'I know I have,' Logotheti answered with admirable contrition. 'I'll wait a day or two before I ask anything; perhaps you will have forgiven me by that time.'
'I'm not sure. What was the thing you were going to ask?'
He was silent now that she wished to know his thought. [{94}]
'Have you forgotten it already?' she inquired with a little laugh that was encouraging rather than contemptuous, for her curiosity was roused.
They looked at each other at last, and all at once she felt the deeply disturbing sense of his near presence which she had missed for three days, though she was secretly a little afraid and ashamed of it; and to-day it had not come while her anger had lasted. But now it was stronger than ever before, perhaps because it came so unexpectedly, and it drew her to him, under the deep shadow of the elm-tree that made strange reflections in their eyes—moving reflections of fire when the lowering sun struck in between the leaves, and sudden, still depths when the foliage stirred in the breeze and screened the glancing ray.
He had played upon her moods for an hour, as a musician touches a delicate and responsive instrument, and she had taken all for earnest and had been angry and hurt, and was reconciled again at his will. Yet he had not done it all to try his power over her, and surely not in any careless contempt of her weaknesses. He cared for her in his way, as he was able, and his love was great, if not of the most noble sort. He was strong, and she waked his strength with fire; he worshipped life, and her vital beauty thrilled the inner stronghold of his being; when she moved, his passionate intuition felt and followed the lines of her moving grace; if she rested, motionless and near him, his waking dream enfolded her in a deep caress. He felt no high and mystic emotion when he thought of her; he had never [{95}] read of St. Clement's celestial kingdom, where man and woman are to be one for ever, and together neither woman nor man, for such a world could never seem heavenly to him, whose love was altogether earthly. Yet it was Greek love, not Roman; its deity was beauty, not lust; the tutelary goddess of its temple was not Venus the deadly, the heavy-limbed, with a mouth like a red wound and slumbrous, sombre eyes, but Cyprian Aphrodite, immortal and golden, the very life of the sparkling sky itself sown in the foam of the sea.
Between the two lies all the distance that separates gross idolatry from the veneration of the symbol; the gulf that divides the animal materialism of a twentieth-century rake from the half-divine dreams of genius; the revolting coarseness of Catullus at his worst from himself at his best, or from an epigram of Meleager or Antipater of Sidon; a witty Greek comedy adapted by Plautus to the brutal humour of Rome from Swinburne's immortal Atalanta in Calydon. Twenty-five centuries of history, Hellenic, Byzantine and modern, have gone to make the small band of cultivated Greeks of to-day what they are, two thousand and five hundred years of astounding vicissitudes, of aristocracy, democracy and despotism, of domination and subjection, mastery, slavery and revolution, ending in freedom more than half regained. We need not wonder why they are not like us, whose forefathers of a few centuries ago were still fighting the elements for their existence, and living and thinking like barbarians.
The eyes of the Greek and the great artist met, and [{96}] they looked long at one another in the shade of the elm-tree on the lawn, as the sun was going down. Only a few minutes had passed since Margaret had been very angry, and had almost believed that she was going to quarrel finally, and break her engagement, and be free; and now she could not even turn her face away, and when her hand felt his upon it, she let him draw it slowly to him; and half unconsciously she followed her hand, bending towards him sideways from her seat, nearer and nearer, and very near.
And as she put up her lips to his, he would that she might drink his soul from him at one deep draught—even as one of his people's poets wished, in the world's spring-time, long ago.
It had been a strange love-making. They had been engaged during more than two months, they were young, vital, passionate; yet they had never kissed before that evening hour under the elm-tree at Versailles. Perhaps it was for this that Konstantin had played, or at least, for the certainty it meant to him, if he had doubted that she was sincere. [{97}]