"I beg your pardon for contradicting you," answered Ghisleri, coldly, "but I think there is so much doubt that I do not believe in the possibility of the evil eye at all, much less in the ridiculous story that Lady Herbert Arden's name can upset a glass of wine or break a chair."

"I agree with you," said Donna Christina, in her quiet voice, on Pietro's other side. "It is almost the only point on which my husband and I differ—is it not true, Gianforte?" she asked, speaking across the table to Campodonico. There had been a momentary lull in the conversation after the little accident, so that he had heard what had been said.

"It is quite true," he answered. "I believe in the jettatura, just as most people do, but my wife is a sceptic."

"And do you really believe that Pietrasanta upset his glass because he mentioned Lady Herbert?" asked Pietro.

"Yes, I do." Their eyes met quietly as they looked at each other, but the whole party became silent, and listened to the remarks exchanged by the two men who had once fought such a memorable fight.

Gianforte Campodonico was a very dark man, of medium height, strongly built, and not yet of an age to be stout, with bold aquiline features, keen black eyes, and a prominent chin. A somewhat too heavy moustache almost quite concealed his mouth. At first sight, most people would have taken him for a soldier. Of his type he was very handsome.

"Can you give any good reason for believing in anything so improbable?" asked Ghisleri.

"There are plenty of facts," answered Campodonico, calmly. "Any one here will give you fifty—a hundred instances, so many indeed, that you cannot attribute them all to coincidence. Do you not agree with me, Marchese?" he asked, appealing to the master of the house, whose opinion was often asked by men, and generally accepted.

"I suppose I do," said the giant, indifferently. "I never took the trouble to think of it. Most of us believe in the evil eye. But as for this story about Lady Herbert Arden, I think it is nonsense in the first place, and a malicious lie in the second, invented by some person or persons unknown—or perhaps very well known to some of you. Half of it rests on that absurd story about the chair I broke in Casa Frangipani. If any of you can grow to be of my size, you will know how easily chairs are broken."

There was a laugh at his remark, in which Campodonico joined.