"Oh, of course I do," answered Adele, with alacrity. "I will show you all over the castle to-morrow morning. It is an enormous building, and bigger than you would ever suppose from the outside. I will show you where they used to cut off heads—it is delightful! The head fell through a hole in the floor into a heap of sawdust, they say. And then there is another place, where they threw criminals out of the window, with four seats in it, two for the executioners, one for the confessor, and one in the middle for the condemned man. They did those things so coolly and systematically in those good old days. You shall see it all; there are the dungeons, and the trap-doors through which people were made to tumble into them; there is every sort of appliance—belonging to family life in the middle ages."
"I shall be very glad to see it all if you will be my guide," said Ghisleri.
They continued to talk upon indifferent subjects. At dinner Pietro took much pains to be agreeable, and succeeded admirably, for he was well able to converse pleasantly when he chose. Though extremely tired, he sat up till nearly midnight talking politics with Savelli, as Adele had foreseen, and when he was at last shown to his distant room by Bonifazio, who had spent most of his day in studying the topography of the castle, he was very nearly exhausted.
CHAPTER XIX.
Pietro Ghisleri slept soundly that night. Of late, indeed, he had become less restless than he had formerly been, and he attributed the change to the weakness which was the consequence of his wound. There were probably other causes at work at that time of which he was hardly conscious himself, but which ultimately produced a change in him, and in his way of looking at the world.
He stood at his open window early in the morning, and gazed out at the fresh, bright country. The delicate hand of spring had already touched the world with colour, and the breath of the coming warmth had waked the life in all those things which die yearly, and are yearly raised again. Ghisleri felt the morning sun upon his thin, pale face, and he realised that he also had been very near to death during the dark months, and he remembered how he had wished that he might be not near only to dying, but dead altogether, never to take up again the play that had grown so wearisome and empty in his eyes.
But now a change had come. For the first time in years, he knew that if the choice were suddenly offered him at the present moment he would choose to live out all the days allotted to him, and would wish that they might be many rather than few. There was, indeed, a dark spot on the page last turned, of which he could never efface the memory, nor, in his own estimation, outlive the shame. In his day-dreams Maddalena dell' Armi's coldly perfect face was often before him with an expression upon it which he feared to see, knowing too well why it was there—and out of a deeper depth of memory dead Bianca Corleone's eyes looked at him with reproach and sometimes with scorn. There was much pain in store for him yet, of the kind at which the world never guessed, nor ever could. But he would not try to escape from it. He would not again so act or think as to call himself coward in his own heart's tribunal.
He looked out at the distant hills, and down at the broad battlements and massive outworks of the ancient fortress, and fell to thinking rather idly about the people who had lived, and fought, and quarrelled, and slain each other, within and around those enormous walls, and then he thought all at once of Adele Savelli, and of his suspicions regarding her. He was in a particularly charitable frame of mind on that morning, and he suddenly felt that what he had almost believed on the previous night was utterly beyond the bounds of probability. It seemed to him that he had no manner of right to accuse any one of the crime he had imputed to her, on the most shadowy grounds, and absolutely without proof, unless the coincidence of her uneasy behaviour, with certain vague remarks of his own, could be taken as evidence. He sat down to think it all over, drinking his coffee by the open window, and enjoying the sunshine and the sweet morning air. The whole world looked so good and innocent and fresh as he gazed out upon it, that the possibilities of evil seemed to shrink away into nothing.
But as he systematically reviewed the events of the past months, his suspicion returned almost with the force of conviction. The coincidences were too numerous to be attributed to chance alone. Adele's distress of mind was too evident to be denied. Altogether there was no escaping from the conclusion that willingly or unwillingly she had been consciously instrumental in bringing about Arden's illness and death. Her questions about the wisest course to pursue in cases of blackmail, pointed to the probability if not the certainty that some third person was acquainted with what had happened, and this person was in all likelihood the maid Lucia. So far his reasoning took him quickly and plausibly enough, but no further. How the scarlet fever had been communicated from Lucia to Herbert Arden was more than Ghisleri could guess, but if Adele was really in the serving woman's power, it must have been done in such a way as to make what had happened quite clear to the latter. After thinking over all the possibilities, and vainly attempting to solve the hard problem, Ghisleri found himself as much at sea as ever, and was driven to acknowledge that he must trust to chance for obtaining any further evidence in the matter.