“A great deal too much. I think I shall be rude, and not stay to luncheon, after all.”
“Nonsense!” exclaimed Crowdie. “Don’t go in for being young and eccentric—the ‘man of genius’ style, who runs in and out like a hen in a thunder-storm, and is in everybody’s way when he’s not wanted and can’t be found when people want him. You’ve outgrown that sort of absurdity long ago.”
Katharine would have liked to see Griggs’ face at that moment, but he was behind her again. There was something in the relation of the two men which she found it hard to understand. Crowdie was much younger than Griggs—fourteen or fifteen years, she fancied, and Griggs did not seem to be at all the kind of man with whom people would naturally be familiar or take liberties, to use the common phrase. Yet they talked together like a couple of schoolboys. She should not have thought, either, that they could be mutually attracted. Yet they appeared to have many ideas in common, and to understand each other wonderfully well. Crowdie was evidently not repulsive to Griggs as he was to many men she knew—to Bright and Miner, for instance—and the two had undoubtedly been very intimate in former days. Nevertheless, it was strange to hear the younger man, who was little more than a youth in appearance, comparing the celebrated Paul Griggs to a hen in a thunder-storm, and still stranger to see that Griggs did not resent it at all. An older woman might have unjustly suspected that the elderly man of letters was in love with Hester Crowdie, but such an idea could never have crossed Katharine’s mind. In that respect she was singularly unsophisticated. She had been accustomed to see her beautiful mother surrounded and courted by men of all ages, and she knew that her mother was utterly indifferent to them except in so far as she liked to be admired. In some books, men fall in love with married women, and Katharine had always been told that those were bad books, and had accepted the fact without question and without interest.
But in ordinary matters she was keen of perception. It struck her that there was some bond or link between the two men, and it seemed strange to her that there should be—as strange as though she had seen an old wolf playing amicably with a little rabbit. She thought of the two animals in connection with the two men.
While she had been thinking, Hester and Griggs had been talking together in lower tones, on the divan, and Crowdie had been painting industriously.
“It’s time for luncheon,” said Mrs. Crowdie. “Mr. Griggs says he really must go away very early, and perhaps, if Katharine will stay, she will let you paint for another quarter of an hour afterward.”
“I wish you would!” answered Crowdie, with alacrity. “The snow-light is so soft—you see the snow lies on the skylight like a blanket.”
Katharine looked up at the glass roof, turning her head far back, for it was immediately overhead. When she dropped her eyes she saw that Griggs was looking at her again, but he turned away instantly. She had no sensation of unpleasantness, as she always had when she met Crowdie’s womanish glance; but she wondered about the man and his past.
Hester was just leaving the studio, going downstairs to be sure that luncheon was ready, and Crowdie had disappeared behind his curtain to put his palette and brushes out of sight, as usual. Katharine was alone with Griggs for a few moments. They stood together, looking at the portrait.
“How long have you known Mr. Crowdie?” she asked, yielding to an irresistible impulse.