Paul Patoff

by F. Marion Crawford

But Professor Cutter was not destined to such a disappointment. His patient recovered in a way which was new to him, and he realized that in losing his former case he had found one even more interesting. She was apathetic, indeed, in a certain degree, and did not appear to understand everything that was said to her, but this was the only sign of any degeneracy. She never again addressed by name either the professor or her maid, and never spoke except to express her wants, which she did in few words, and very concisely and correctly. Nothing would induce her, in conversation, to make any answer save a simple yes or no, and Cutter was struck by the fact that her color ceased to change when he spoke of Alexander. This, he thought, showed that she no longer associated any painful idea with the name of her lost son. But there were none of the signs of a softening brain,—no foolish ravings, nor any expressed desire to do anything not perfectly rational. She accomplished the journey with evident comfort, and was evidently delighted at the beautiful sights she saw on the way, though she said nothing, but only smiled and looked pleased. Her habitual expression was one of calm melancholy. Her features wore a sad but placid expression, and she appeared to thrive in health, and to be better than when the professor had first known her. She was more scrupulous than ever about her appearance, and there was an almost unnatural perfection in her dress and in her calm and graceful manner. Cutter was puzzled. With these symptoms he would have expected some apparent delusion on one point. But he could detect nothing of the kind, and he exhausted his theories in trying to find out what particular form of insanity afflicted her. He could see nothing and define nothing, save her absolute refusal to talk. She asked for what she wanted, or got it for herself, and she answered readily yes and no to direct questions. Gradually, as they traveled by short stages, drawing near to their destination, Cutter altogether lost the habit of talking to her, and almost ceased to notice her one peculiarity. She would sit for hours in the same position, apparently never wearied of her silence, her placid expression never changing save into a gentle smile when she saw anything that pleased her.

They reached England at last, and Madame Patoff was installed in her brother-in-law's house in the country. Cutter came frequently from town to see her, and always studied her case with new interest; but after a whole year he could detect no change whatever in her condition, and began to despair of ever classifying her malady in the scientific catalogue of his mind.

* * * * * * * * * * * * * *

It was at this point, my dear friend, that I became an actor in the story of Paul Patoff and his mother, and I will now for a time tell my tale in my own person,—in the prosaic person of Paul Griggs, with whom you are so well acquainted that you are good enough to call him your friend. To give you at once an idea of my own connection with this history, I will confess that it was I who dropped the rope out of the window at Weissenstein, as you may have already guessed from the description I have given of myself.

VI.

Mankind may be divided and classified in many ways, according to the tests applied, and the reason why any new classification of people is always striking is not far to seek. For, since all the mental and moral qualities of which we have ever heard belong to men and women, it is obviously easy to say that we can divide our fellow-creatures into two classes, one class possessing the vice or virtue in point, and the other not possessing it. The only division which is hard to make is that which should separate the human race into classes of good and bad,—to speak biblically, the division of the sheep from the goats; but as no one has ever been able to draw the line, some people have said, in their haste, that all men are bad, while others have arrived at the no less hasty and equally false conclusion that all men are good. The Preacher was nearer the truth when he said, "All is vanity," than was David when he said in his heart, "All men are liars;" for if the bad man is foolish enough to boast of his error, the good man is generally inclined to vaunt his virtue after the most mature reflection, and the secret of success, whether in good or in evil, is not to allow the right hand to know the doings of the left. There are men who give lavishly with the one hand, while they steal even more freely with the other, and are covered with glory, until their biography is written by an intelligent enemy.

The faculty of persuading the world at large to consider that you are in the right is called your "prestige," a word closely connected with the term "prestidigitation,"—if not in derivation, most certainly in meaning. When you have found out your neighbor's sin, your prestige is increased; when your neighbor has found out yours, your prestige is gone. There is little credit to be got from charity; for if you conceal your good deeds it is certain that nobody will suspect you of doing them, and if you do them before the world every one will say that you are vainglorious and purse-proud, and altogether a dangerous hypocrite. On the other hand, there is undeniably much social interest attached to a man who is supposed to be bad, but who has never been caught in his wickedness; and if a thorough-going sinner is discovered, after having concealed his doings for many years, people at least give him all the credit he can expect, saying, "Surely he was a very clever fellow to deceive us for so long!" There are plenty of ways which serve to conceal evil doings, from the vulgar lies which make up the code of schoolboy honor, to the national bad faith which systematically violates all treaties when they cease to be lucrative; from the promising youth who borrows money from his tailor, and has it charged to his father with compound interest as "account rendered for clothes furnished," down to the driveling dishonesty of some old statesman who clings to office because his ornate eloquence still survives his scanty wit. Verily, if the boy be father to the man, it is not pleasant to imagine what manner of men they will be to whom the modern boy stands in the relation of paternity. The big boys who kill little ones with their fists, and spend a pleasant hour in watching a couple of cats, slung over a clothes-line by the tails, fight each other to death, are likely to be less remarkable for their singular lack of intelligence than for their extraordinary excess of brutality. It is true that a nation's greatest activity for good is developed in the time of its transition from coarseness to refinement. It may also be true that its period of greatest harmfulness is when, from a fictitious refinement, it is dragged down again by the natural brutality of its nature; when the ideal has ceased to correspond with the real; when the poet has lost his hold upon the hearts of the people; when poetry itself is no longer the strong fire bursting through the thick, foul crust of the earth, but is only the faint and shadowy smoke of the fire, wreathed for a moment into ethereal shapes of fleeting grace that have neither heat enough to burn the earth from which they come, nor strength to withstand the rough winds of heaven by which they shall soon be scattered. For as the evolution of the ideal from the real is life, so the final separation of the soul from the body is death.

