. Orsino worked very hard, and Corona was very rich in her own right and could afford to help to any extent she thought necessary. She could, indeed, have taken the part of the bank and advanced him all the money he needed, but it seemed useless to interfere with the existing arrangements.

In Lent the house had reached an important point in its existence. Andrea Contini had completed the Gothic roof and the turret which appeared to him in the first vision of his dream, but to which the defunct baker had made objections on the score of expense. The masons were almost all gone and another set of workmen were busy with finer tools moulding cornices and laying on the snow-white stucco. Within, the joiners and carpenters kept up a ceaseless hammering.

One day Andrea Contini walked into the office after a tour of inspection, with a whole cigar, unlighted and intact, between his teeth. Orsino was well aware from this circumstance that something unusually fortunate had happened or was about to happen, and he rose from his books, as soon as he recognised the fair-weather signal.

"We can sell the house whenever we like," said the architect, his bright brown eyes sparkling with satisfaction.