"No," he answered. "But be quick."

Maddalena went swiftly to the bedside, and, bending down, kissed Ghisleri's forehead, gazed at him for a moment, and then turned away. She slipped a little gold bracelet formed of simple links without ornament or distinctive mark from her wrist, and put it into the Sister's hand.

"If you think he is dying, give him this, and say I came and kissed him. If he is in no danger, sell it, and give the money to some poor person. Can I trust you, my sister?"

"Yes, madame," answered the French nun quietly as she dropped the trinket into her capacious pocket.

With one glance more at Ghisleri's face, the Contessa left the room. A quarter of an hour later she was at home again. The servants supposed that she had gone to an early mass, as she sometimes did, possibly to pray for the soul of the Signor Ghisleri. The man who had gone for news of him had not failed to inform the whole household of Pietro's dangerous state, and as Pietro was a constant visitor, and was generous with his five-franc notes, considerable anxiety was felt in the lower regions for his welfare, and numerous prayers were offered for his recovery.

Maddalena sent to make inquiries several times in the course of the day, and towards evening was informed that there was more hope, but that if he got well at all it would be by a long convalescence. She herself saw no one, and no one ever knew what she suffered in those endless hours of solitude.

Laura Arden heard of the duel through her mother, who was very angry about it, as has been seen. Laura herself was greatly shocked, for at first almost every one thought that Ghisleri must die of his wound. Having been brought up in Rome, in the midst of Roman ideas, she had not the English aversion to duelling, nor, being an Anglican, had she a Catholic's horror of sudden death. She did not even yet really like Ghisleri. But she was horror-struck, though she could hardly have told why, at the thought that the strong man who had been with her when her husband died, and whom she had talked with so often since, should be taken away without warning, in the midst of his youth and strength, for a word said in her defence. Of course the Princess told her all the details of the story as she had heard them, laying particular stress upon the fact that the duel had been fought for Laura. The seconds in the affair had gravely alleged a dispute about the painter Zichy as the true cause of the quarrel, but the world had found time to make up its mind on the previous evening, and was not to be deceived by such absurd tales.

"It is not my fault, mother, if they fought about me," said Laura. "But I am dreadfully distressed. I wish I could do anything."

"The best thing is to do nothing," answered the Princess, "for nothing can do any good. The harm is done, whether it has been in any way your fault or not. To think it should all have begun in that insane superstition about the evil eye!"

"I never even knew that I was suspected of being a jettatrice. People must be mad to believe in such things. You are right, of course. What could any of us do except make inquiries? Poor man! I hope he will get over it."