I shall tell no more, but leave the singer and his young wife to their happiness. If any one would know the end that followed years afterwards, he will find it in chronicles that are in almost every great library. I shall only say that while those two lived they loved, as few have, and that Stradella's fame was greater when he breathed his last than it had ever been before; and in Italy he is not forgotten yet.
But whether Trombin and Gambardella will ever stroll into the story-teller's dreamland again, and act other parts, he himself cannot surely tell, nor does he know whether they will be welcome if they come. Their names are not in the chronicles, as Stradella's and Ortensia's are, as well as Pignaver's. The Venetian nobleman 'sent certain assassins,' and that is all we know; and as for the names and faces and figures I have given to the Bravi, I found them beyond the borders of truth in the delicious Gardens of Irresponsibility, where many strange people dwell together, who might be real, and may be alive some day, but who have not yet made up their minds to exchange the flowery paths of fiction for the stony roads and dusty lanes of this working-day world.
Mr. F. MARION CRAWFORD'S NOVELS
THE SARACINESCA SERIES
In the binding of the Uniform Edition, each, $1.50
Saracinesca
"The work has two distinct merits, either of which would serve to make it great,—that of telling a perfect story in a perfect way, and of giving a graphic picture of Roman society in the last days of the Pope's temporal power.... The story is exquisitely told."—Boston Traveler.
Sant' Ilario. A Sequel to "Saracinesca"
"A singularly powerful and beautiful story.... It fulfils every requirement of artistic fiction. It brings out what is most impressive in human action, without owing any of its effectiveness to sensationalism or artifice. It is natural, fluent in evolution, accordant with experience, graphic in description, penetrating in analysis, and absorbing in interest."—New York Tribune.