'They are men from the Pope's choir,' Stradella whispered, 'or from Saint Peter's.'

The first piece was finished, and the musicians exchanged a few words in low tones, while one or two of them tuned their instruments a little. A moment later they began to play again, and as Stradella recognised the opening chords of one of his own serenades, a rich-toned voice began the song.

Ortensia's arm tightened a little round her husband, and his round her, and their young cheeks touched as they listened and peered down into the gloom of the narrow street. Suddenly there was a stir below, and the sound of other feet coming quickly from the Piazza del Gesù; and though the serenade was not half finished, another choir and other instruments struck up a chorus, loud and high, almost completely drowning the first.

Stradella uttered an exclamation of surprise. The newcomers sang and played quite as well as the first party, if not better, and the music was Stradella's too—a triumphal march and chorus which he had composed when last in Rome for the marriage of the Orsini heir. It had been intended to drown all other sounds while the wedding procession was leaving the church, and it now fulfilled a similar purpose most effectually.

For a moment Stradella imagined that it was only meant as a surprise, and a reinforcement to the first party, and that the whole company of musicians would play and sing together. That would have been indeed a royal serenade; but half a minute had not passed before things took a very different turn, for the party in possession of the street charged the newcomers after a moment's deliberation; the twanging of strings turned into a noise of stout sticks hitting each other violently and smashing an instrument now and then, and steel was clashing too, while the voices that had lately sung so tunefully now shouted in wild discord.

Suddenly a flash of bright light darted through the dim confusion as a dark lantern was opened, and the glare fell full on the face and figure of Don Alberto Altieri, who stood hatless, sword in hand, facing an adversary who was quite invisible to the couple at the window. The instant the light was seen, the others of the two parties ceased fighting and retired in opposite directions.

'Sir,' said a voice which Stradella and Ortensia instantly recognised as Trombin's, 'I see that you are at least as young as you are noble, if not more so, and I shall therefore not press my acquaintance upon you so far as to take your life. But I shall tell you plainly, sir, that I am a fencing-master by my profession, and if you do not immediately dissolve into air, or, to put it better, melt away with all your company, I will lard you, in the space of thirty seconds, with fifteen flesh wounds in fifteen different parts of your body, not one of which shall be dangerous, but which, being taken in what I may call the aggregate, shall keep you in your bed for a month, sir. And moreover, sir, as you do not seem inclined to lower your guard and go away, there is one!'

The long rapier flashed in the light of the lantern, and instantly Don Alberto's sword fell from his hand. Trombin had run him neatly through the right forearm, completely disabling him at the first thrust.

The Bravo at once stooped, picked up the weapon and politely offered him the hilt, but he could not take it with his right hand, and grasping the blade itself with his left, he just managed to get it into the sheath.

'At least,' he cried, furious with humiliation and pain, 'that gentleman with the lantern there, who employs you, will answer to me for this in broad daylight, when my wound is healed.'