“I’ll be damned if I do,” said Ralston, almost audibly.

And he went back to his corner, and tried to think of something else.

CHAPTER XIV.

Crowdie’s artistic temperament was as quick as a child’s to understand the moods of others, and he saw at a glance that something serious had happened to Katharine. He had not the amateur’s persistent desire to feel himself an artist at every moment. On the contrary, he had far more of the genuine artist’s wish to feel himself a man of the world when he was not at his work. What he saw impressed itself upon his accurate and retentive memory for form and colour, but he was not always studying every face he met, and thinking of painting it. He was fond of trying to read character, and prided himself upon his penetration, which was by no means great. It is a common peculiarity of highly gifted persons to delight in exhibiting a small talent which seems to them to be their greatest, though unappreciated by the world. Goethe thought himself a painter. Michelangelo believed himself a poet. Crowdie, a modern artist of reputation, was undoubtedly a good musician as well, but in his own estimation his greatest gift was his knowledge of men. Yet in this he was profoundly mistaken. Though his reasoning was often as clear as his deductions were astute, he placed the centre of human impulses too low, for he judged others by himself, which is an unsafe standard for men who differ much from the average of their fellow-men. He mistook his quickness of perception for penetration, and the heart of men and things escaped him.

He looked at Katharine and saw that she was very angry. He had caught sight of Ralston’s face, and he supposed that the latter had been drinking. He concluded that Ralston had offended Katharine, and that there was to be a serious quarrel. Katharine, too, had evidently been in the greatest haste to get away, and had spoken to Crowdie and taken his arm merely because of the men she knew he had been nearest to her in the crowd. The painter congratulated himself upon his good fortune in appearing at that moment.

“Will you have some supper?” he asked, guiding his companion toward the door.

“It’s too early—thanks,” answered the young girl, almost absently. “I’d rather dance, if you don’t mind,” she added, after a moment.

“Of course!” And he directed his course towards the dancing room.

In spite of his bad figure, Crowdie danced very well. He was very light on his feet, very skilful and careful of his partner, and, strange to say, very enduring. Katharine let herself go on his arm, and they glided and swayed and backed and turned to the right and left to the soft music. For a time she had altogether forgotten her strong antipathy for him. Indeed, she had almost forgotten his existence. Momentarily, he was a nonentity, except as a means of motion.

As she moved the colour slowly came back to her pale face, the frown disappeared and the cold fire in her eyes died away. She also danced well and was proud of it, though she was far from being equal to her mother, even now. With Katharine it was an amusement; with Mrs. Lauderdale it was still a passion. But now she did not care to stop, and went on and on, till Crowdie began to wonder whether she were not falling into a dreamy and half-conscious state, like that of the Eastern dervishes.