Now the dogess Gualdrada, breathing vengeance on them that had murdered her husband and her little son, took refuge on the mainland and came to Piacenza, to the court of the Empress Adelaide, who was the widow of Otho I. and the mother of Otho II., then reigning. There Gualdrada cast herself at Adelaide’s feet and told her grief, imploring justice and righteous vengeance; and her cry was heard, for soon the young Emperor summoned Venice to account, not for the assassination of the Doge, but for violence done against Gualdrada and for the murder of her son.

Venice was in no state to face the Holy Roman Empire alone, and she obeyed the summons by sending the patrician Antonio Grimani to Piacenza, with orders to explain to the Empress that the Republic was not altogether responsible for the cruel deeds done by a handful of her citizens. The ambassador spoke long and well, setting forth the iniquities of the Doge Pietro Candiano, and promising to make full reparation to Gualdrada.

Rom. i. 252. Mol. Dogaressa.

There they sat, in the hall of the castle of Piacenza, the old Empress in her robes, surrounded by the flower of her northern knights, and before them Antonio Grimani, the ambassador, representing the person of the Doge Orseolo; and Gualdrada was not there, but the envoy of her brother, the Marquis of Tuscany, came to speak for her, appealing to the just sense of the court.

At a gesture from the Empress this personage came forward, bearing a sealed letter as his brief, written with Gualdrada’s own hand, and he broke the seal, and presented to the ambassador of Venice the note of her demands. Then and there an inventory was made out of all the property, both personal and real estate, which had either composed her dowry, or which had been promised to her by her husband, or which should have been hers as the heiress of her murdered child; and Antonio Grimani did not hesitate, but promised for the Republic that everything should be restored.

On her side Gualdrada then declared that she gave up all thoughts of vengeance against the state of Venice, the reigning Doge or his successors, and she signed with her own hand the solemn act which the imperial notary drew up, and by which the mutual engagement was ratified. So the grim business ended; and Gualdrada took lands and gold for her child’s blood and her husband’s, as was the manner in the Middle Ages, and went back to her Tuscan home, and lived finely, and married, for aught I know, and was happy for ever afterwards.

Here, on the heels of tragedy, follows romance, in the same family of Candiano; or perhaps it is only legend, of the kind the old chroniclers loved so well.

Elena, the lovely daughter of a Pietro, we know not which, fell deep in love with Gherardo Guoro; and this love of hers was a great secret, for he was neither rich nor noble, and had small hope of being accepted as a son-in-law by a Doge who was always intriguing to make brilliant marriages for his family. But Elena had a nurse who loved her dearly and pitied the pair, and helped them to meet again and again, till at last they were married, and none but the old nurse knew it. Now, therefore, Gherardo sought fortune and set out on a voyage to the East; and while he was away, Pietro Candiano told his daughter that he would betroth her to Vittor Belegno. In her terror the girl’s heart stood still, and she fell into a trance so death-like that it was mistaken for death itself, and on the same day, according to the immemorial custom of Italy, she lay in her coffin in the cathedral. But within a few hours, as love and fate would have it, Gherardo Guoro came sailing back, only to learn of her sudden death. Wild with grief he rushed to the cathedral, and by prayers, entreaties, and bribes prevailed upon the sacristan to open the tomb, and help him to wrench off the lid of the coffin. When he saw her face his passionate tears broke out, and, lifting the beloved head, he kissed her again and again; and his kisses brought the colour to her cheek, for she was not dead, and he held her in his

THE GREAT WINDOW, ST. MARK’S