Don Orsino

by F. Marion Crawford

At that time they were able to talk fluently upon the nature of the human heart and the durability of great affections. They propounded the problems of the world and discussed them between the selection of a carpet and the purchase of a table. They were ready at any moment to turn from the deepest conversation to the consideration of the merest detail, conscious that they could instantly take up the thread of their talk. They could separate the major proposition from the minor, and the deduction from both, by a lively argument concerning the durability of a stuff or the fitness of a piece of furniture, and they came back each time with renewed and refreshed interest to the consideration of matters little less grave than the resurrection of the dead and the life of the world to come. That their conclusions were not always logical nor even very sensible has little to do with the matter. On the contrary, the discovery of a flaw in their own reasoning was itself a reason for opening the question again at their next meeting.

At first their conversation was of general things, including the desirability of glory for its own sake, the immortality of the soul and the principles of architecture. Orsino was often amazed to find himself talking, and, as he fancied, talking well, upon subjects of which he had hitherto supposed with some justice that he knew nothing. By and by they fell upon literature and dissected the modern novel with the keen zest of young people who seek to learn the future secrets of their own lives from vivid descriptions of the lives of others. Their knowledge of the modern novel was not so limited as their acquaintance with many other things less amusing, if more profitable, and they worked the vein with lively energy and mutual satisfaction.

Then, as always, came the important move. They began to talk of love. The interest ceased to be objective or in any way vicarious and was transferred directly to themselves.

These steps are not, I think, to be ever thought of as stages in the development of character in man or woman. They are phases in the intercourse of man and woman. Clever people know them well and know how to produce them at will. The end may or may not be love, but an end of some sort is inevitable. According to the persons concerned, according to circumstances, according to the amount of available time, the progression from general subjects to the discussion of love, with self-application of the conclusions, more or less sincere, may occupy an hour, a month or a year. Love is the one subject which ultimately attracts those not too old to talk about it, and those who consider that they have reached such an age are few.

In the case of Orsino and Maria Consuelo, neither of the two was making any effort to lead up to a certain definite result, for both felt a real dread of reaching that point which is ever afterwards remembered as the last moment of hardly sustained friendship and the first of something stronger and too often less happy. Orsino was inexperienced, but Maria Consuelo was quite conscious of the tendency in a fixed direction. Whether she had made up her mind, or not, she tried as skilfully as she could to retard the movement, for she was very happy in the present and probably feared the first stirring of her own ardently passionate nature.

As for Orsino, indeed, his inexperience was relative. He was anxious to believe that he was only her friend, and pretended to his own conscience that he could not explain the frequency with which the words "I love you" presented themselves. The desire to speak them was neither a permanent impulse of which he was always conscious nor a sudden strong emotion like a temptation, giving warning of itself by a few heart-beats before it reached its strength. The words came to his lips so naturally and unexpectedly that he often wondered how he saved himself from pronouncing them. It was impossible for him to foresee when they would crave utterance. At last he began to fancy that they rang in his mind without a reason and without a wish on his part to speak them, as a perfectly indifferent tune will ring in the ear for days so that one cannot get rid of it.

Maria Consuelo had not intended to spend September and October altogether in Rome. She had supposed that it would be enough to choose her apartment and give orders to some person about the furnishing of it to her taste, and that after that she might go to the seaside until the heat should be over, coming up to the city from time to time as occasion required. But she seemed to have changed her mind. She did not even suggest the possibility of going away.

She generally saw Orsino in the afternoon. He found no difficulty in making time to see her, whenever he could be useful, but his own business naturally occupied all the earlier part of the day. As a rule, therefore, he called between half-past four and five, and so soon as it was cool enough they went together to the Palazzo Barberini to see what progress the upholsterers were making and to consider matters of taste. The great half-furnished rooms with the big windows overlooking the little garden before the palace were pleasant to sit in and wander in during the hot September afternoons. The pair were not often quite alone, even for a quarter of an hour, the place being full of workmen who came and went, passed and repassed, as their occupations required, often asking for orders and probably needing more supervision than Maria Consuelo bestowed upon them.

On a certain evening late in September the two were together in the large drawing-room. Maria Consuelo was tired and was leaning back in a deep seat, her hands folded upon her knee, watching Orsino as he slowly paced the carpet, crossing and recrossing in his short walk, his face constantly turned towards her. It was excessively hot. The air was sultry with thunder, and though it was past five o'clock the windows were still closely shut to keep out the heat. A clear, soft light filled the room, not reflected from a burning pavement, but from grass and plashing water.

They had been talking of a chimneypiece which Maria Consuelo wished to have placed in the hall. The style of what she wanted suggested the sixteenth century, Henry Second of France, Diana of Poitiers and the durability of the affections. The transition from fireplaces to true love had been accomplished with comparative ease, the result of daily practice and experience. It is worth noting, for the benefit of the young, that furniture is an excellent subject for conversation for that very reason, nothing being simpler than to go in three minutes from a table to an epoch, from an epoch to an historical person and from that person to his or her love story. A young man would do well to associate the life of some famous lover or celebrated and unhappy beauty with each style of woodwork and upholstery. It is always convenient. But if he has not the necessary preliminary knowledge he may resort to a stratagem.