It is hard to imagine a more unpleasant position than that of the chief of the State. Suppose, for instance, that by the choice of the Council some post or dignity was to be conferred on one of his relatives, or even on one of his friends; he was literally and categorically forbidden to exhibit the least satisfaction, or to thank the Council, even by a nod of the head.
Yriarte, Vie d’un Patricien, 359, and Marin Sanudo.
He was to preside at this, and at many other ceremonies, as a superbly-dressed lay figure, as a sort of allegorical representative of that power with which every member of the government except himself was invested. And as time went on this part he had to play, of the living allegory, was more and more defined. He was even deprived of the title ‘My Lord,’ and was to be addressed merely as ‘Messer Doge,’ ‘Sir Doge.’ From 1501 onward he was forbidden to go out of the city, even for an hour in his gondola, without the consent of the Council, and if he disobeyed he had to pay a fine of one hundred ducats; he was not allowed to write a letter, even to his wife or his children, without showing it to at least one of his six counsellors, and if he disobeyed he was to pay a fine of two hundred ducats, and the person, his wife or his own child, to whom the letter was addressed, was liable to be exiled for five years.
After 1521 the Doge was never allowed to speak without witnesses with any ambassador, neither with the foreign representatives who came to Venice, nor with Venetian ambassadors at home on business or leave; and when he spoke with any of them in public, he was warned only to make commonplace remarks.
The Dogess never had any official position in Venice, but during the fourteenth and fifteenth centuries she was made use of as an ornamental personage at public festivals. After that time she returned to the retirement in which the wives of the early Doges had lived. An outcry was raised against the custom of crowning her when she entered the ducal palace, and from that time forth she never appeared beside her husband on state occasions; and if any foreign ambassador, supposing that he was acting according to the rules of ordinary court etiquette, asked to be presented to her, she was bound to refuse his visit.
Everything in the life of the Doge was regulated by the Great Council. That august assembly once even remonstrated with the so-called sovereign because the Dogess bore him too many children. If any one hesitates to believe these amazing statements he may consult Signor Molmenti’s recent historical work, La Dogaressa, which is beyond criticism in point of accuracy.
At certain fixed times the Doge was allowed the relaxation of shooting, but with so many restrictions and injunctions that the sport must have been intolerably irksome. He was allowed or, more strictly speaking, was ordered to proceed for this purpose, and about Christmas time, to certain islets in the lagoons, where wild ducks bred in great numbers. On his return he was obliged to present each member of the Great Council with five ducks. This was called the gift of the ‘Oselle,’ that being the name given by the people to the birds in question. In 1521, about five thousand brace of birds had to be killed or snared in order to fulfil this requirement; and if the unhappy Doge was not fortunate enough, with his attendants, to secure the required number, he was obliged to provide them by buying them elsewhere and at any price, for the claims of the Great Council had to be satisfied in any case. This was often an expensive affair.
There was also another personage who could not have derived much enjoyment from the Christmas shooting. This was the Doge’s chamberlain, whose duty it was to see to the just distribution of the game, so that each bunch of two-and-a-half brace should contain a fair average of fat and thin birds, lest it should be said that the Doge showed favour to some members of the Council more than to others.
By and by a means was sought of commuting this annual tribute of ducks. The Doge Antonio Grimani
Portrait of Antonio Grimani kneeling before Religion, Titian; Sala delle Quattro Porte.