Almost all men have the qualities which can give moderate success. Very few have those gifts which lead to greatness, and those who have them invariably become great. There is no unrecognized genius; for genius means the production of what is not only beautiful, but enduring, and the works of man are all sooner or later judged by his fellows, and judged fairly. But it is unprofitable to discuss these matters; for those who are very great seldom know that they are, and those who are not cannot be persuaded that they might not attain to greatness if circumstances were slightly changed in their favor. Perhaps also there is very little use in making any preamble to what I have to tell. I remember to have been at a great meeting of American bankers at Niagara some years ago, where, as usual at American meetings, many speeches were made. There was an old gentleman there from the West who appeared to have something to say, but although his voice rose to impassioned tones and his gestures were highly effective as he delivered a variety of ornate phrases, he did not come to the point. An irreverent hearer rose and inquired what was the object of his distinguished friend's discourse, which did not appear to bear at all upon the matters in hand. The old gentleman stopped instantly in his flow of words, and said very quietly and naturally, "I feel a little shy, and I want to speak some before getting to the point, so as to get used to you." There was a good-natured laugh, in which the speaker joined. But he presently began again, and before long he was talking very well and very much to the point. It may be doubted, however, whether any well-conditioned chronicler needs a preliminary breather before so short a race as this is likely to be. In these wild days there is small time for man to work or for woman to weep, and those who would tell a tale must tell it quickly, lest the traveler be out of hearing before the song is ended, and the minstrel be left harping at the empty air and wasting his eloquence upon the stones.

Last year I was staying in an English country house on the borders of Hertfordshire and Essex. It is not what is called a "romantic neighborhood," but there are plenty of pretty places and some fine old trees where the green lanes of Essex begin to undulate into the wooded valleys of Herts. The name of the place where I was stopping is Carvel Place, and the people who generally live in it are John Carvel, Esq., formerly member for the borough; Mary Carvel, his wife, who was a Miss Dabstreak; Hermione Carvel, their daughter; and, when he is at home on leave, Macaulay Carvel, their son, a young man who has been in the diplomatic service several years, and who once had the good fortune to be selected as private secretary to Lord Mavourneen, when that noble diplomatist was sent on a special mission to India. Mrs. Carvel has a younger sister, a spinster, thirty-eight years of age, who rejoices in the name of Chrysophrasia. Her parents had christened their eldest daughter Anne, their second Mary, and had regretted the simple appellations bitterly, so that when a third little girl came into the world, seven years afterwards, their latent love for euphony was poured out upon her in a double measure at the baptismal font. Anne, eldest sister of Mrs. Carvel and Miss Chrysophrasia Dabstreak, married a Russian in the year 1850, and was never mentioned after the Crimean War, until her son, Paul Patoff, being a diplomatist, made the acquaintance of his first cousin in the person of Macaulay Carvel, who happened to be third secretary in Berlin, when Paul passed through that capital, on his return from a distant post in the East.

It is taken for granted that the Carvels have lived at Carvel Place since the memory of man. I know very little of their family history; my acquaintance with John Carvel is of comparatively recent date, and Miss Chrysophrasia eyes me with evident suspicion, as being an American and probably an adventurer. I cannot say that Carvel and I are precisely old friends, but we enjoy each other's society, and have been of considerable service to each other in the last ten years. There is a certain kind of mutual respect, not untempered by substantial mutual obligation, which very nearly approaches to friendship when the parties concerned have common tastes and are not unsympathetic. John Carvel is a man fifty years of age: he is short, well built, and active, delighting in the chase; slender rather than stout, but not thin; red in the face from constant exposure, scrupulous in the shaving of his smooth chin and in the scrubbing processes, dressed with untarnishing neatness; having large hands with large nails, smooth and tolerably thick gray hair, strongly marked eyebrows, and small, bright eyes of a gray-blue color. In his personal appearance he is a type of a fine race; in character and tastes he is a specimen of the best class of men to be met with in our day. He is a country gentleman, educated in the traditions of Rugby and Oxford at a time when those institutions had not succumbed to the subtle evils of our times, whereby the weak are corrupted into effeminate fools and the strong into abominable bullies. John Carvel's Latin has survived his school-days, and his manliness has outlived the university. He belongs to that class of Englishmen who proverbially speak the truth.