To some extent he was to be pardoned. The chain of circumstantial evidence was consecutive and so convincing that many a just person would have accepted Corona's guilt as the only possible explanation of what had happened. The discoveries he had just made would alone have sufficed to set up a case against her, and many an innocent reputation has been shattered by less substantial proofs. Had he not found a letter, evidently written in a feigned hand and penned upon his wife's own writing-paper, fastened upon Gouache's table with her own pin? Had not the old woman confessed—before he had found the note, too,—that a lady had been there but a short time before? Did not these facts agree singularly with Corona's having left him to wait for her during that interval in the public gardens? Above all, did not this conclusion explain at once all those things in her conduct which had so much disturbed him during the past week?

What was this story of Faustina Montevarchi's disappearance? The girl was probably Corona's innocent accomplice. Corona had left the house at one o'clock in the morning with Gouache. The porter had not seen any other woman. The fact that she had entered the Palazzo Montevarchi with Faustina and without Anastase proved nothing, except that she had met the young girl somewhere else, it mattered little where. The story that Faustina had accidentally shut herself into a room in the palace was an invention, for even Corona admitted the fact. That Faustina's flight, however, and the other events of the night of the 22d had been arranged merely in order that Corona and Gouache might walk in the moonlight for a quarter of an hour, Giovanni did not believe. There was some other mystery here which was yet unsolved. Meanwhile the facts he had collected were enough—enough to destroy his happiness at a single blow. And yet he loved Corona even now, and though his mind was made up clearly enough concerning Gouache, he knew that he could not part from the woman he adored. He thought of the grim old fortress at Saracinesca with its lofty towers and impregnable walls, and when he reflected that there was but one possible exit from the huge mass of buildings, he said to himself that Corona would be safe there for ever.

He had the instincts of a fierce and unforgiving race of men, who for centuries had held the law in their own hands, and were accustomed to wield it as it seemed good in their own eyes. It was not very long since the lords of Saracinesca had possessed the right of life and death over their vassals, [Footnote: Until 1870 the right of life and death was still held, so far as actual legality was concerned, by the Dukes of Bracciano, and was attached to the possession of the title, which had been sold and subsequently bought back by the original holders of it.] and the hereditary traits of character which had been fostered by ages of power had not disappeared with the decay of feudalism. Under the circumstances which seemed imminent, it would not have been thought unnatural if Giovanni had confined his wife during the remainder of her days in his castle among the mountains. The idea may excite surprise among civilised Europeans when it is considered that the events of which I write occurred as recently as 1867, but it would certainly have evoked few expressions of astonishment among the friends of the persons concerned. To Giovanni himself it seemed the only possible conclusion to what was happening, and the determination to kill Gouache and imprison Corona for life appeared in his eyes neither barbarous nor impracticable.

He did not hasten his pace as he went towards his home. There was something fateful in his regular step and marble face as he moved steadily to the accomplishment of his purpose. The fury which had at first possessed him, and which, if he had then encountered Gouache, would certainly have produced a violent outbreak, had subsided and was lost in the certainty of his dishonour, and in the immensity of the pain he suffered. Nothing remained to be done but to tell Corona that he knew all, and to inflict upon her the consequences of her crime without delay. There was absolutely no hope left that she might prove herself innocent, and in Giovanni's own breast there was no hope either, no hope of ever finding again his lost happiness, or of ever again setting one stone upon another of all that splendid fabric of his life which he had built up so confidently upon the faith of the woman he loved.

As he reached the gates of his home he grew if possible paler than before, till his face was positively ghastly to see, and his eyes seemed to sink deeper beneath his brows, while their concentrated light gleamed more fiercely. No one saw him enter, for the porter was in his lodge, and on reaching the landing of the stairs Giovanni let himself into the apartments with a latch-key.

Corona was in her dressing-room, a high vaulted chamber, somewhat sombrely furnished, but made cheerful by a fire that blazed brightly in the deep old-fashioned chimney-piece. Candles were lighted upon the dressing-table, and a shaded lamp stood upon a low stand near a lounge beside the hearth. The princess was clad in a loose wrapper of some soft cream-coloured material, whose folds fell gracefully to the ground as she lay upon the couch. She was resting before dressing for dinner, and the masses of her blue-black hair were loosely coiled upon her head and held together by a great Spanish comb thrust among the tresses with a careless grace. She held a book in her slender, olive-tinted hand, but she was not reading; her head lay back upon the cushions and the firelight threw her features into strong relief, while her velvet eyes reflected the flashes of the dancing flames as she watched them. Her expression was serene and calm. She had forgotten for the moment the little annoyances of the last few days and was thinking of her happiness, contrasting the peace of her present life with what she had suffered during the five years of her marriage with poor old Astrardente. Could Giovanni have seen her thus his heart might have been softened. He would have asked himself how it was possible that any woman guilty of such enormous misdeeds could lie there watching the fire with a look of such calm innocence upon her face.

But Giovanni did not see her as she was. Even in the extremity of his anger and suffering his courtesy did not forsake him, and he knocked at his wife's door before entering the room. Corona moved from her position, and turned her head to see who was about to enter.

"Come in," she said.

She started when she saw Giovanni's face. Dazzled as she was by the fire, he looked to her like a dead man. She laid one hand upon the arm of the couch as though she would rise to meet him. He shut the door behind him and advanced towards her till only a couple of paces separated them. She was so much amazed by his looks that she sat quite still while he fixed his eyes upon her and began to speak.

"You have wrecked my life," he said in a strange, low voice. "I have come to tell you my decision."