Marion Darche: A Story Without Comment

by F. Marion Crawford

In all probability Russell Vanbrugh had been doing more work than was good for him, but as he was a man of extremely well-balanced and healthy nervous organisation the one ill effect he experienced from having worked harder than usual was a sudden and irresistible determination to do absolutely nothing for twenty-four hours. He was a lawyer by profession, a Dutchman by descent, a New Yorker by birth, a gentleman by his character and education, if the latter expression means anything, which is doubtful, and so far as his circumstances were concerned he was neither rich nor poor as compared with most of his associates, though some of his acquaintances looked up to him as little short of a millionaire, while others could not have conceived it possible to exist at all with his income. In appearance he was of middle height, strongly built but not stout, and light on his feet. On the whole he would have been called a dark man, for his eyes were brown and his complexion was certainly not fair. His features were regular and straight but not large, of a type which is developing rapidly in America and which expresses clearly enough the principal national characteristics—energy, firmness, self-esteem, absence of tradition, and, to some extent, of individuality—in so far as the faculties are so evenly balanced as to adapt themselves readily to anything required of them. Russell Vanbrugh was decidedly good-looking and many people would have called him handsome. He was thirty-five years of age, and his black hair was turning a little gray at the temples, a fact which was especially apparent as he faced the sun in his walk. He was in no hurry as he strolled leisurely down the pavement, his hands in the pockets of his fur coat, glancing idly at the quiet houses as he passed. The usual number of small boys was skating about on rollers at the corners of the streets, an occasional trio of nurse, perambulator and baby came into view for a moment across the sunlit square ahead of him, and a single express-waggon was halting before a house on the other side of the street, with one of its wheels buried to the hub in a heap of mud-dyed snow. That was all. Few streets in the world can be as quiet as Lexington Avenue at mid-day. It looks almost like Boston. Russell Vanbrugh loved New York in all its aspects and in all its particulars, singly and wholly, in winter and summer, with the undivided affection which natives of great capitals often feel for their own city. He liked to walk in Lexington Avenue, and to think of the roaring, screaming rush in Broadway. He liked to escape from sudden death on the Broadway crossing and to think of the perambulator and the boys on roller skates in Lexington Avenue; and again, he was fond of allowing his thoughts to wander down town to the strange regions which are bounded by the Bowery, Houston Street, the East River and Park Row. It amused him to watch his intensely American surroundings and to remember at the same time that New York is the third German city in the world. He loved contrasts and it was this taste, together with his daily occupation as a criminal lawyer, which had led him to extend his acquaintance beyond the circle in which his father and mother had dined and danced and had their being.

He was thinking—for people can think while receiving and enjoying momentary impressions which have nothing to do with their thoughts—he was thinking of a particularly complicated murder case in which the murderer had made use of atropine to restore the pupils of his victim's eyes to their natural size lest their dilatation should betray the use of morphia. He was watching the boys, the house, the express-cart, and the distant perambulator, and at the same time he was hesitating as to whether he should light a cigarette or not. He was certainly suffering from the national disease, which is said by medical authorities to consist in thinking of three things at once. He was just wondering whether, if the expressman murdered the nurse and used atropine the boy would find it out, when the door of a house he was passing was opened and a young girl came out upon the brown stone steps and closed it behind her. Her gray eyes met his brown ones and they both started slightly and smiled. The girl's bright colour grew a little more bright, and Vanbrugh's eyelids contracted a little as he stopped and bowed.

"Oh—is that you?" asked Miss Dolly Maylands, pausing an instant.

"Good morning," answered Vanbrugh, smiling again as she tripped over the brown steps and met him on the pavement.

"I suppose your logical mind saw the absurdity of answering my question," said Dolly, holding out a slender gloved hand.

"I see you have been at your charities again," answered Vanbrugh, watching her fresh face closely.

"You say that as you would say, 'You have been at your tricks again.' Why do you tease me? But it is quite true. How did you guess it?"

"Because you began by chaffing me. That shows that you are frivolous to-day. When you have been doing something serious you are always frivolous. When you have been dancing you are always funereal. It is very easy to tell what you have been doing."

"You ought to be ashamed of yourself."

Miss Maylands frequently made use of this expression—a strong one in its way.